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荒神
時間是元祿的太平盛世。
遠離京城的東北小藩香山藩所管轄的山村慘遭一夜滅村。
九死一生的少年蓑吉逃到了和香山藩敵對的永津野藩境內，獲得永津野重臣曾谷彈正的妹妹朱音的救治。
然而蓑吉太過恐懼，封閉了那個夜晚的記憶，無人知曉蓑吉的故鄉究竟發生什麼事情。
不久永津野藩內也發生了相同的慘劇，蓑吉這才憶起那個夜晚的全貌。
一隻不可能存在的怪物竟現身人世，牠的尾巴掃過之處，寸草不留，牠的血盆大口吞下一個又一個無辜的村民……
於是蓑吉、朱音、傾慕朱音的保鏢宗榮、香山藩主的侍從‧直彌等等住在山腳，仰望山神鼻息生存的人們全被捲入了這場難以理解的災厄。
卑微的人類究竟應該如何面對突如其來的終極災難？
這隻怪物又是為了什麼，才在此時出現？
一切都得追溯到數百年前的兩藩糾葛……
遠離京城的東北小藩香山藩所管轄的山村慘遭一夜滅村。
九死一生的少年蓑吉逃到了和香山藩敵對的永津野藩境內，獲得永津野重臣曾谷彈正的妹妹朱音的救治。
然而蓑吉太過恐懼，封閉了那個夜晚的記憶，無人知曉蓑吉的故鄉究竟發生什麼事情。
不久永津野藩內也發生了相同的慘劇，蓑吉這才憶起那個夜晚的全貌。
一隻不可能存在的怪物竟現身人世，牠的尾巴掃過之處，寸草不留，牠的血盆大口吞下一個又一個無辜的村民……
於是蓑吉、朱音、傾慕朱音的保鏢宗榮、香山藩主的侍從‧直彌等等住在山腳，仰望山神鼻息生存的人們全被捲入了這場難以理解的災厄。
卑微的人類究竟應該如何面對突如其來的終極災難？
這隻怪物又是為了什麼，才在此時出現？
一切都得追溯到數百年前的兩藩糾葛……
- GenresFiction
544 pages, Paperback
First published August 20, 2014
3 people are currently reading
10 people want to read
About the author
Miyuki Miyabe
308 books552 followersSee also 宮部 みゆき (Japanese language profile) and 宮部美幸 (Chinese language profile).
Miyuki Miyabe (宮部みゆき Miyabe Miyuki) is a popular contemporary Japanese author active in a number of genres including science fiction, mystery fiction, historical fiction, social commentary, and juvenile fiction.
Miyabe started writing novels at the age of 23. She has been a prolific writer, publishing dozens of novels and winning many major literary prizes, including the Yamamoto Shūgorō Prize in 1993 for Kasha and the Naoki Prize in 1998 for Riyū [The Reason] (理由). A Japanese film adaptation of Riyû, directed by Nobuhiko Obayashi, was released in 2004.
Miyuki Miyabe (宮部みゆき Miyabe Miyuki) is a popular contemporary Japanese author active in a number of genres including science fiction, mystery fiction, historical fiction, social commentary, and juvenile fiction.
Miyabe started writing novels at the age of 23. She has been a prolific writer, publishing dozens of novels and winning many major literary prizes, including the Yamamoto Shūgorō Prize in 1993 for Kasha and the Naoki Prize in 1998 for Riyū [The Reason] (理由). A Japanese film adaptation of Riyû, directed by Nobuhiko Obayashi, was released in 2004.
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November 10, 2019
일본의 시대극에 괴수물을 결합했다. 일본 특유의 주술 문화나 번 사이의 대립, 무사나 계급 사회, 정서들을 잘 조합했다. 다양한 사연과 성격의 인물들이 등장해서 이야기를 이끌어가는 것이 오밀조밀 재밌었다. 일상의 대화 속에서도 작가의 섬세함이 좋았다. 스티븐 킹 소설 읽을 때 별 거 아닌 일상도 이 사람은 읽을만 하게 잘 쓰는구나 생각했는데 미야베 미유키도 그런 느낌을 받았다.
Displaying 1 of 1 review