It has recently become apparent that criticism has fallen on hard times. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches which have sought to renew criticism's energies in the wake of a 'theatrical turn' in recent visual arts practice, and the emergence of a 'performative' arts writing over the past decade or so. Issues addressed include the 'performing' of art's histories; the consequences for criticism of embracing boredom, distraction and other 'queer' forms of (in)attention; and the importance of exploring writerly process in responding to aesthetic experience. Bringing together newly commissioned work from the fields of art history, performance studies, and visual culture with the writings of contemporary artists, After Criticism provides a set of experimental essays which demonstrate how 'the critical' might live on as a vital and efficacious force within contemporary culture.
Trained as a fine artist and art historian, Gavin is a writer, curator and filmmaker.
Across his diverse output, he is interested in how the social worlds and aesthetic preoccupations of visual artists can be connected, sometimes in surprising ways, to those within popular music, queer culture and performance.
Gavin has written widely on queer art and culture, showing how LGBTQ+ artists have challenged us to think again about how aesthetic judgements are routinely linked to social ones. He has published essays on artists and performers Oreet Ashery, Joe Brainard, Mel Brimfield, Shirley Clarke, Samuel R. Delany, David Hoyle, Kiki and Herb, Larry Rivers, Andy Warhol and others.
He often works collaboratively with other authors and artists on creative projects too, including as co-director of feature film This Is Not a Dream. With writer and curator Heike Roms, he is currently exploring the civic importance of experimental art and education through a new exhibition project Live Class: Performance and the Art School.
Gavin has held academic posts as Professor of Visual Cultures and Performance at Goldsmiths, University of London, and Professor of Fine Art at Northumbria University, Newcastle.