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Fury
Disturbed by strange memories and violent passions, an upwardly-mobile New Yorker discovers with the aid of a channeller that she was once a Cro-Magnon, the target of a murderer who still stalks her.
- GenresHorror
329 pages, Paperback
First published January 1, 1989
4 people are currently reading
91 people want to read
About the author
John Coyne
62 books35 followersJohn Coyne (born 1937) is an American writer. He is the author of more than twenty-five nonfiction and fiction books, including a number of horror novels, while his short stories have been collected in "best of" anthologies such as Modern Masters of Horror and The Year's Best Fantasy and Horror. A former Peace Corps Volunteer and a life-long lover of golf, Coyne has edited and written a number of books dealing with both subjects, the most recent two novels areThe Caddie Who Knew Ben Hogan and "The Caddie Who Played With Hickory".
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Displaying 1 - 4 of 4 reviews
October 20, 2023
So far my favorite out of his books. It got all the action, horror, drama, history, conflict, emotions, and mysteries in a story. Loved the museum and road trip sceneries making more excited.
All the revenge violence I have to recommend this satisfaction for the public who want to see some justice in this world.
All the revenge violence I have to recommend this satisfaction for the public who want to see some justice in this world.
July 26, 2023
This novel starts off as one thing, and end as something completely different. I love those.
It’s pretty much advertised as a horror story, but it isn’t, really. I would say it’s one more story not fitting into any genre, which is great. I prefer those.
Jennifer Winters is a more or less average, no-nonsense modern businesswoman. She is frustrated beneath the polished surface, though, and doesn’t know why. When an old friend makes an attempt to pull her onto a new path, she rejects it out of hand as ridiculous.
Later and shocking events she cannot ignore forces her out of her comfort zone, pulls her so far off the straight and narrow that she can hardly see the path ahead of her anymore, and there’s no way back to her dull, ordinary existence.
The story begins right away. Very little of significance has happened before the first line, and there is no explanation, even though the Shirley MacLaine quote gives one possible clue for those of us knowing one crucial fact about her. We need to actually read the story for the explanation. Another good thing. We’re privy to Jennifer’s thoughts, and we experience the events through her, including her growing incredulity and fear as the story progresses. She has no idea what’s truly happening, and we don’t have either.
The story does progress at an excellent pace. We’re slowly given more information, even though that doesn’t help much at first. The necessary confusion prevails, without the story becoming convoluted. There is a great balance to it. We’re torn between doubt and certainty in just the right way.
The end is satisfying, and for most people it would feel a little strange, but also right, a natural progression of the story we’ve read. I liked it. I can’t claim to actually be enthusiastic, but the ending was still a great payoff. Everything makes sense to Jennifer, and to us at the end, even though it was far from the ending we expected. It made sense because it wasn’t the ending we expected.
Recommended.
It’s pretty much advertised as a horror story, but it isn’t, really. I would say it’s one more story not fitting into any genre, which is great. I prefer those.
Jennifer Winters is a more or less average, no-nonsense modern businesswoman. She is frustrated beneath the polished surface, though, and doesn’t know why. When an old friend makes an attempt to pull her onto a new path, she rejects it out of hand as ridiculous.
Later and shocking events she cannot ignore forces her out of her comfort zone, pulls her so far off the straight and narrow that she can hardly see the path ahead of her anymore, and there’s no way back to her dull, ordinary existence.
The story begins right away. Very little of significance has happened before the first line, and there is no explanation, even though the Shirley MacLaine quote gives one possible clue for those of us knowing one crucial fact about her. We need to actually read the story for the explanation. Another good thing. We’re privy to Jennifer’s thoughts, and we experience the events through her, including her growing incredulity and fear as the story progresses. She has no idea what’s truly happening, and we don’t have either.
The story does progress at an excellent pace. We’re slowly given more information, even though that doesn’t help much at first. The necessary confusion prevails, without the story becoming convoluted. There is a great balance to it. We’re torn between doubt and certainty in just the right way.
The end is satisfying, and for most people it would feel a little strange, but also right, a natural progression of the story we’ve read. I liked it. I can’t claim to actually be enthusiastic, but the ending was still a great payoff. Everything makes sense to Jennifer, and to us at the end, even though it was far from the ending we expected. It made sense because it wasn’t the ending we expected.
Recommended.
December 12, 2020
Read in 1990. Horror fiction.
August 25, 2021
A convoluted attempt at being a shocking mystery regarding past lives that gets bogged down in melodrama, and signals it's "twist" much too early.
Displaying 1 - 4 of 4 reviews