This was my comic for the month – the second of three hardcovers collecting the series so far. Like the first, this is very much part of a continuing narrative and not really aa story that stands on its own with any satisfying ending. Also like the first (even moreso, really), I found it a thoroughly enjoyable and compulsively readable bunch of stylish cyberpunk popcorn. And one with a letters column that’s just a fascinating cultural and political time capsule from the last decade (remember when everyone was freaking out about Ebola? Remember when everyone was confidently saying that freaking out diseases was axiomatically a conservative trait?).
Set in a mildly post-apocalyptic, cyberpunk dystopia where what remains of the globe is divided between sixteen oligarchal famiies who rule over their serfs and chattels like absolute monarchs, the series (mostly) follows Commander Forever Carlyle – the transhuman ‘lazarus’, engineered to be the perfect champion and agent (and loyal youngest daughter) of the family which now dominates most of western North America. After the family fuckup Jonah first attempts to launch a coup and then flees into the territory of family nemesis Dr. Hock – pharmaceutical god emperor of the Eastern Seaboard – international politics rapidly heat up, and Forever finds herself in the midst of it. First attending the grand diplomatic conclave to try and arrange for her brother’s ransom, then spearheading the flailing war effort that follows as conflict breaks out across the world.
All the intricate worldbuilding details aside, this is fundamentally just the sort of story where an impossibly badass attractive woman with a sword kills many, many people in various elaborate action sequences. So in general it’s hardly breaking new ground (and, oddly enough, I find extended action sequences a bit tedious in most comics, this included). Forever is, thankfully, far more interesting and better executed as a character than most examples of her archetype (and, given the standards of the medium, basically not even slightly sexualized. Which is admittedly setting the bar pretty low, but). The whole collection turns on her fascinatingly incredibly fucked up relationships with ‘siblings’ that only sometimes remembers to pretend to care about her instead of relying on all the chemical conditioning to keep her devoted, a ‘father’ that views her as an expensive, precise and valuable tool and also (relatedly) very possibly his favourite child, and (just as importantly) the drill sergeant and geneticist who actually raised her (and raised all the previous versions of her as well) and the other families transhuman champions who are the closest thing to peers she has. It all adds up to a legitimately compelling protagonist even (especially!) when she’s not swording things.
And in between all that, there is also a lot of politics and action. I much prefer the former, but the war story that consumes a decent chunk of the collection’s later issues is (if hardly blowing any minds for originality) well-executed – very ‘first person shooter missions in graphic novel form’, but in a fun way. The constant reiteration on every angle that Hock is The Bad Guy even compared to the Carlyles and that – despite fighting for a horrifying neo-feudal, casually murderous autocracy – the war is entirely righteous and morally uncomplicated did admittedly get a little bit old, though (related to, politics aside, the creative team clearly finding a great deal of aesthetic appeal in the whole mythology and iconography of the modern american marine corps and similar).
To come back to all the little setting details – this is a series that suffers intensely from RPG Setting Wordbuilding Disease. In this case I actually mostly mean it as a compliment – the little in-universe ads at the end of each issue and the sheer care taken on the aesthetics and iconography of each family and their technology are all really well-done. But like, there’s a whole series of worldbuilding supplements giving 40 pages of information about the lands of different families available. Forever shares main billing with the world as a whole, and there are several issues edicated entirely to exploring what it looks like on the ground in various locales. And what it looks like is – certainly exaggerated and stylized, but plausible-seeming enough to be compelling and hold together. Which is a lot more than a lot of similar works can say.
As I read more relatively (like, a decade or two) old comics I’m finding reading the letters columns more and more of a draw in its own right. Both because the snapshot of how the previous issue was received is always interesting to see and (more importantly) because they provide such fascinating cultural snapshots of what was, historically, barely five minutes ago. Lazarus’ is no exception (and ‘Forever Yours’ is a very cute name for it, honestly). Unlike most I’ve read, Lazarus’ also includes something of an actual author’s note – not to say outright one or two page essay – at the end of each one. Besides getting a very vivid sense of the author’s politics (the last issue of this collection released in early 2015 but if there isn’t a de facto endorsement of Bernie somewhere in the next volume I’ll eat a hat), this is just a fun little snapshot of topical events of the day that make me feel the vast expanse of time with great force. And to loop back to the worldbuilding, it also often includes a bit of commentary on some bit of experimental technology or newly developed medicine or something and some musing on how it (or a much more advanced version thereof) might get incorporated into the setting and story. Which is probably of niche appeal, but I really do enjoy it.
Anyway – truthfully I started this right as a combination of bad news and spending a bunch of time with family left me in need of a distraction, so I may be grading it more generously than it strictly deserves. Still, I found reading issues of this like eating potato chips, and finished the entire 12-issue collection in two sittings (and it could easily have been one). Do recommend, if you enjoy the medium and genre.