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The Moorchild
Half moorfolk and half human, and unable to shape-shift or disappear at will, Moql threatens the safety of the Band. So the Folk banish her and send her to live among humans as a changeling. Named Saaski by the couple for whose real baby she was swapped, she grows up taunted and feared by the villagers for being different, and is comfortable only on the moor, playing strange music on her bagpipes.
As Saaski grows up, memories from her forgotten past with the Folks slowly emerge. But so do emotions from her human side, and she begins to realize the terrible wrong the Folk have done to the humans she calls Da and Mumma. She is determined to restore their child to them, even if it means a dangerous return to the world that has already rejected her once.
As Saaski grows up, memories from her forgotten past with the Folks slowly emerge. But so do emotions from her human side, and she begins to realize the terrible wrong the Folk have done to the humans she calls Da and Mumma. She is determined to restore their child to them, even if it means a dangerous return to the world that has already rejected her once.
241 pages, Paperback
First published April 1, 1996
83 people are currently reading
5371 people want to read
About the author
Eloise Jarvis McGraw
36 books316 followersEloise Jarvis McGraw was an author of children's books. She was awarded the Newbery Honor three times in three different decades, for her novels Moccasin Trail (1952), The Golden Goblet (1962), and The Moorchild (1997). A Really Weird Summer (1977) won an Edgar Award for Best Juvenile Mystery from the Mystery Writers of America. McGraw had a very strong interest in history, and among the many books she wrote for children are Greensleeves, Pharaoh, The Seventeenth Swap, and Mara, Daughter of the Nile.
McGraw also contributed to the Oz series started by L. Frank Baum, writing with her daughter Lauren Lynn McGraw (Wagner) Merry Go Round in Oz (the last of the Oz books issued by Baum's publisher) and The Forbidden Fountain of Oz, and later writing The Rundelstone of Oz on her own. The actual writing of the books was done entirely by Eloise; Lauren made story contributions significant enough for Eloise to assign her co-authorship credit.
She lived for many years in Portland, Oregon before dying in late 2000 of "complications of cancer".
McGraw was married to William Corbin McGraw, who died in 1999. They had two children, Peter and Lauren.
-Wikipedia
McGraw also contributed to the Oz series started by L. Frank Baum, writing with her daughter Lauren Lynn McGraw (Wagner) Merry Go Round in Oz (the last of the Oz books issued by Baum's publisher) and The Forbidden Fountain of Oz, and later writing The Rundelstone of Oz on her own. The actual writing of the books was done entirely by Eloise; Lauren made story contributions significant enough for Eloise to assign her co-authorship credit.
She lived for many years in Portland, Oregon before dying in late 2000 of "complications of cancer".
McGraw was married to William Corbin McGraw, who died in 1999. They had two children, Peter and Lauren.
-Wikipedia
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Displaying 1 - 30 of 534 reviews
September 26, 2012
The main character is difficult to identify with and yet I did, couldn't help myself. A surprising, engrossing read.
August 10, 2017
“Why, you'll be 'changed, m'dear. We'll just swap you for a human child who'll make a good servant to the Band. Half Humans never work out 'mongst the Folk. No, never do."
"But--I'm half Folk too... What if I never work out 'mongst the humans?"
"Aye, you're neither one thing nor yet quite t'other. Pity, but there 'tis.”
This is one of those books I remember reading and loving (and re-reading, over and over, until the library's copy was nearly worn out) as a kid, but wasn't sure how it would hold up reading it as an adult. So I was a bit nervous to return to it, afraid I'd find the magic had faded.
I needn't have worried. If anything, I love this book even more now; it is such a perfect blend of two different types of story--the faery-tale of the Fey, the Folk, the Little People, the clever trickster spirits of the wild places, and the torments they inflict on poor hapless mortals; and the very human story of a misfit child finding her place in a world she doesn't seem to belong to.
The former was what interested me as a kid, being infatuated with all things Other--elves and unicorns and faeries and children raised by wolves. But I think the latter element of the story, the human story about prejudice, and being different, and finding strength in being yourself, must have had more impact on me than I realized--because it feels familiar, not as a book I've read, but like I've lived it.
Many of the make-believe games I played involved a person of unknown magical abilities who is misunderstood or feared by everyone around them. Granted, this is a fairly common theme in Fantasy, but I do wonder if this book is the one that planted the idea in my imagination.
This re-read and review was prompted by the fact that Little Sister is now reading this book. I'm excited by this for a couple reasons. One, Sister is probably the closest to Saaska a human being can be, from the unquenchable physical energy (usually finding release in music) to the fey sense of mischief to the untameable blond curls. Two, this is the sort of book that all little girls who have ever felt like the freaky-odd one in the class--which is to say who have ever been a pre-teen--ought to read.
"But--I'm half Folk too... What if I never work out 'mongst the humans?"
"Aye, you're neither one thing nor yet quite t'other. Pity, but there 'tis.”
This is one of those books I remember reading and loving (and re-reading, over and over, until the library's copy was nearly worn out) as a kid, but wasn't sure how it would hold up reading it as an adult. So I was a bit nervous to return to it, afraid I'd find the magic had faded.
I needn't have worried. If anything, I love this book even more now; it is such a perfect blend of two different types of story--the faery-tale of the Fey, the Folk, the Little People, the clever trickster spirits of the wild places, and the torments they inflict on poor hapless mortals; and the very human story of a misfit child finding her place in a world she doesn't seem to belong to.
The former was what interested me as a kid, being infatuated with all things Other--elves and unicorns and faeries and children raised by wolves. But I think the latter element of the story, the human story about prejudice, and being different, and finding strength in being yourself, must have had more impact on me than I realized--because it feels familiar, not as a book I've read, but like I've lived it.
Many of the make-believe games I played involved a person of unknown magical abilities who is misunderstood or feared by everyone around them. Granted, this is a fairly common theme in Fantasy, but I do wonder if this book is the one that planted the idea in my imagination.
This re-read and review was prompted by the fact that Little Sister is now reading this book. I'm excited by this for a couple reasons. One, Sister is probably the closest to Saaska a human being can be, from the unquenchable physical energy (usually finding release in music) to the fey sense of mischief to the untameable blond curls. Two, this is the sort of book that all little girls who have ever felt like the freaky-odd one in the class--which is to say who have ever been a pre-teen--ought to read.
December 13, 2007
This Newbery Award-winning book really captured my attention. It is about the half-fairy Moql, who doesn't know she's half human until she is unable to become invisible in front of a human, and he ends up almost catching her and endangering the other fairies, or Folk as they call themselves.
They have a strange way of handling emotions; they aren't affected the same as humans and don't have the same morality (or even the same way of living within time), so they have no qualms about casting her out, switching her with a nearby un-Baptized baby named Saaski.
She then is raised as Saaski, having had her heart broken by the exile and her memory drowned in wanting to move on. She knows she is strange for a human, but doesn't know why, or why people seem to look at her strangely and call her "changeling." The book is all about her trying to find her identity and how to be accepted, and where she belongs.
This very much appeals to me because the books I write involve a character who doesn't quite know if she is human either, and has similar problems fitting in. (Well, that and I like stories about fairies.) Besides the subject matter, the book is very well-written and has a sort of old-timey feel about it without sounding forced. It's a very enjoyable read, even for adults.
They have a strange way of handling emotions; they aren't affected the same as humans and don't have the same morality (or even the same way of living within time), so they have no qualms about casting her out, switching her with a nearby un-Baptized baby named Saaski.
She then is raised as Saaski, having had her heart broken by the exile and her memory drowned in wanting to move on. She knows she is strange for a human, but doesn't know why, or why people seem to look at her strangely and call her "changeling." The book is all about her trying to find her identity and how to be accepted, and where she belongs.
This very much appeals to me because the books I write involve a character who doesn't quite know if she is human either, and has similar problems fitting in. (Well, that and I like stories about fairies.) Besides the subject matter, the book is very well-written and has a sort of old-timey feel about it without sounding forced. It's a very enjoyable read, even for adults.
April 14, 2021
"Changeling: an ugly, stupid or strange child superstitiously believed to have been left by fairies in place of a pretty charming child" Random House Dictionary, Unabridged Ed.
This was an interesting YA book. I don't usually go with fantasy books but this was a quick and to the point read. It starts off with an older couple having a baby but the baby looks "funny" not human but not fairy. As the story continues it is known that this baby, Saaski, is actually a changeling named Moql'nkkn (Moql) and she became banished by her Folk for not being smart or quick enough to wink her change in front of a human. So as she is banished she takes on the life of the baby the couple is supposed to have. Her emotions are not human, so she practices them (kinda like a serial killer) until it is met with approval from her Ma and Da. The town shuns her and blames her for the crops or animals dying. She feels so out of place as the memories slowly start coming back to her of her previous life.
The story seems to me from a Scottish or Gaelic storytelling by the speech and the mention of bagpipes.
Fun story to read in between something serious.
This was an interesting YA book. I don't usually go with fantasy books but this was a quick and to the point read. It starts off with an older couple having a baby but the baby looks "funny" not human but not fairy. As the story continues it is known that this baby, Saaski, is actually a changeling named Moql'nkkn (Moql) and she became banished by her Folk for not being smart or quick enough to wink her change in front of a human. So as she is banished she takes on the life of the baby the couple is supposed to have. Her emotions are not human, so she practices them (kinda like a serial killer) until it is met with approval from her Ma and Da. The town shuns her and blames her for the crops or animals dying. She feels so out of place as the memories slowly start coming back to her of her previous life.
The story seems to me from a Scottish or Gaelic storytelling by the speech and the mention of bagpipes.
Fun story to read in between something serious.
March 20, 2020
Although I usually like McGraw's books, I didn't care for this one at all. I provide a breakdown in this short video of what wasn't working for me and suggest a different title to try out instead.
Ages: 9 - 12
#geograpy #europe #ireland #culture
Cleanliness:
Children's Bad Words
Mild Obscenities & Substitutions - 3 Incidents: stupid, blather
Name Calling - 16 Incidents: braggart, gorm, blunderhead, imp, lackbrain, ninnies, stupid murtherin’ clodpoles, flibberjib, noddikins
Scatological Terms - 2 Incidents: bl**dy (as in lots of blood)
Religious Profanities - 16 Incidents: God’s mercy, By m’faith, How in God’s earth, Where in the name o’ Old Clootie, Luddamercy, Lor', God forbid, Godamercy , God help us
Violence - None
Religious & Supernatural: See Conversation Topics
Romance Related - 5 Incidents: A Moor Folk (pixie) seduces a male human and tires of him before the baby is born, sending him back to the real world. “A young bride stolen from her husband - a lad beguiled by love.” A man explains how he was led away by a seducing pixie. Mentions a cow’s teats. Mentions a man wasn’t wearing any clothes.
Attitudes/Disobedience - 5 Incidents: Children pick on/tease a girl, calling her strange and a freak.
A girl constantly disobeys her adoptive parents, running off to the moor because something there always beckoned to her (This is throughout the entire story and a main part of it). Disobedience turns into willingness to lie. A girl is constantly teased by the village children and she asks whether she hates them. A discussion of love and hate. A girl gets picked on/pushed around and injured by a group of children.
Conversation Topics - 7 Incidents: This story weaves in Irish folklore and fairy tales and includes fairies, elves, superstitions, pixies, moorfolk, bogles, hobgoblins. Mentions ale and cider and one character is constantly drunk and even requests drink for work done. He drinks partly because he wishes to escape the pain of a lame leg. Describes how Moor Folk (Irish pixies) aren’t loyal to family, including mates, and like being carefree. They like dancing and pranking (including stealing). A wife does not heed her husband’s wishes and sneaks behind his back. “He’s gone to his reward - that’s if the good Lord saw fit to reward him for a life spent three-quarters drunken!” After a girl disobeys, the grandma tells the girl’s parents: “She cannot help going [where she was forbidden] and you’d best make your peace with it.” A girl gets her palm read.
Parent Takeaway
The dedication of the book says: "To all children who have ever felt different." The story is about a girl who is just that, different, and doesn't feel that she belongs. Her disobedience is excused because of this. "She can't help it, she's different" seems to be the theme. Strong moral character is not present.
**Like my reviews? Then you should follow me! Because I have hundreds more just like this one. With each review, I provide a Cleanliness Report, mentioning any objectionable content I come across so that parents and/or conscientious readers (like me) can determine beforehand whether they want to read a book or not. Content surprises are super annoying, especially when you’re 100+ pages in, so here’s my attempt to help you avoid that!
So Follow or Friend me here on GoodReads! You’ll see my updates as I’m reading and know which books I’m liking and what I’m not finishing and why. You’ll also be able to utilize my library for looking up titles to see whether the book you’re thinking about reading next has any objectionable content or not. From swear words, to romance, to bad attitudes (in children’s books), I cover it all!
Ages: 9 - 12
#geograpy #europe #ireland #culture
Cleanliness:
Children's Bad Words
Mild Obscenities & Substitutions - 3 Incidents: stupid, blather
Name Calling - 16 Incidents: braggart, gorm, blunderhead, imp, lackbrain, ninnies, stupid murtherin’ clodpoles, flibberjib, noddikins
Scatological Terms - 2 Incidents: bl**dy (as in lots of blood)
Religious Profanities - 16 Incidents: God’s mercy, By m’faith, How in God’s earth, Where in the name o’ Old Clootie, Luddamercy, Lor', God forbid, Godamercy , God help us
Violence - None
Religious & Supernatural: See Conversation Topics
Romance Related - 5 Incidents: A Moor Folk (pixie) seduces a male human and tires of him before the baby is born, sending him back to the real world. “A young bride stolen from her husband - a lad beguiled by love.” A man explains how he was led away by a seducing pixie. Mentions a cow’s teats. Mentions a man wasn’t wearing any clothes.
Attitudes/Disobedience - 5 Incidents: Children pick on/tease a girl, calling her strange and a freak.
A girl constantly disobeys her adoptive parents, running off to the moor because something there always beckoned to her (This is throughout the entire story and a main part of it). Disobedience turns into willingness to lie. A girl is constantly teased by the village children and she asks whether she hates them. A discussion of love and hate. A girl gets picked on/pushed around and injured by a group of children.
Conversation Topics - 7 Incidents: This story weaves in Irish folklore and fairy tales and includes fairies, elves, superstitions, pixies, moorfolk, bogles, hobgoblins. Mentions ale and cider and one character is constantly drunk and even requests drink for work done. He drinks partly because he wishes to escape the pain of a lame leg. Describes how Moor Folk (Irish pixies) aren’t loyal to family, including mates, and like being carefree. They like dancing and pranking (including stealing). A wife does not heed her husband’s wishes and sneaks behind his back. “He’s gone to his reward - that’s if the good Lord saw fit to reward him for a life spent three-quarters drunken!” After a girl disobeys, the grandma tells the girl’s parents: “She cannot help going [where she was forbidden] and you’d best make your peace with it.” A girl gets her palm read.
Parent Takeaway
The dedication of the book says: "To all children who have ever felt different." The story is about a girl who is just that, different, and doesn't feel that she belongs. Her disobedience is excused because of this. "She can't help it, she's different" seems to be the theme. Strong moral character is not present.
**Like my reviews? Then you should follow me! Because I have hundreds more just like this one. With each review, I provide a Cleanliness Report, mentioning any objectionable content I come across so that parents and/or conscientious readers (like me) can determine beforehand whether they want to read a book or not. Content surprises are super annoying, especially when you’re 100+ pages in, so here’s my attempt to help you avoid that!
So Follow or Friend me here on GoodReads! You’ll see my updates as I’m reading and know which books I’m liking and what I’m not finishing and why. You’ll also be able to utilize my library for looking up titles to see whether the book you’re thinking about reading next has any objectionable content or not. From swear words, to romance, to bad attitudes (in children’s books), I cover it all!
November 20, 2021
A capital fairytale (does anyone use "capital" like that anymore?)! Engaging, poignant, and just a little bit haunting. Almost too satisfying... I am content to know no more of the story than what is between this book's covers.
May 19, 2024
Do you ever read a book and expect to give it a high rating, only for the ending to completely crush all your hopes and leave you feeling sorely disappointed?
I picked up The Moorchild because I enjoy a good fae story. And this book is very quintessentially fae - it illustrates the darker, more sinister and careless aspects of them without getting insanely dark, like Holly Black's Tithe. Saaski is a vibrant, out-of-place child who can't quite fit in with either the human or fae world. When she learns that she is a changeling - a fae baby replaced with her parents true child - she begins to understand the differences surrounding her and make a plan as to how to proceed.
I really liked how transporting this book was, and Saaski's friend Tam was so sweet. I loved their friendship. But the ending... oh man, I HATED it. This would've broken my heart utterly if I'd read it as a child.
Oh, I'm mad. What a dumb ending. I preferred the way Tithe handled changing babies SO much more.
2/5 stars.
I picked up The Moorchild because I enjoy a good fae story. And this book is very quintessentially fae - it illustrates the darker, more sinister and careless aspects of them without getting insanely dark, like Holly Black's Tithe. Saaski is a vibrant, out-of-place child who can't quite fit in with either the human or fae world. When she learns that she is a changeling - a fae baby replaced with her parents true child - she begins to understand the differences surrounding her and make a plan as to how to proceed.
I really liked how transporting this book was, and Saaski's friend Tam was so sweet. I loved their friendship. But the ending... oh man, I HATED it. This would've broken my heart utterly if I'd read it as a child.
Oh, I'm mad. What a dumb ending. I preferred the way Tithe handled changing babies SO much more.
2/5 stars.
June 11, 2021
I feel like I should be a lot more generous with 3 stars because I really need something between 4 stars (I LOVED IT!!!) and 2 stars (I HATED IT!!!). Sometimes you read a book that you genuinely enjoy and makes you happy but it doesn't quite deserve to be with your other 4 stars but it also certainly isn't 2 stars...so maybe that's why I should use 3 stars but even that doesn't feel quite right and aaaaagggggghhhhh...
WHY DO WE EVEN HAVE STARS.
*groans*
This isn't even a book review this is just a ramble about how annoying (and unreliable) star ratings can be. 🙄
.
.
.
Anyways I quite enjoyed this book and it made me happy and I loved Tam and Old Bess and it was just very fun and so 3 stars.
WHY DO WE EVEN HAVE STARS.
*groans*
This isn't even a book review this is just a ramble about how annoying (and unreliable) star ratings can be. 🙄
.
.
.
Anyways I quite enjoyed this book and it made me happy and I loved Tam and Old Bess and it was just very fun and so 3 stars.
February 5, 2022
The first thing that stands out to me when I take a look at the career of author Eloise Jarvis McGraw is her outstanding record of successful longevity. She won a Newbery Honor in 1953 for the book Moccasin Trail and then another in 1997 for this book, The Moorchild, with a third honoree (The Golden Goblet) thrown in there for good measure in 1962. Being hailed as an excellent writer over that long a stretch of time is a remarkable accomplishment really matched among contemporary authors of youth literature only by E.L. Konigsburg, with perhaps a couple of others included in the conversation, as well.
The Moorchild is a book that sits on the crossroads between fantasy and reality, never shifting too far one way or the other. Most stories with such heavy fairy influence tend to be liberally coated with fantasy elements, but this book maintains its grip on realism even as it explores the lives of the fairy folk who live just outside the awareness of most human beings. The effect of this is that we never know for sure what could happen next in the story, as things change on a dime from mythical to realistic and the characters all sort of inhabit both worlds, cognizant of the truth to the legends about fairy folk while themselves still living normal lives like any other humans.
In The Moorchild, it seems that the fairy folk aren't particularly malevolent in the games they play; they're driven more by a sense of rogue playfulness and deep-seated mischief, which unfortunately has a way of drastically messing up the lives of humans who would rather have no part in the "fun". The most devastating trick is the swapping out of a human baby for a changeling, a fairy pushed against its will to take part in the cruel prank for whatever reason the leaders of the folk have in mind. It's not entirely made clear in this book why the babies are stolen, but our story begins when a young fairy named Moql is chosen to be a changeling because of her inability to learn the tricks of the trade as quickly as her peers. Moql was born half-human, and her less-than-purebred descent has marked her as the best candidate to be left behind.
Moql (who has now taken on the name Saaski, which the baby she is changed for was named by her parents), forgets completely over time her history with the fairy people. The villagers know that there's something not quite right with the new baby, though, and "Saaski" is never accepted by any of them other than her "parents" as anything but an outsider. The villagers' simmering anger lies fairly dormant for years, until a luckless incident gives them the chance they'd wanted to condemn Saaski and seek retribution. The changeling girl now must escape from her village just to save her own life, all the while trying to remember who she is and who she used to be, and and figure out a way to set things right before it's too late.
The fantasy elements to The Moorchild are often original and impressively rendered, showing Eloise Jarvis McGraw to be a very creative writer even as she neared the end of her life. There are some well-built and memorable characters in the book, as well, particularly the goatherd boy, Tam, who becomes something of a safe harbor for Saaski from all of the craziness that rages around her. Saaski is a fairy, it's true, but what the villagers can't seem to grasp is that she didn't want to be exiled to live with them any more than they wanted one of their babies to be swapped out for a changeling. Saaski is at least as much a victim of the circumstances as the people of her village. When that brutal mob mentality forms, though, and people give up control of their individual brains, innocent victims always seem to get hurt. Perhaps the most significant part to this book is its veiled warning of that truth.
The Moorchild is the first of Eloise Jarvis McGraw's stories that I've yet read, but I'd be interested in trying others to see what they're like. Ultimately, I would not have awarded this book a Newbery Honor for 1997 ahead of such worthy non-recipients as The Music of Dolphins by Karen Hesse, Crash by Jerry Spinelli and After the War by Carol Matas, but it's an interesting read that enhanced my perspective on Irish folklore and the old Celtic fairy stories that have been a part of common legend for almost as long as mankind can remember. I would probably give one and a half stars to The Moorchild.
The Moorchild is a book that sits on the crossroads between fantasy and reality, never shifting too far one way or the other. Most stories with such heavy fairy influence tend to be liberally coated with fantasy elements, but this book maintains its grip on realism even as it explores the lives of the fairy folk who live just outside the awareness of most human beings. The effect of this is that we never know for sure what could happen next in the story, as things change on a dime from mythical to realistic and the characters all sort of inhabit both worlds, cognizant of the truth to the legends about fairy folk while themselves still living normal lives like any other humans.
In The Moorchild, it seems that the fairy folk aren't particularly malevolent in the games they play; they're driven more by a sense of rogue playfulness and deep-seated mischief, which unfortunately has a way of drastically messing up the lives of humans who would rather have no part in the "fun". The most devastating trick is the swapping out of a human baby for a changeling, a fairy pushed against its will to take part in the cruel prank for whatever reason the leaders of the folk have in mind. It's not entirely made clear in this book why the babies are stolen, but our story begins when a young fairy named Moql is chosen to be a changeling because of her inability to learn the tricks of the trade as quickly as her peers. Moql was born half-human, and her less-than-purebred descent has marked her as the best candidate to be left behind.
Moql (who has now taken on the name Saaski, which the baby she is changed for was named by her parents), forgets completely over time her history with the fairy people. The villagers know that there's something not quite right with the new baby, though, and "Saaski" is never accepted by any of them other than her "parents" as anything but an outsider. The villagers' simmering anger lies fairly dormant for years, until a luckless incident gives them the chance they'd wanted to condemn Saaski and seek retribution. The changeling girl now must escape from her village just to save her own life, all the while trying to remember who she is and who she used to be, and and figure out a way to set things right before it's too late.
The fantasy elements to The Moorchild are often original and impressively rendered, showing Eloise Jarvis McGraw to be a very creative writer even as she neared the end of her life. There are some well-built and memorable characters in the book, as well, particularly the goatherd boy, Tam, who becomes something of a safe harbor for Saaski from all of the craziness that rages around her. Saaski is a fairy, it's true, but what the villagers can't seem to grasp is that she didn't want to be exiled to live with them any more than they wanted one of their babies to be swapped out for a changeling. Saaski is at least as much a victim of the circumstances as the people of her village. When that brutal mob mentality forms, though, and people give up control of their individual brains, innocent victims always seem to get hurt. Perhaps the most significant part to this book is its veiled warning of that truth.
The Moorchild is the first of Eloise Jarvis McGraw's stories that I've yet read, but I'd be interested in trying others to see what they're like. Ultimately, I would not have awarded this book a Newbery Honor for 1997 ahead of such worthy non-recipients as The Music of Dolphins by Karen Hesse, Crash by Jerry Spinelli and After the War by Carol Matas, but it's an interesting read that enhanced my perspective on Irish folklore and the old Celtic fairy stories that have been a part of common legend for almost as long as mankind can remember. I would probably give one and a half stars to The Moorchild.
December 30, 2010
The Moorchild is definitely a charming little book. It is well-written with interesting characters and a language style that I really enjoyed, though I can see it being difficult for a younger reader. The mythology was fairly standard, but could have been developed and explored further, as could the culture. Also, after rereading The Moorchild after a few years, I was surprised to see how different the moral structure is than I remembered from when I was younger.
The dedication is to all the children who have ever felt different. Now, I was bullied quite badly as a child because of my personality and appearance, and my parents are from different countries, so I very much relate to Saaski, the story's main character, who is caught not only between two cultures but really between two worlds, and sympathized with the cruelty she underwent at the hands of the other village children. However, I highly disagree with how McGraw handles this situation as an author. "Different" is portrayed to equal "Wrong." Saaski is taunted, blamed, physically attacked, and even threatened to be killed throughout the story. I realize that being different can cause people to hate you, it's life and kids shouldn't be sheltered from it, but how it's dealt with bothers me. Saaski not only rarely stands up for herself, but is portrayed as unable to do so; she is constantly hiding and avoiding other children, and in the end runs away. Even her parents, who do their best to love her and treat her as a normal child, very clearly never fully accept her. Is this the message we want to send children who feel different? That no one -- not even their parents -- will ever love them or even accept them unless they, too are outcast? That these other outcasts are the only people they can trust? That the solution to bullying is running away? Likewise, do we want to portray bullies of "different" children as having no consequences, not even from their parents? And what about Bruman, who is alcoholic, beats Tam, and is still portrayed in a positive light? Other reviewers have noted the "happy ending" of the book, but that ending comes of Saaski essentially giving up on people and making things in the village as if she had never existed. Her tormentors get what they want, essentially being rewarded for their cruelty to the young child.
Be careful with this book, especially if you're going to give it to a child who is "different." Read it first, be aware and talk about how Saaski and the villagers handle situations and how they could have acted differently. It's worth a read because it's interesting, compelling and has a great language style, but don't take the dedication lightly.
The dedication is to all the children who have ever felt different. Now, I was bullied quite badly as a child because of my personality and appearance, and my parents are from different countries, so I very much relate to Saaski, the story's main character, who is caught not only between two cultures but really between two worlds, and sympathized with the cruelty she underwent at the hands of the other village children. However, I highly disagree with how McGraw handles this situation as an author. "Different" is portrayed to equal "Wrong." Saaski is taunted, blamed, physically attacked, and even threatened to be killed throughout the story. I realize that being different can cause people to hate you, it's life and kids shouldn't be sheltered from it, but how it's dealt with bothers me. Saaski not only rarely stands up for herself, but is portrayed as unable to do so; she is constantly hiding and avoiding other children, and in the end runs away. Even her parents, who do their best to love her and treat her as a normal child, very clearly never fully accept her. Is this the message we want to send children who feel different? That no one -- not even their parents -- will ever love them or even accept them unless they, too are outcast? That these other outcasts are the only people they can trust? That the solution to bullying is running away? Likewise, do we want to portray bullies of "different" children as having no consequences, not even from their parents? And what about Bruman, who is alcoholic, beats Tam, and is still portrayed in a positive light? Other reviewers have noted the "happy ending" of the book, but that ending comes of Saaski essentially giving up on people and making things in the village as if she had never existed. Her tormentors get what they want, essentially being rewarded for their cruelty to the young child.
Be careful with this book, especially if you're going to give it to a child who is "different." Read it first, be aware and talk about how Saaski and the villagers handle situations and how they could have acted differently. It's worth a read because it's interesting, compelling and has a great language style, but don't take the dedication lightly.
This entire review has been hidden because of spoilers.
January 21, 2026
Originally Read: 9/1/10
Updated Review: 1/29/18
This book is exactly as good as I remembered it, which is wonderfully refreshing. It's always a shame when a book you read when you were younger doesn't hold up as you age, but this one did, thankfully.
The part-mundane, part-mystical world the author created practically leaps off the pages and submerges you almost as entirely as the Folk's Mound does to Saaski and Tam, towards the end of the novel. I'm a sucker for fairies, and this wonderful fantasy novel both appeals to those who love the old-fashioned stories of mischievous Fair Folk who have little regard toward others, but also has a rather touching human side to the tale.
Saaski is a sympathetic and admirable heroine, who was forced to be a changeling due to her "difficulties" living with the faerie, and yet has an even worst time getting along with humans. Eventually, she must choose a different life, since both worlds cannot fully accept her. It's a story we've all heard, in various skins and covers, but it's no less powerful.
I'm glad I picked this again, for the first time in almost eight years. Still highly recommended, to young and old, and to lovers of faerie tales, even when the Folk aren't entirely, er, kindly.
~~~~
Original Review: 9/1/10
When I chose this book at Borders, I felt a calling that told this book MUST BE READ. Very rarely does this calling come, especially without the reviews I've received from past readers. In this case, the story of a young changeling's life was just the sort of story I'd adore. And I did.
Saaski is the human child exchanged for a half human-half fairy, who was exiled after nearly placing her world into danger. As Saaski grows up, she is taunted and shunned by the people of the village; only her parents and grandmother accept her as a part of the family. With human emotions merging (and sometimes, clashing) with her fairy instincts, Saaski befriends a goatherd, and slowly regains her memories after meeting a fisherman who is responsible for her exile.
The author's lively diction and beautiful descriptions draws the reader into the book, page by page, like a classic fairytale that has been drawn out in order to last a little longer. I highly recommend this book for children between the ages 9-14, for this is a story for all children who felt like they never truly belonged.
Updated Review: 1/29/18
This book is exactly as good as I remembered it, which is wonderfully refreshing. It's always a shame when a book you read when you were younger doesn't hold up as you age, but this one did, thankfully.
The part-mundane, part-mystical world the author created practically leaps off the pages and submerges you almost as entirely as the Folk's Mound does to Saaski and Tam, towards the end of the novel. I'm a sucker for fairies, and this wonderful fantasy novel both appeals to those who love the old-fashioned stories of mischievous Fair Folk who have little regard toward others, but also has a rather touching human side to the tale.
Saaski is a sympathetic and admirable heroine, who was forced to be a changeling due to her "difficulties" living with the faerie, and yet has an even worst time getting along with humans. Eventually, she must choose a different life, since both worlds cannot fully accept her. It's a story we've all heard, in various skins and covers, but it's no less powerful.
I'm glad I picked this again, for the first time in almost eight years. Still highly recommended, to young and old, and to lovers of faerie tales, even when the Folk aren't entirely, er, kindly.
~~~~
Original Review: 9/1/10
When I chose this book at Borders, I felt a calling that told this book MUST BE READ. Very rarely does this calling come, especially without the reviews I've received from past readers. In this case, the story of a young changeling's life was just the sort of story I'd adore. And I did.
Saaski is the human child exchanged for a half human-half fairy, who was exiled after nearly placing her world into danger. As Saaski grows up, she is taunted and shunned by the people of the village; only her parents and grandmother accept her as a part of the family. With human emotions merging (and sometimes, clashing) with her fairy instincts, Saaski befriends a goatherd, and slowly regains her memories after meeting a fisherman who is responsible for her exile.
The author's lively diction and beautiful descriptions draws the reader into the book, page by page, like a classic fairytale that has been drawn out in order to last a little longer. I highly recommend this book for children between the ages 9-14, for this is a story for all children who felt like they never truly belonged.
June 25, 2021
What a delightful book! I sympathized with the plight of the changeling child forced to leave the fairy mound to be imprisoned in a human's cradle, in the helpless body of an infant. From that confining condition little Saaski grew to be a beautiful and talented young lady walking on the moor and playing on the pipes.
Not quite human and not quite fairy folk, this little girl is not fully accepted in either world. Have you ever felt not part of the group you're living with? I have, and Saaski's situation touched my heart. She found comfort in the music she played quite naturally and easily. It was with a bagpipe that she forged a place for herself in the world.
I love this book. I recommend it to anyone willing to lose all sense of time in the mystic beauty of a fantasy.
Not quite human and not quite fairy folk, this little girl is not fully accepted in either world. Have you ever felt not part of the group you're living with? I have, and Saaski's situation touched my heart. She found comfort in the music she played quite naturally and easily. It was with a bagpipe that she forged a place for herself in the world.
I love this book. I recommend it to anyone willing to lose all sense of time in the mystic beauty of a fantasy.
March 3, 2021
I started this book a few hours ago and DEVOURED IT. What a delightful story that blends fantasy and contemporary so well.
It’s about a young girl, Saaski, half moorfolk and half human, who is banished from her home in The Mound and switched with a human child. As she grows older she struggles with the idea of trying to be a “normal” human child and deal with her memories of being one of the Folk. Where does she belong?
It’s a magical story. Dedicated, “to all the children who have ever felt different,” this book was written for everyone because I believe we’ve all felt different at some point in our lives.
It’s about a young girl, Saaski, half moorfolk and half human, who is banished from her home in The Mound and switched with a human child. As she grows older she struggles with the idea of trying to be a “normal” human child and deal with her memories of being one of the Folk. Where does she belong?
It’s a magical story. Dedicated, “to all the children who have ever felt different,” this book was written for everyone because I believe we’ve all felt different at some point in our lives.
September 9, 2007
I bought this on a whim, and hoped that I would like it, because I really hate buying books that end up being dissapointing. Thankfully, this book was well written and had a great plot, so no worries there. I liked the way people spoke in it (reminding me lovingly of the secret garden) and the story was just lovely.
August 3, 2025
A great ‘fairy’ book. Lots of ‘folk’ lore, a surprising amount. The folk felt real, which is more than many stories can make of their human characters. Filled the fairy book starvation a good bit. Gave it a solid 4/5, though it isn’t ambitious, it chews *very* well on what it has bit off. I did not like the writing style, but that’s mostly a matter of taste this time. The language is vaguely folky in an immersive way. Every time Saaski said “Da” or “Mumma” I felt a little punch in the gut. Hated the ending, but the rest of it was quite good. The author did *not* have to make
January 27, 2025
persistently disorienting experience to read as an adult something you reread obsessively as a kid and feel just on the other side of the page yourself, age eight, wrestling. the tam and bruman threads pull the central story to a frustratingly neat resolution, but the last two scenes are bangers of all time, and i do love that she (being, to my memory, seven) has not yet fully figured out the feeling of love. shout out yanno the blacksmith, and when she climbs the roof : (
June 18, 2018
Read this a couple times when I was younger. It's great.
September 11, 2023
So good. I had to read it for class and the middle got a bit boring, but I cried at the end.
August 17, 2025
Remember reading this with our girls when they were little and loving it. Need to go back and search the shelves to see if I can find it to reread.
June 4, 2012
This is one of those books I never knew existed until I just came across it randomly. The plot looked interesting, so I thought I might as well see what it was like. Essentially it's about a child who actually is a changeling left with humans by the moorfolk because she had a human father.
Usually understatement is a good thing, but I feel like this book was too understated. The premise was good, but there just wasn't a whole lot of drama or build-up. For a strange child, Saaski seemed almost boring at times. I liked the first chapter the best because you just don't know if Saaski is really unnatural, or if superstition and prejudice is just taking its tole. The plot follows a pretty expected route, and I actually expected the ending to be more dramatic than it was. (Slight spoiler) One human stays in the mound, while another escapes. It would have been more satisfying to have a willing "life-for-life" exchange instead of an accident.
I would still recommend the book, since there isn't really anything badly done about it. I just feel like it could have been better, stranger, and more surprising. I might actually give "The Moorchild" more stars because of the way the ending affected me. There is something very wistful in the way the human child turns from Saaski, her real rescuer, which shows that Saaski will never be accepted no matter how heroic she becomes. And I like the mysteriousness of the ending with Saaski's human parents and their unexpected nostalgia for their strange child. The music over the moors adds a sense of longing--which is what fairies and humans are all about.
edit:
On reading the book for the second time, I gave it another star. Sure, the plot drags a bit in the middle where it's just a series of everyday encounters and then goes a bit too quickly near the end. There might have been more made of Saaski's interactions with the other villagers. A few times there's telling, not showing on the part of the author.
But I really like how effortlessly the Scottish feel is worked into the dialog and the setting. You never forget you're reading a folktale, and it doesn't seem forced at all. I like the delicacy McGraw uses portraying characters such as Anwara, Yanno, and Old Bess. You can really understand where they're coming from.
And of course, I'm a sucker for anything with tropes from old folk tales. The description of the Mound,and the glamor, and the superstitions is all excellent. (I particularly like the idea of seeing false with one eye and true with the other.) The world feels very real, without being bogged down in details (which series such as Harry Potter can be prone to).
So Moorchild isn't like those books that are "the next big thing," but it is one you can read again and wonder about whether we ever can escape our fate.
Usually understatement is a good thing, but I feel like this book was too understated. The premise was good, but there just wasn't a whole lot of drama or build-up. For a strange child, Saaski seemed almost boring at times. I liked the first chapter the best because you just don't know if Saaski is really unnatural, or if superstition and prejudice is just taking its tole. The plot follows a pretty expected route, and I actually expected the ending to be more dramatic than it was. (Slight spoiler) One human stays in the mound, while another escapes. It would have been more satisfying to have a willing "life-for-life" exchange instead of an accident.
I would still recommend the book, since there isn't really anything badly done about it. I just feel like it could have been better, stranger, and more surprising. I might actually give "The Moorchild" more stars because of the way the ending affected me. There is something very wistful in the way the human child turns from Saaski, her real rescuer, which shows that Saaski will never be accepted no matter how heroic she becomes. And I like the mysteriousness of the ending with Saaski's human parents and their unexpected nostalgia for their strange child. The music over the moors adds a sense of longing--which is what fairies and humans are all about.
edit:
On reading the book for the second time, I gave it another star. Sure, the plot drags a bit in the middle where it's just a series of everyday encounters and then goes a bit too quickly near the end. There might have been more made of Saaski's interactions with the other villagers. A few times there's telling, not showing on the part of the author.
But I really like how effortlessly the Scottish feel is worked into the dialog and the setting. You never forget you're reading a folktale, and it doesn't seem forced at all. I like the delicacy McGraw uses portraying characters such as Anwara, Yanno, and Old Bess. You can really understand where they're coming from.
And of course, I'm a sucker for anything with tropes from old folk tales. The description of the Mound,and the glamor, and the superstitions is all excellent. (I particularly like the idea of seeing false with one eye and true with the other.) The world feels very real, without being bogged down in details (which series such as Harry Potter can be prone to).
So Moorchild isn't like those books that are "the next big thing," but it is one you can read again and wonder about whether we ever can escape our fate.
April 17, 2018
Bewitching and alluring! I couldn't put it down. Adds depth to the typical fairy tale.
Saaski is half-Folk and half-human. She is exchanged for a human child and forced to grow up among humans, but she never feels like she belongs anywhere, either with the Folk or with her human family. The villagers tease and ridicule her, calling her a witch, but Saaski finds an unexpected friendship with a goatherd boy on the moors.
One of the reasons I love this book so much is because I grew up also torn between two cultures, two countries, and never quite felt that I belonged in either one of them. Like Saaski, I had to find my own way, and make my own world.
Saaski is beautifully strange and brave. I love the magic of the Folk and the imaginative story!
Just as good reading it the second time!
Saaski is half-Folk and half-human. She is exchanged for a human child and forced to grow up among humans, but she never feels like she belongs anywhere, either with the Folk or with her human family. The villagers tease and ridicule her, calling her a witch, but Saaski finds an unexpected friendship with a goatherd boy on the moors.
One of the reasons I love this book so much is because I grew up also torn between two cultures, two countries, and never quite felt that I belonged in either one of them. Like Saaski, I had to find my own way, and make my own world.
Saaski is beautifully strange and brave. I love the magic of the Folk and the imaginative story!
Just as good reading it the second time!
March 10, 2017
I had this book many moons ago in my youth and then made the stupid blunder of getting rid of it. Fixed that.
When I reacquired it, I worried that re-reading it would be disillusioning. There is often such a gap between the impressions I got as a child and the way things seem to me now. I shouldn't have worried, though. The Moorchild is still just as bittersweet and haunting even though seven years have passed. I love this book.
When I reacquired it, I worried that re-reading it would be disillusioning. There is often such a gap between the impressions I got as a child and the way things seem to me now. I shouldn't have worried, though. The Moorchild is still just as bittersweet and haunting even though seven years have passed. I love this book.
October 23, 2018
Some parts of the story seemed four stars, but I felt the ending was weak. I liked the characters and the setting, but for too much of the time, the reader knows everything but the characters don't, so there is little suspense and not much emotion when the secret is revealed.
I absolutely love the cover illustration, done by McGraw herself. It reminds me of the work of Lois Lenski.
I absolutely love the cover illustration, done by McGraw herself. It reminds me of the work of Lois Lenski.
October 26, 2021
Dit is een van die boeken die mij is bijgebleven vanuit mijn jeugd. Ik weet niet wat het is, maar dit boek heeft altijd in mijn achterhoofd gezeten.
August 5, 2018
Glad this little fantasy tale came across my desk last week. I had never heard of it or the author before, and thankfully didn't read the back cover. The first sentence got my attention: "It was Old Bess, the Wise Woman of the village, who first suspected that the baby at her daughter's house was a changeling." And we're off.
Most tales like this for young readers veer off into grand epic battles of good vs. evil which require at least 5 books to tell, which is fine and all, but this one stays in the village and the moors and is a little gem because of that. The writing is wonderful and the story is weaved in such a way that it feels timeless.
Most tales like this for young readers veer off into grand epic battles of good vs. evil which require at least 5 books to tell, which is fine and all, but this one stays in the village and the moors and is a little gem because of that. The writing is wonderful and the story is weaved in such a way that it feels timeless.
Read
December 23, 2025not sure what rating im gonna give this one so leaving it blank. i wish goodreads would work like ever. i do really like the portrayal of the fae folk in this one, and i like saaski and yanno and anwara and old bess and tam most of all but im a wee bit puzzled by the general vibes of the book--what's it saying, anyway? being 'between worlds' but not finding a home anywhere might be 'right' in some stories but i really don't know what to think of the way mcgraw did it here bc pacing's so odd at the end.
January 15, 2026
5 stars
NEW FAVORITE BOOK ALERT!! This is exactly the kind of book I needed at the moment and I’m so happy I stumbled across this at the whimsical little toy store in my town. What a folk-filled, moor-filled, changeling-filled perfect little story.
NEW FAVORITE BOOK ALERT!! This is exactly the kind of book I needed at the moment and I’m so happy I stumbled across this at the whimsical little toy store in my town. What a folk-filled, moor-filled, changeling-filled perfect little story.
January 22, 2019
This book is so beautifully atmospheric in a really specific way that's hard to duplicate (or at least, I haven't found many).
February 18, 2019
What a delightful story; so perfectly crafted! One of those masterpieces that start out okay, get gradually better and better, and then blow you away with their sublime ending. A few poignant scenes even made me tear up, which is the best praise I can give a book.
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