With their 2008 graphic novel retelling of a Korean Cinderella folktale, with Pigling: A Cinderella Story Dan Jolley (author or rather reteller) and Anne Timmons (illustrator) present the story of Pear Blossom, with text and accompanying artwork for Pigling: A Cinderella Story engagingly and descriptively showing a young girl doted on by her elderly parents, well, that is until Pear Blossom's mother dies and her grieving father decides to marry a woman with a daughter of her own.
However (but of course rather typical of Cinderella stories worldwide) Pear Blossom's stepmother and stepsister are both majorly and absolutely mean-spirited, jointly and gleefully conspire to make Pear Blossom’s life as difficult and as miserable as possible, inventing wearisome tasks, constantly being insulting, giving Pear Blossom the cruel nickname of Pigling (and with Pear Blossom's father and equally akin to Cinderella tales in general both too weak to protect his daughter from his new wife's and his stepdaughter's nastiness and also as is pretty clearly shown in particular by Timmons' cartoons for Pigling: A Cinderella Story too dissipated and too disinterested to consider helping). Yet albeit many of Pear Blossom’s tasks seem to be impossible (like filling a leaky water jug, hulling a large pile of rice, weeding the family's neglected and overgrown rice paddies), a magical frog, a flock of birds and a large bull come to Pear Blossom's aid, and Pigling: A Cinderella Story ending with the Korean Cinderella marrying a high ranking magistrate who has fallen in love with her at a village festival. And yes, I do indeed find it both interesting and of folkloric importance just how many parts of Pigling: A Cinderella Story are in fact quite similar to both the Brothers Grimm's Aschenputtel and to Charles Perreault's Cendrillon and that the magical bull of Pigling: A Cinderella Story equally appears in many Irish, Scottish and Breton Cinderella stories, so that for me, so that in my humble opinion, all of this should really be presented by Dan Jolley as a detailed author's note, and that while I certainly appreciate the inclusion of a glossary and a bibliography for Pigling: A Cinderella Story, the absence of specific information showing how Pigling: A Cinderella Story compares to global Cinderella folklore is certainly just a wee bit disappointing (not so much for my inner child of course but definitely rather massively for my interested in comparative folklore older adult reading self).
Now and finally, although Dan Jolley’s text for Pigling: A Cinderella Story relies rather heavily on narration, his decision to primarily tell rather than to show definitely serves a good and useful purpose, allowing readers access to an engaging and interesting folktale while at the same time also teaching and featuring many details regarding Korean culture, and with Anne Timmons’ colourfully appealing artwork using the aesthetic conventions of American/European comics to tell a Korean Cinderella story in a naturalistic, realistic and visually evocative fashion, with text and images for Pigling: A Cinderella Story working very nicely together to provide a delightful both verbal and illustrative story (not OwnVoices, but respectfully rendered, and yes, that the only reason why my rating for Pigling: A Cinderella Story and for Jolley's words and Timmons' artwork is not yet five stars being the above mentioned lack of folkloric Cinderella information).