In 'Eclipsed,' playwright Danai Gurira uses the experiences of her character, The Girl, to depict a war-torn, antimoral world in which the only semblance of choice a woman has is to survive in any way she can. The Girl’s choices throughout the play are often informed not only by the civil war ravaging her country but also by the women who are desperate to protect her in what each woman believes to be the best way. Each woman is, in a sense, a different product of the war in which they live. The choices they ‘make,’ the names they ‘choose,’ none of it is theirs, but yet it becomes them, redefines them. Despite the difference in each woman’s choice—and given what little agency they possess—none can be judged for the path on which they choose to embark because as long as they are surviving, they are making the best decision possible. War has stripped these women of their names, their consciences, and, worst of all, their ability to truly choose for themselves because the only choice a woman has in the context of war is to survive in whatever way she can.