Rene Lodge Brabazon Raymond, writing as James Hadley Chase, wrote some 89 novels with few, if any, recurring characters in them. Each one is a bit of a surprise as the reader opens it and starts reading, never suspecting which direction Chase is leading the reader in. This is quite different than many of the other prolific crime fiction writers whose immense output was premised on continuing series characters. For instance, Erle Stanley Gardner had Perry Mason. Carter Brown had Al Wheeler and Danny Boyd. Brett Halliday (or the writers who wrote as Halliday) had big redhaired Mike Shayne.
In “This Way For a Shroud,” Chase sets his story in movie-star filled Hollywood and the meat and potatoes of the story is the forces of good, personified by District Attorney Investigator Paul Conrad facing off against the many-tentacled mob syndicate boss Jack Maurer.
The story opens with Conrad being called into action when a shocking multiple murder scene emerges at movie star June Arnot’s mansion, a few miles outside fictional Pacific City and some ten miles from Hollywood, a scene which would be reminiscent of what the Mason family would later do at Sharon Tate’s home a decade and more later. The movie star is found floating in the pool with her head having been machete-chopped off and left in the dressing room. To boot, all the servants inside and outside the house had been killed as well in a bloody, gory scene that, if filmed, would have been virtually unforgettable.
Janey Conrad, clad in her new evening dress, a strapless sky-blue creation with a bodice covered with silver sequins, is angry that Paul is called to duty when they could spend the evening out. No matter what he is dealing with, she wants to go out dancing whether it is at the Ambassador Hotel (later the site of the RFK shooting) or a nightclub run by the syndicate to Paul’s embarrassment. Paul is called on the carpet about his wife’s nighttime activities and you just know she is going to be used and spit out by a suave syndicate man to get at Paul, especially when Paul has got the only eyewitness to the massacre at the Arnot mansion hidden in protective custody.
Paul plays the role throughout the novel of the dogged detective, always one step behind the bad guys, trying to figure out if there is an eyewitness to the crimes at the mansion. Maurer is the chief suspect as he was supposed to be a special friend of June’s. But everyone involved seems to be having convenient accidents before Paul can get to them. Ralph Jordan, for instance, is known as June’s current lover. He is found dead in a waterless bath, holding an old fashioned cutthroat razor. The blood on the blade looked like scarlet paint. He is: “Deader than a joint of beef: chilled beef at that,” one officer quips.
And as the bodies fall, Paul realizes that Frances Coleman might be a witness, but is one step behind the syndicate thugs sent out to take her out. In fact, in an odd storyline, two thugs are sent to an apartment to take her out, but she mistakenly thinks one of them is her blind date and her, her girlfriend, the thug, and another guy head over to the amusement park at the Santa Monica Pier to have a good time while the other thug, mystified at what is going on, trails them. In another scene that seems made for the movies, the syndicate tries to take Frances out in the maze of mirrors, a scene she barely survives. She eventually falls in head-over-heels love with one of the thugs paid to take her off the board and Paul, in a sort of unethical quandry, falls in love with Frances.
Maurer has his tentacles out all over town and it is a continual guessing game as to how many people are on his payroll or could be counted on to do what he wants them to do in exchange for leaving their families alone. Chase also offers another villain in this novel, Ferrari, a short mean man who is the cleanup man for the syndicate and can get at anyone anywhere at any time. He has never failed, he boasts.
Although Paul Conrad is the lead character, Chase presents this novel through many points of view, offering a glimpse at different points through different sets of eyes.