While it is categorized as a ‘graphic novel’, Under the Shadow of the Swastika is more fact than fiction. This is creative non-fiction which tells the story of Europe during World War II. Beginning with the rise of the Nazi Party and the first signs of anti-Semitism, it progresses across Europe, tracing all the main events (and some relatively minor ones) across the continent. The narrative zooms in every now and then on some specific characters—often actual people, like Hitler himself or Dietrich Bonhoeffer, who devoted many years of his life to trying to kill Hitler—but the effect of the war is also shown through the use of fictional characters: Jews who fled Germany, only to find that the spread of Nazi power across Europe meant that they were now unsafe even in their new refuge; war correspondents; soldiers; and many victims of Nazi oppression.
As an enlightening and concise snapshot of the war in Europe, this book is excellent: it’s not excessively full of data and it doesn’t go too deep into each event—just enough to inform, which is as it should be, for a younger audience (or, really, for any audience that is to be introduced to WWII). The text is good (though I found the dialogue a wee bit unrealistic at times) and the graphics are superb. I liked that there were pages at intervals which included photographs of the events and people being discussed in the book (one especially haunting photo is of concentration camp survivors standing and staring into the camera).
At the end is additional material: a timeline, an ‘event map’ of Europe and North Africa during WWII, and—this I found most interesting of all—some trivia about the war: like the Ukrainian football team (comprised of POWs) which played a ‘friendly’ match with the Nazis, and about fashion house Hugo Boss’s connection with the Third Reich.
The one thing I didn’t like was the somewhat uneven balance between fact and fiction in the main story. I can see that introducing fictional characters—everyday people, not just those whom history remembers—is a good way of helping people relate to history, but the problem with the fictional aspect of Under the Shadow of the Swastika is that there are too many fictitious characters, with their stories continued too far apart to be coherent. Even though it might have been a lot tougher, it would’ve been more interesting to trace the lives of just a couple of characters from the start of the war to its end—for me, at least, that would have made them seem more real. As it is, I soon lost track of who was who, and wasn’t really bothered about what happened to them.