An archaeological exploration of the mysterious world of cave art through the ages Deep underground, some of humanity’s earliest artistic endeavors have lain untouched for millennia. The dark interiors of caves, wherever they may be found, seem to have had a powerful draw for ancient peoples, who littered the cave floors with objects they had made. Later, they adorned cave walls with sacred symbols and secret knowledge, from the very first abstract symbols and handprints to complex and vivid arrangements of animals and people. Often undisturbed for many tens of thousands of years, these were among the first visual symbols that humans shared with each other, though they were made so long ago that we have entirely forgotten their meaning. However, as archaeologist Bruno David reveals, caves decorated more recently may help us to unlock their secrets. David tells the story of this mysterious world of decorated caves, from the oldest known painting tools to the magnificent murals of the European Ice Age. Showcasing the most astounding discoveries made in more than 150 years of archaeological exploration, Cave Art explores the creative achievements of our remotest ancestors and what they tell us about the human past. 215 illustrations
Bruno David est un naturaliste français spécialisé en paléontologie et en sciences de l’évolution et de la biodiversité. Depuis 2015, il est président du Muséum national d’Histoire naturelle (MNHN).
Il a été chercheur au CNRS et directeur de l’unité Biogéosciences à l’Université de Bourgogne. Paléontologue et biologiste marin, ses recherches l’ont conduit à explorer l’évolution de la biodiversité à partir de modèles actuels comme fossiles. Bruno David a participé à plusieurs grandes missions océanographiques, notamment dans l’Océan Austral, la mer des Caraïbes et dans le Pacifique avec le submersible Nautile.
WOW! Authoritative, gripping, and full of photos that capture your imagination. Who braved the dark depths of caves to paint tens of thousands of years ago, and why? By telling us what we know about cave art (and how we know it), Bruno David firmly connects us with our prehistoric past. I loved this book in so many ways.
An excellent dive into cave art. David touches on not only the history of the discovery of each cave and the history of discussion surrounding the art within, but on how the age of the art was dated both upon discovery and as technology improved. Also, one of the few books on cave art that substantially includes art from ouside Western Europe in the conversation. This book also does a great job of comparing regions of cave art while including the scope of known Paleolithic Art as a whole. This book is approachable for amateur and working archeologists, and a very good way to get people excited and knowledgeable about this subject.
This was a nice overview of several prominent cave art sites, as well what they might mean, how they were dated, and other facts. There's plenty of pictures as well, though I could always use more.
It approached cave art with cultural sensitivity and the last chapter was how cave art made today is important to various cultures around the globe.
All in all, I liked it. It was well-written, but still not the most entertaining read. I think I got what I wanted out of it.
This is a great introduction to the features of known cave art sites. The book describes the sites that have been discovered, and also goes into what we have been able to determine about who may have been responsible for the creation of the many paintings (as well as sculptures). Coverage of cave art from the Ice Ages is thorough, but the book's final sections also explore some more recent cave art in Australia as well.
Dating techniques of the cave paintings and drawings are discussed, along with the challenges involved with establishing dates that can be relied upon (e.g., perhaps some of the drawings are more recent than expected due to carbon dating, but were done with charcoals that were remnants of ancient fires).
While the potential meanings of the art is considered, this is something that is still highly speculative.
Cave Art provides an introduction to palaeolithic art forms while also delving into interpretations, old as well as recent. I found the book highly enjoyable, though not markedly different from other books available on the topic. The writing is good and consistent, the information is presented ina credible and easily read format, and the book is richly illustrated, which contributes greatly to the joy of reading. Recommended for people with an interest in cave art, whether they be archaeologists or fascinated laypeople.
Although I expected a more general overview of cave art and with some aesthetic analysis, this book, focusing more on the archaeological aspects of how these works are authenticated, was still a lot of fun to read. I do wish the author had dedicated more time to the Americas and Africa, but for a cursory introduction into the evolution of cave art it is a pretty cool book.
Aside from the too-detailed chapters on scientific analysis, this is a first class, readable overview and introduction to the deep and challenging issues surrounding cave art. The well selected images give enormous extra support.
Read a few years after "The mind in the cave", which it merges with, beautifully.
Interesting, easy to read, good overview about mostly European paleolithic cave art, lots of good pictures of the cave artworks. Some unnexessary pc commentaries in connection eitj Aboriginal art.