The Widow's House
is a pretty formulaic ghost story stuffed full of family secrets in a small town, a woman spurned, a missing baby, an old, crumbling near derelict house and, of course, my favorite literary device (I'm oozing with sarcasm), adultering.
Clare and her husband Jess have returned to her small hometown of Concord for a fresh start in their lives; their marriage, their professional careers and their finances.
In what feels like a serendipitous act of luck, they become caretakers to an old rambling estate nicknamed Riven House also owned by their former English professor, Alden Montague.
The bond between the three of them grows and becomes a mutually beneficial, friendly and professional relationship.
Clare's creativity is triggered by the scary tale behind Riven House and she sets out to complete a story she wrote long ago in English class.
At the same time, she is haunted by the specter of a long dead woman and feels her sanity begin crumbling in the wake of things she sees and can't explain.
In the course of her research and investigation, she unlocks the secrets to her own identity, discovers her place and her special abilities in a family she had never known about, a sinister plot, and comes face to face with her own fears, much frightening than any ghost she can ever imagine.
The story wasn't bad, I guessed a few plot points as they happened but my main issue was that I didn't like Clare.
I couldn't connect to her or empathize with her circumstances, not even when it was revealed she had a nervous breakdown and a difficult childhood.
She had a doormat personality and allowed herself to be trumped by her famous husband, kowtowing to his demands, allowing her own talents as a writer to be overwhelmed by his criticism, her low esteem and passivity.
That would explain why she doesn't realize her dick husband and former ex-girlfriend are trying to Gaslight her until the end.
Even the revelation that she could "make things happen" by thinking about it was ho-hum because I still couldn't see her as anything other than a dullard.
Her behavior was irritable especially the way she always seemed to be appeasing Jess, especially in regards to her miscarriage years ago when they were in college. It seemed as if she couldn't be without a man, having driven her old boyfriend, Dunstan, away to be with Jess, the wannabe hipster.
Jess was your typical swaggering, one-hit wonder, talent-less hack. After having published a book in his early twenties, a decade later, he is still having trouble completing his second novel. He is jealous and and resentful of Clare's talent and does nothing to encourage her flair for writing.
Alden Montague is no better; an old, doddering man past his prime whose greed and selfishness turns into a act of betrayal when he plagiarizes a story.
Clare just can't win. Cheating, murderous husband; cheating, lying dad. But don't worry, Clare's hunky, ex-boyfriend Dunstan re-enters her life just when she needs him (natch) and the ending is just what you expected.
There are no secrets in a small town where everyone knows everybody and is related to everybody.
Subplots abound; Clare's adoption and her troubled relationship with her mother, her own mixed feelings about having grown up in a small town and how her life is so similar to Mary Foley, the ghost that supposedly haunts Riven House; there is the shocking death of a neighbor and the secrets she confided to Clare. There's almost too much going on.
There are plenty of descriptions of fog swirling on the ground, boggy marshes and inclement weather to add to the morose atmosphere, not to mention the obligatory ghostly apparitions and the faint sounds of a baby crying (which is creepy in any book, no matter the genre).
The Widow's House
is my first book by Ms. Goodman and though I disliked all the characters, I would recommend the book to friends.