Hans Christian Andersen;often referred to in Scandinavia as H. C. Andersen; 2 April 1805 - 4 August 1875) was a Danish author. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales. Andersen's popularity is not limited to children; his stories, called eventyr in Danish or "fairy-tales" in English, express themes that transcend age and nationality. Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. Some of his most famous fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Snow Queen", "The Ugly Duckling", and many more. His stories have inspired ballets, both animated and live-action films, and plays.
Hans Christian Andersen (often referred to in Scandinavia as H.C. Andersen) was a Danish author and poet. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales. Andersen's popularity is not limited to children; his stories — called eventyr, or "fairy-tales" — express themes that transcend age and nationality.
Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. Some of his most famous fairy tales include "The Little Mermaid", "The Ugly Duckling", "The Nightingale", "The Emperor's New Clothes" and many more. His stories have inspired plays, ballets, and both live-action and animated films.
I didn’t manage to feel sympathy for the main character, Otto, nor for his best friend Wilhelm. Otto is gloomy and melancholic, too much affected by his past to even try to enjoy his life. The main character in The Improvisatore: A Novel of Italy, on the other hand, had a luminous, pure and childlike quality mixed with his melancholy. The first chapters when Otto first gets acquainted with Wilhelm’s family in Copenhagen are similar to Andersen’s arrival into the city as he relates it in his autobiography, feeling shy and out of place.
Overall - a good book but with a smudged ending which makes it ambiguous, what is truly happening. Normally-sized book of about 93k words.
The beginning is great and hints to a student novel, and so it remains, but the student burgher aspect is rather lost. Instead, Andersen spoils us with the characters' travels across Denmark which appears not gloomy or simply barren and cold, but full of life. The author is impeccable in painting an appealing picture.
The characters are mostly fine with some of the features prominent across the whole book (see how Otto always looks at the sky). Heinrich and Otto's relationship is strange though, and it's entirely unclear for what singular reason should Otto believe any of his words. It defies common sense. What happens with Heinrich at the end and the constant jumping between the time of action baffles and the book loses its charm because of that, although it mainly happens near the end of the story.
I wouldn't recommend it per se, but you might read it if you wish to see lively youth travelling across Denmark and acquire some pleasure in how they do it.
Andersen paints a picture of the morals of Danes during the romantic period, when we follow Otto Thostrup who shares initials with his birth place Odense Tugthus (Odense prison). The morals are so old fashioned that they are almost incomprehensible today, but as a social study, the book is very interesting, especially if you (like me) are born in Odense city in Denmark.
Having enjoyed Hans Christian Andersen’s fairy tales and having learned of his unrequited love for some of his male friends I decided to read one of his few novels with the hope that he would have explored these feelings more fully in them. However, and unsurprisingly given that the book was written in 1836, this novel turned out to be a classic coming of age story, if a little on the gloomy side. Telling the story of the title character as he completes his university exams, Andersen makes use of the familiar tropes of 19th century literature to highlight such aspects as how the nobility of a person can shine through their social strata, and how we suffer for the conditions of our birth. Although the novel does exhibit some subtle notes of homoeroticism, none of it is further explored and it is even used to alert us to the “true” love behind it. Though I have never been a fan of this type of literature, I was not surprised to learn that the book was well received in its time and am sure that even now some would find it charming.