Evanescent. Restrained. Ethereal. These are some of the words used to describe the architecture of Kengo Kuma, one of the most heralded of a new generation of Japanese architects. A recent article in Architecture writes of Kuma that "he strives to give his buildings the qualities of a rainbow, composed of shimmering particles, more illusion than object, that change as you look at them." Increasingly the focus of international renown, Kuma's work is characterized by a delicate simplicity and minimalism, incorporating a wide range of ephemeral transparencies. Their ineffable vibrancy is achieved largely by the extensive and skillful use of metal, wooden, bamboo, and even stone louvers or slates, as well as paper, plastic, and glass surfaces or membranes. His use of new, sophisticated, and efficient technologies, his sensitivity to site, and his attention to the ecological and prevailing social context of his work are all explored in Kengo Selected Works , the first full-length monograph on the work of this enormous talent. Included are all of Kuma's most recent projects, including the Museum of Ando Hiroshige, the Stone Museum, the Horai Onsen Bath House in Atami, Louis Vuitton Tokyo Headquarters, and the Nagasaki Prefectural Museum. Kengo Selected Works is an essential addition to the library of anyone interested in the best contemporary architecture.
Since this was published 2005, none of the projects through which I've come to know Kengo Kuma for were featured. That aside, I wish the author was able to include more specific pictures or drawings to what made each project unique. Nevertheless, the balance between text and photos were excellent and I was able to breeze through without needing a "thinking" break. Excellent for those who would like to understand how Kuma approaches his designs without being constrained to being a single-material architect such as Ban and Ando.