Somehow I missed this when I first read this series.
There is a thing that KJ Charles has with the English language. It smacks of a love affair, deep and everlasting. The way she USES the language, MANIPULATES the language, CARESSES the language is simply astonishing. She is the absolute master of dry sarcasm and scathing wit. When her stories include letters between characters, she seems to take it up yet another notch (because writing can be so much more freeing than speaking) to a level that is almost painfully exquisite.
Caveat for me - Dom and Silas' sexual interactions are unsettling to me. I tend to try to skim past as much as I can, sort of the mental version of plugging my ears and singing "la, la, la, I can't HEAR you..."
Anyway, I loved these "outtakes". I love these characters. I personally won't be happy till I read a full on book about Ash and Francis .... Francis surely has a story to tell, one that is full of sharp edges and hidden depths, and the mix of Francis and Ash is .... *head explodes, but in a good way *
As soon as I was done, I went and reread A Gentleman's Position again. That's a painful read because I just want the barriers to be effing breached already, but overall it still leaves me breathless. David Cyprian is a creation of such beauty, he feels almost preternatural but not in the paranormal way. (Daniel da Silva in Think of England is a similar such creature.) The ending touch of the secret of Richard's portrait? Classic, beautiful, brilliant.
Now, I have not liked everything KJC has written (and that astonishes me), but when I connect with her storyline/characters, it is a reading experience that brings me back to her books again and again.