Two of the most important features of Anthony Browne’s picture book, Silly Billy, may go unnoticed to the average reader because they are nearly hidden in the summary and the back end pages of the picture book. In small print, in the beginning of the book, there is a summary: “To help with his anxiety, Billy uses the worry dolls his grandmother recommends, but he finds that they do not quite solve his problem.” Although this is a general description of the plotline of the picture book, there is a more complex theme here. It is an altruistic theme. Browne takes it one step further: Helping others can help yourself. When Billy makes worry dolls for others, he begins to not worry himself.
The reasoning, choice, and origins of the native Guatemala color scheme and patterns are explained in the end pages. In the back, on an end page, there is an illustration of a Guatemalan worry doll—dressed in the same colors as many of the colors in the book. This color scheme is present in frames and in characters throughout the book. On the same page, there is additional information: “To this day, children in Guatemala often trust their worry dolls to take away their worries as they sleep, and this custom has spread across the world.”—which gives the story some historical context. The picture book is decorated with colorful Guatemalan native patterns in This picture book’s front cover is black with colorful text lettering on the top and white lettering on the bottom text. I found it interesting that Anthony Browne is also the illustrator of this picture book.
Many of the pages of Anthony Browne’s Silly Billy are illustrated with native colors in the borders and the fonts are large print. There is a contrast in colors when the worry dolls are presented in the book. On these pages the border is white, so the colorful dolls are in contrast to the background. In the book, these pages are “worry-free” pages because these are moments when Billy is content (and worry-free). In relation to “worry-free” pages, there are two touching scenes where Billy is comforted by his parents. On this page, Billy is with his mother on one side and on the other side of the page Billy is with his father. Even with their comfort, he continues to have trouble with his worrisome mind. The story is told from a third person point of view perspective. Overall, the human figures are drawn with friendly, happy faces and expressions, but there are moments where Billy is in a despairing scene. For example, there is one scene where the protagonist is presented as a small character in a large bed and room that is relatively colorless. This is one of the few pages where the illustration run-on to both pages. Within the layout of the story, there is only one other part where the background illustration spreads over to the next page in the same manner. These sections of the story were drawn like that because they are turning points in the story. These are the times that he struggles with his doubts.
Billy’s conflict is interesting because it is an internal conflict; he wrestles with his worry. The main character is centered in the page, so the reader can see his facial expressions (supporting his feelings and the text). Happiness and comfort comes to Billy (and his facial expression) when spends time with his parents. At the conclusion of the story, after he is creating worry dolls for others, Billy is shown to be happy again.