Well, I guess I should mention that there are some very nice (if not even wonderful) nature descriptions to be textually encountered in Sharon Creech's 2002 and Carnegie Medal winning “Abused and Neglected Orphans” novel Ruby Holler. However and the above notwithstanding, both I as an adult reader and indeed also my inner child are in total agreement with not really all that much having enjoyed Creech's featured storyline, finding not only the entire manner in which the foster care system is being shown in Ruby Holler ridiculously unrealistic, but equally that with regard to the featured characters (both primary and secondary) and how Sharon Creech presents them (their back stories, personalities, behaviours), sorry, but Ruby Holler feels rather frustratingly stereotypical, with one dimensional villains and too good to be true positive characters (and that the main protagonists, that twin orphans Dallas and Florida are first and foremost gratingly annoying and not at all kindred spirits), not to mention that for the ending of Ruby Holler, Sharon Creech leaves far too many unanswered questions and threads going nowhere. And since I do not really enjoy and like Dallas and Florida all that much as individuals, as people (and also want for my reading pleasure three dimensional characters), this all also sure and of course does make it not all that easy for me to find Ruby Holler readable, approachable and joyful.
Now that being said, I do find with regard to Ruby Holler that Sairy and Tiller Morey (who take in Dallas and Florida) rather nicely remind me of Lucy Maud Montgomery's Marilla and Matthew Cuthbert (from Anne of Green Gables and with Tiller like Matthew even having heart issues, but of course the Cuthberts are siblings and the Moreys are an elderly married couple). But well, while in AOGG the Cuthberts are depicted by L.M. Montgomery as having both positive and equally not so stellar character traits (and that they must learn to trust orphan Anne Shirely just as much as she must them), the Moreys are generally just a bit too perfectly rendered by Sharon Creech, too sweet, too unbelievably positive, so that while finding similarities in Ruby Holler to Anne of Green Gables certainly makes me smile, it equally increases my frustration more than a bit, as I kind of feel like I am reading with Ruby Holler a rather diminished AOGG type of orphan story without the nuance, the delight and the magic (and that indeed, my three star rating for Ruby Holler is in fact pretty generous on my part).