As his debut novel, Duncan Ralston delivers a solidly spooky and unique ghost story to read on a rainy day or while boating at your local lake.
Here's the premise: When Owen was a kid, he sees a vision of a mustachioed man walking on the surface of a lake while vacationing with his family that haunts his memory. When he is 15, he and his sister find some old photos of his mother and this mysterious fellow, who used to be a preacher. It turns out that his mother was from a small Ontario town that fell victim to eminent domain and was flooded to make room for a hydroelectric dam. Owen was born and raised in this very town for the first five years of his life, but has little memory of his early childhood. He also has no idea as to the identity of his biological father, and his mother won't talk about him other than he was "a great mind who wandered away."
It turns out that the house he grew up in is still at the bottom of this lake, which has become a bit of a tourist attraction for amateur divers and scrap dealers. Many years later, Owen's sister rents a cabin on the lake and goes out diving to see what she can "salvage" of her brother's boyhood, but mysteriously drowns. Now it's Owen's turn to visit the spot and see what he can discover about his sister's death, his own past, and the mystery of the preacher with the mustache that he has dubbed "The Shepherd."
The novel's focus is on the theme of baptism and the violence inherent in the imagery, evoking the inate fear of drowning. There's quite an intelligent little mystery here, and though I can't say that it is particularly scary, the strength of the book is that it bathes us in unsettling set pieces with which all of us are familiar--being out on a body of water with a storm coming in, the isolated beauty of being alone in a cabin in the woods, the welcoming but yet dangerous cult-like intensity of religious extremism, the childish thrill of hide-and-seek, the flashing of a failing bulb in a lamp, and unexpected noises in a dark place.
Characterization is a bit mixed. On the positive side, I enjoyed the protagonist, Owen, and his sister Lori. I usually don't identify with the main characters of most books and film, but here we have a guy my age who grew up with a friendly bond with his younger sister like I did, and who shares some similar personality traits. He's friendly, yet kind of a pain in the ass; awkward at times, but very competent. For example, he goes into a bar and asks what draft beers they have when he's standing right in front of the row of taps. There was also a scene where he rents a boat to go diving. He tries to park the boat alongside a floating dock moored in the middle of the lake, but he's not the most proficient with outboard motors, forgetting that you have to steer the engine in the opposite direction to where you want the boat to go. The result is that he's circling around a few times and eventually slams it bow-first into the side of the dock until he can scramble to the edge and physically hold the boat in place, all the while a local woman is staring at him and shaking her head incredulously. But I like how he doesn't let his inexperience get in the way of what he wants to do.
But the problem with the cast is twofold. First of all, we spend some considerable time with people who have ultimately very little bearing on the story, while others who are supposed to be important players in the mystery hardly feature at all. Secondly, the female protagonist, Jo, starts off as a brutally cynical, curt, and slightly manic personality. She is delightfully eccentric and independent. But out of the blue she becomes the romantic interest for Owen, and once she does, her character completely changes. She becomes more childlike, clingy, emotional--more of a stock girlfriend character who provides much of the excuse for exposition--and as such, she is much less interesting.
Also, I did not connect with any of the motivations for most of the characters. I can't really talk about it here without spoilers, but let's just say that once the "mysteries" are revealed, you will likely be scratching your head as to how any of it makes a lick of sense. Just when I felt I may understand what the author was trying to convey with the story, he'd then overcomplicate it. In the end, it didn't seem he knew just what he wanted from his characters, whether they be villains or protagonists. It all got a bit muddled. I'm not sure if I spent more time thinking about it if it would make more sense or if I would just uncover more holes that would ultimately leave a bad taste in my mouth. I don't think I care enough to think about it any further, and perhaps that's for the best.
Because as it stands, it was a pleasant way to kill a few hours. I enjoyed it, there was nothing offensive or irritating about it, but I'm not likely to recommend it very highly or to read it again. Horror fans who tend to prefer ghost stories, hauntings, and mysteries will enjoy this well enough. As such, "Salvage" gets a solid three stars.