‘Childhood resiliency in a dangerous adult world’
Canadian author Hannah Holborn has created art out of life. Her series of books ‘A Missing and Exploited Suspense Series’ reflects her personal experience as an orphan and in the foster care system. As an adult she has spent making the world a safer place for society through rehabilitation work with inner city youth, the mentally ill and brain-injured adults. ‘Many of my clients were diagnosed with schizophrenia and as sociopaths, narcissists and psychopaths. I often worked one-on-one with dangerous individuals when few others could.’ Her rehabilitation work with trauma survivors inspires her dark, addictive suspense novels.
Authors who embrace richly colorful, atmospheric prose to relate stories of profound terror and suspense succeed in ways other writer’s more concerned with grizzly details rarely do. That is Hannah’s approach. Her writing is eloquent, creative, flowing even as she paints her blemished characters. Some excerpts for the opening chapter underline this trait: ‘He smells it coming. Not the powdery flakes with lacy patterns that children stick out tongues to taste, the kind of fluff that has fallen from November through early December. No, what’s coming is wet, heavy quicksand-snow, the kind to bury a person. Window-blocking, roof-crushing, mad snow: the snow of nightmares. The short, fat man sniffing the air is the last male in the Crawley family line. He stands alone on a cabin’s porch in the fading light. Although his first name is Willard, no one has ever made the mistake of calling him Will or Willy: not his parents, not the neighbors from his early childhood, not even himself. He has never managed to earn affection… Although Willard has been isolated in the wilderness for most of his life, he always feels spied-upon and always senses danger. His fears are not unjustified; there are Crawleys left alive who’d like to see him beaten to a pulp or buried feet-first in the suffocating snow. There are Crawleys who would do the job. Willard does not believe his family’s accusation that he is a killer. He does believe other nasty things about himself, however, convinced by the grandfather who stole him away from the family and raised him.’ And that tone surfaces on every page – beautiful writing.
But on to the story as Hannah has provided in her synopsis: ‘Meet Detective Harvey Sam, a small town cop who wants two impossible things—a happy family and a perfect solve rate. Harvey's training at The National Center for Missing & Exploited Children prepared him for the most important case of his career to date, the abduction of eight-year-old Gabriel Wheeler. Nothing, however, could prepare him for the boy’s blame-shifting mother from hell who shoots up instead of alerting police when the boy goes missing. Nor is Harvey equipped to deal with the heartbreak when his girlfriend leaves him on the same night, taking Effie, the non-biological young daughter Harvey adores. The case goes cold when Harvey fails to interview Effie’s best friend, the only witness able to identify the perpetrator’s car. As police resources are wasted on dead ends and wrong suspects, Gabriel receives unlikely help to escape from Willard Crawley, a simple-minded abductor seeking a replacement for the infant brother he accidentally suffocated years before.’
Hannah Holborn has a solid talent and is unafraid to place before her readers aspects of life too few understand. It is likely that with her successful series more people will become aware of the issues the flood the pages of her novels.