Everything had been going so damn well—
I found Alan Nayes' "Abominable" to be an acceptably interesting book - and more than a positive addition to my recent "cryptid-read-a-thon" collection - with lots of intriquing and unique ideas strewn throughout. Keep in mind this book was published in 2016 which would place it fairly well ahead of the multiverse approaches of Marvel though maybe not the re-invented Star Trek movie franchises. However, if we're going to use movie analogies to summarize things - which I think is appropriate considering the book reads in many ways like a screenplay - a very safe, no risk "edits are accepted" screenplay - I would place this book squarely alongside 1997's "Jurassic Park: The Lost World" the Jeff Goldblum-centric catastrophe. Yes, I said it: catastrophe. Including zipping around town with a baby T-Rex in the car! That movie to me was about as silly as silly gets and I was sure would doom the franchise for good (do NOT take investment advice from me btw).
A twenty-eight-thousand-year-old ape, locked in some mysterious alien “specimen jar”…
Just like in that film, "Abominable" had just too much happening that had me shaking my head - all those experts including scientists, hunters, and more doing so many really stupid things again and again! Plus, I found it a tad awkward that there was little to no growth from the characters other than maybe making sure their roles would exist well into another sequel (though killing off the jerks was more than acceptable as you'll see). This is what hurt this book the most for me, namely, the repeated "oh whoever thought bringing a monster to Los Angeles would turn out bad?" events as well as the clichéd inter-departmental / -agency tensions. I would have enjoyed a lot more focus not just on but physically with the creature in question. But I guess the stress and pressure of getting grants for the University is a more realistic focal point. As a former grad student myself, I can understand why that aspect might satisfy the level of violence and mayhem many readers are seeking (that was sarcasm kids, look it up).
How could everything have gone to shit in so little time?
Don't get me wrong: this is a well-written book. Nayes' proved himself more than a worthy wordsmith and if you're like me, there were more than enough delicious new words to double-click on for clearer definition. Even the parts that I assume many might call technobabble including about the fascinatingly conceived UCO were convincingly presented although this was perhaps most responsible for what I'd consider very slow pacing, particularly in the first third of the book. Where I might then say the skill level in getting the story down on paper differed from the actual result would be first of all that there were no real surprises - interesting hypotheses, sure, but not actual plot shockers. Secondly, I'd be remiss if I didn't say that Nayes' used any examples of foreshadowing like he was swinging a particularly nasty model of cudgel at his typewriter. For example: "I want to commend you on your preparation. The ape is as docile as a kitten." Or even the classic "How bad could it really be?" So, yeah, not subtle at all, smash smash!
That big powerful smart sonofabitch outsmarted us.
Having said all that (I'm assuming at least one of you is still reading by this point), I will also say that I considered giving this book 4 stars until I read what wound up being a very unsatisfying and rushed ending. To come all this way - both literally and figuratively - and have things end like that was a real let-down. Yes, yes, we can go back and take the whole shebang to the screenplay polishers and somehow argue that nothing was finally-finalized. But as it was, that was a real 'meh' finale for me. We don't really get any true closure about the grander scheme of things - or even the budding relationship of the apparently only two attractive people in the cast. Again, I just felt the "monster" - Goliath (another aspect I would hope they'd change before filming) - deserved better with maybe even some kind of hokey ride off into the sunset closing scene. But heavy sigh, it was not to be. C'est la vie. Cue credits.