Beyond the Looking Glass is an anthology of ten fairy tales from the Victorian era. Three of the stories are novellas, and one is a long poem (Goblin Market, by Christina Rossetti). Each story includes black and white illustrations by different illustrators of that time period.
My favorite stories are The King of the Golden River, by John Ruskin; Wooden Tony, an eerie story about a little boy who, in today’s world, would be considered autistic; and The Golden Key, by George MacDonald, a Christian mystic author, who wrote “not for children, but for the child-like, whether they be of five, or fifty, or seventy-five." I first read some of these stories about twenty-five years ago and was most impressed by The Day Boy and the Night Girl, by George MacDonald. This time around, I wasn’t as captivated by that particular story.
There is an introductory essay by the noted literary critic Leslie Fiedler, and a longer introduction—Notes on Fairy Faith and the Idea of Childhood—by Jonathon Cott, the editor of this collection.
For whatever reason, the introductory essay by Fiedler and the notes by Cott are in a smaller font size than the font size used for the stories. I found the small font size and the density of material, especially in Cott’s notes, difficult. Cott quickly plunges into intellectual depths that I found hard to follow, with frequent references to such luminaries as Gaston Bachelard, Evans-Wentz (author of The Fairy Faith in Celtic Countries), Tolkien, Freud, Jung, Walter Benjamin, and others. In my opinion, he tried to compress a whole book’s worth of fairy tale etiology and psychology into about 25 pages of text.
Four stars for the illustrations and the stories cited above. Three stars for the rest.