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Plays 2: Breaking the Silence / Playing With Trains / She's Been Away / Century

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Breaking the Silence: "How well Poliakoff understands the indignities and absurdities of dispossession, the brazen pluck and ruthless cunning you need to survive it; and the bewilderment of the young who only want to be normal…One of the most thrillingly individual works of the last decade or two" (Sunday Times); Playing with Trains: "An epic drama involving a ruinous defence of a libel suit in the High Court, a running battle with two children in whom Galpin takes less interest than his proteges, misfired property schemes, and an attack on the reluctance of big business to support the idea wallahs…marvellous scenes." (Weekend Guardian); She's Been Away: "This poignant, funny film…was written by Stephen Poliakoff for Peggy Ashcroft. Her character is Lillian, thrust into a frightening and incomprehensible world after sixty years in a mental institution." (Weekend Guardian); Century: "If all British films are to be costume dramas then let them all be as intelligent and imaginative as Stephen Poliakoff's Century. The strength of the film lies not just in the strong performances or unusual storyline but in images that conflict with our idea of what the past looks like…Century deserves to be celebrated for its effortless integration of contemporary issues - immigration, genetic engineering - with a convincing historical story." (Independent)



416 pages, Paperback

First published August 25, 1994

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Stephen Poliakoff

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Profile Image for Laura.
7,137 reviews606 followers
February 15, 2014
From BBC Radio 4 - Saturday Drama:
The play tells the story of the rise and fall of Bill Galpin (Spall), a flamboyant entrepreneur who pools his fortune into backing risky inventions which are concerned with safeguarding the environment, while at the same time having a very tempestuous but poignant relationship with his two children Roxanna and Danny (Tapper and Streatfeild).

Playing With Trains is a moving family drama set over two decades, charting a "love affair" between father and daughter. It's Poliakoff at his very best, telling an intensely private story within a sweeping public drama.
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