Clearly, the best of the three anthologies published so far by Rooglewood Press, collecting the five winners of their annual fairy tale retellings contest (of which I hope there'll be many more).
Surprisingly, four of these were 5-star reads for me. Quite the personal record! And I say "surprisingly" because, as it happened with the theme tale in the anthology before this one, it's meant to rework a tale that's not amongst my favourites. The tale known as The Sleeping Beauty in the Woods (Perrault)/Little Briar Rose (Grimm Bros.) has never figured in my top fairy tales because to me it's one of those stories with an unearned happy ending. That is, the princess is almost an accessory in her own story, never does anything to earn either her curse or her ultimate happiness. She simply exists. Sleeps for near the entirety of the story. Wakes up with a kiss and leaves with the prince (as per the Grimms, for Perrault's version doesn't end there). The End.
So, I've always been convinced that the tale's true heroes are the fairies and the prince; and that makes it one of the very rare cases where the prince isn't some generic pretty boy that appears on the last page to sweep the princess off her feet and ride into the sunset with her. Many retellings I've looked into try to "fix" this passivity by making the princess artificially into an active heroine. Strong Women, you know. Gods forbid she be passive and the fairies or the prince get all the attention! That's an idea I don't agree with; there are ways to give Briar Rose more onpage time/a larger role without robbing the fairies & prince of their protagonism.
It was great to discover that the five retellings play with all sorts of options: some keep the Sleeping Beauty in her slumbering role and let the fairies/prince/someone else carry the burden of the plot; some enlarge her role and make it equal to the others'; some make her more active in her own awakening without reducing the others' importance, etc. Quite varied scenarios, all showing that you don't have to mess with a fairy tale's core theme for the sake of contemporary ideas on how heroines should be like.
THE MAN ON A BUCKSKIN HORSE by Rachel Kovaciny
5 stars
Me, on seeing the intro's description: "A Western? You mean that 'Sleeping Beauty' can be redone as a Western?!"
In truth, every time I encounter a blurb for a retelling set in the Wild West, I'm invariably brimming with curiosity. Part of it is that the setting is appealing and means a magic-less historical setting; and part is that all the fairy tales reshaped into Westerns that I've read so far have been good. I've read Western retellings of Snow White, Little Red Riding Hood, and Beauty & the Beast before, and I know there are more for other tales, but I'd never considered Sleeping Beauty could be retold this way. I mean, how exactly would the "curse" work without magic?
Rachel Kovaciny has the answer to this question of mine: yes, it can be done as a Western, and I have to say it's an extremely creative version. Her take is one of two where the girl stays "sleeping" for most of the story, and the characters standing for the Fairy Godmother and Prince Charming are the ones to shine. I'd not have expected a midwife and a gunslinger could fulfil such roles so well, and be hilarious at the same time. Emma Thornberry is definitely my favourite character in this book. I do hope the author writes more, as I was sad to see there wasn't more books from her to hunt down.
THE GUARDIAN OF OUR BEAUTY by Kathryn McConaughy
5 stars
Definitely the retelling with the best prose. The setting is fantastical and the period is left unspecified, but it does strongly resemble Ancient Mesopotamia. In this version, the princess has a hand in her own rescue, earning her salvation long before the curse catches her, so when it finally does and she has to spend a century sleeping, you know she has worked for her ending before and during that point. And the prince, Nerbalatan, is a very likable fellow you can't but cheer for, too.
THE GHOST OF BRIARDALE by Grace Mullins
5 stars
The funniest retelling of them all, taking place in a lunatic asylum. Yes, I know that's likely to cause sceptical eyebrows to be raised, but trust me here, it does work and rather well. The cast of characters is the largest as well, for besides the princess (who stays asleep most of the time), there's the insignificant clerk mistaken for a True Hero, a giant and a dwarf that failed at True Heroism, an eccentric and clumsy ghost, three fairy godmothers, two corrupt True Heroes, an intimidating Elf king, a villainous sorceress, a repentant apprentice of sorcery, and a charming Slavering Swamp Beast.
There are so many twists and turns here that you might be pressed to run to catch up with the pace, and the resolution isn't what I'd have expected (in a good way). The titular "Sleeping Beauty" might not be particularly likable to some, but that's likely to matter considering the plot and the other characters. Oh, and this author is another who must keep writing more, she's good.
SPINDLE CURSED by Michelle Pennington
4.5 stars
I wavered over the rating for this one, and although I am still a tad doubtful, I went for the above rating because of the storyline in general. The problem for me was that I didn't feel the main characters "click" much as a couple, i. e. not as much chemistry as there should be. Does that matter? Well, it does, because this retelling is construed as a romance. The other stories do have romance as well, but they're not written as traditional romances like this one was, and in traditional romantic storytelling, the hero & heroine interaction is key to making it compelling.
I also think the motivations of the villainess that opposes Princess Arabella weren't as clearly explained. Lust for power? Fair enough, but that's spelt out by the end. And how come nobody ever suspects her in over a century? Why no questions over her acts at all? These characters are a bit too naïve and unreflective.
On the other hand, the fairy godmother and the prince are well-written, and this is the only retelling in which there's a reflection on genuine love being necessary for waking up the princess. In other retellings, including the other four in this anthology, the princess is woken up with a kiss because . . . because . . . because fate? Because magic works so? Because Fairy Godmother said so? Because the Evil Fairy thought that was a safeguard to keep the curse on? Who knows! The fact is that the prince kisses the princess and that's it, curse broken and problem solved. So easy. Come on, in some cases it's not even required that love exist as a prerequisite or even that the prince be the man for the princess. This twist was refreshingly original, and thought-provoking, so I think this retelling did earn its 4.5 stars.
OUT OF THE TOMB by Ashley Stangl
5 stars
Sleeping Beauty is Sleeping Beau in this Science-Fiction-meets-Fairy-Tale retelling. And it's stupendous! It's as action-packed as Grace Mullins' retelling, but the "beauty" doesn't stay "sleeping" all the while, as the plot deals more with the aftermath of the awakening (another bonus point for creativity) instead of the events leading to it as usually happens.
The plot had a distinct Russian Revolution flavour about it for me, and, if Ashley Stangl so desired, it has potential for being turned into a series, preferably sequels that expand on the events that led to Prince Auren's entombment. There's also the possibility of retelling other fairy tales in this same universe, set before, during or after the events taking place in this novella.
I highly recommend this anthology, as it's one that can appeal to both fairy tale enthusiasts and non-enthusiasts alike.