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The Poetical Works Of Joseph Addison

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

242 pages, Hardcover

First published January 1, 1718

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About the author

Joseph Addison

1,512 books87 followers
English essayist, poet, playwright, and politician.

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Displaying 1 of 1 review
Profile Image for Lukerik.
604 reviews6 followers
June 2, 2019
My copy was printed in 1784. France was a kingdom, America a colony and Australia an outline on a map. Not the kind of thing I normally read, but when someone offers you a copy for £1.99 you barrel the Blue Rinse Brigade out of the way in your haste to the till.

What we have here is literary fellatio. In the case of The Campaign Addison has been asked to drop to his knees, but looking at the addressees of the other poems - Dryden, Lord Keeper of the Great Seal, the King - it’s quite obvious that he has, without a by-your-leave, popped their cocks out and given suck.

The poems are technically pretty good and largely inoffensive, but the contents totally inconsequential. Addison’s interests are power, fame and Britannia. If he weren’t a man of such stature for other reasons they would never have been reprinted.

The best things in here are some translations out of Ovid and Vergil. I have no idea if they would be considered good translations, but Metamorphoses in particular is good fun. Highly imaginative with good CGI and funny at times. I think it’s interesting what he chooses to translate, so we have Vergil’s Fourth Georgic addressed to Maecenas, itself a patronage poem.

There’s also an introduction which is good even by modern standards.

On the whole I enjoyed the book but largely because it was nice to read something so old.
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