If anything, this volume was even worse than the previous one. In Chapter 8, Lunella's Inhuman powers emerge. At first I thought that they were causing a black child to act as a savage--very distasteful, but we soon learn that her mind and Devil Dinosaur's keep switching places. It happens three times in the chapter. Then the authors seem to forget about it until Chapter 11 despite a comparatively long passage of time during which Moon Girl (now embracing the nickname as a superhero name rather than an insult) battles a Kree boy trying to prove himself by capturing the weakest Inhuman only to fall in love with her, hence the title, "Cosmic Cooties" because Lunella, like most fourth graders, has no interest in romance.
So for two chapters, during which quite a bit happens, including developing plans for a Lego (product placement) engineering competition that Lunella believes is her ticket to a better school, and rescuing a Q train because Kid Kree took a chunk out of the Manhattan Bridge in his attempt to capture her, and a meeting with Ms. Marvel that goes off without a hitch, her switching of minds with Devil Dinosaur doesn't even rate a mention, even though a reader reading in a trade paperback in quick succession is expecting the change to continue to happen at the rate it has previously. It's only on a subsequent meeting with Ms. Marvel that the switch is made again, which leads to Kamala taking her to Bellevue Hospital and recording a voice mail for her that will presumably come in handy after Devil Dinosaur attempts to eat the Avengers communicator that Ms. Marvel gave her.
In the climax, she puts her Devil Dinosaur-controlled body into the cockpit of a life-sized robot triceratops she has made out of Legos. This is my Silver Age Lex Luthor complaint again. Even if the body is hollow, which it doesn't appear to be, how did a kid who is presented as living in a tiny apartment on the Lower East Side (where the rents are still astronomical) have access to enough Legos to do that? I remember a number of years ago seeing a Lego Harry Potter Diagon Alley playset that was $80, and it didn't even seem that large. She certainly isn't presented as a thief, but seems to have all these materials at her disposal in the tunnels under Essex Street that they were trying to turn into a commercial tourist attraction where they wanted a big cover charge to climb one of those rock walls a few years ago (in real life). I got on the train to go to work at Essex Street probably right around the time these were initially published or a little after. "It's a comic book," or "it has a mutant (actually mentioned this volume) red dinosaur in present day" don't cut it--Lex Luthor was made a billionaire industrialist thirty years ago because the character as he appeared in the 1950s and 1960s just wasn't credible, and Tony Stark was a billionaire industrialist from the moment he was introduced (1963). Peter Parker was presented as a science whiz, but his lack of resources was such an essential part of his character for so long, that we assume that the materials he used to make his web fluid an shooters was inexpensive, whereas readers, especially young readers, are likely to know how much Legos cost.
In the end, Amadeus Cho (the Totally Awesome Hulk) comes back and gives Lunella a test developed by Bruce Banner (who is apparently now deceased) that even he couldn't even solve, which she does almost immediately, and declares her the smartest person who ever lived, leading to the title of the next volume, "The Smartest There Is," a riff on Wolverine's famous "The Best There Is" motto. While Lunella is building a criticism of superhero violence, it still seems that everything we're presented with here, which is entirely from Lunella's point of view, doesn't add up to her being more than just a very bright little girl. While I found this extremely relatable--I was in the gifted and talented program and scored in the 98th percentile on my cognitive skills test (which had four components" sequences, analogies, memory (my rival, Troy Van Voorhis, who is now a chemistry professor at MIT, insisted it was of short-term memory, but short-term memory is defined as about how long it takes to hold a phone number in your head long enough to use it without looking at it again, whereas the words for the memory section were given before the first two sections of the test), and verbal reasoning), but being only average at math, no issue for Lunella, kept me from advancing through school as quickly as I should have--by keeping almost the entirety of the story from Lunella's point of view, this starts to take on the dreaded "Mary Sue" characterization of a put-upon character with few, if any, weaknesses of character.
Again, this is a three-star review. I'm not saying that it's ineffective. I definitely get a strong sense of Lunella and how she thinks to some degree, although how she thinks in terms of her engineering abilities is as mysterious as how Doctor Strange performs magic, probably because if they had an actual engineer writing it, it would be boring to most people. This certainly isn't boring, it just has enormous holes that seem way too convenient, like the seeming forgetting for two issues/chapters about how frequently the change was occurring, only for it to chime in right when the plot needed it to happen. I think it must be the art that makes this book so well-received because the writing is continuing to read hollow. As writers, one of our cardinal rules is "show, not tell," and even in the visual medium of comic books, the writers are telling us more than they are showing us. The visuals are showing us a lot of things, but more related to plot than characterization, and when your plot has too many conveniences, that's a problem.
Each issue begins with a quote from a famous scientist scientist to increase the brains perception in the reader, including African-Americans (including Mae Jemison and Neil de Grasse Tyson) as often as possible. I was particularly struck by a quote from George Washington Carver, "When you do the common things in life in an uncommon way, you will command the attention of the world." Well maybe, and I definitely don't think it applies to artists with no materials resources trying to achieve success in their field. If you can do something as ostentatious as build a life-size robot triceratops out of Legos leaving readers scratching their heads as to how you even afforded so many Legos.