Jump to ratings and reviews
Rate this book

Authenticities: Philosophical Reflections on Musical Performance

Rate this book
How are we to assess the current popularity of period instruments and early-music performance? For musicians and audiences alike, the "historical authenticity" movement has increasingly influenced the performance of classical music. It has given us, claims Peter Kivy, "new and rewarding ways of listening to our musical reportory (as well as silly, vulgar, and unrewarding ones)." He believes that theory now overrules the ear in arguing for and justifying particular aesthetic decisions. In his customary engaging style, Kivy here mounts a philosophical inquiry into the desirability of using or re-creating historical performance. "Authenticity has become so widely accepted," he writes, "that why it should be accepted has become an unasked, indeed a forgotten question among the converted." In "How to Be Authentic," the first section of his book, he examines four different kinds of authenticity; in the second part, "Why to Be Authentic," he suggests how to evaluate them. Discussing issues that he cares about passionately, Kivy provides ammunition for both camps―those who follow authentic performance practice and those who do not. It is his hope that this book provides the groundwork for dialogue between mucisians and philosophers. "I look forward to that," he says, "and to being, when it comes, in the thick of things."

320 pages, Paperback

First published August 1, 1995

5 people are currently reading
44 people want to read

About the author

Peter Kivy

43 books11 followers

Ratings & Reviews

What do you think?
Rate this book

Friends & Following

Create a free account to discover what your friends think of this book!

Community Reviews

5 stars
6 (42%)
4 stars
4 (28%)
3 stars
4 (28%)
2 stars
0 (0%)
1 star
0 (0%)
Displaying 1 of 1 review
Profile Image for Carol.
1,416 reviews
April 6, 2022
In this book on musical philosophy and aesthetics, Kivy responds to the historically informed performance movement by examining the concept of authenticity, its goals, and its desirability. This book was rather intellectual and thinky, but in a very good way. Kivy lays out his arguments very clearly and logically, using just enough examples and the right amount of detail. I like how he always refers back to the realities of both listening to and making music to ground his theses. His writing is surprisingly enjoyable for such an intellectually dense book. Despite the nature of the material, Kivy maintains a lively and almost conversational tone, like a professor giving an excellent lecture. Regardless of how much I ultimately agree or disagree with his conclusions, I quite like thinking along with Kivy.
Displaying 1 of 1 review

Can't find what you're looking for?

Get help and learn more about the design.