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284 pages, Hardcover
First published September 28, 1972
we live out the plays long before their vogue upon the stage, which is why they have so often a stale déjà vu air about them; why, as the applause breaks, there are sour looks among those who waited for Godot years and years ago, played football on The Wasteland when its only begetter still wore a monocle and called himself Captain Eliot; who howled and howled when Ginsberg in tiny ringlets was lisping out the Torah under a Rabbi's spreading beard.The story arc of The Green Stick is Muggeridge's disillusionment with his middle-class socialist upbringing and milieu, despite his affection and respect for his father, a Croydon councillor who served as a Labour MP from 1929 to 1931. At school one of his teachers was Helen Corke, who had had a relationship with D.H. Lawrence; after university he married Kitty Dobbs, whose mother Rosalind (although named only as “Mrs Dobbs” by Muggeridge) was a sister of Beatrice Webb who at one time had been dispatched by H.G. Wells on a doomed attempt to extricate George Gissing from a French woman whom Wells believed was “starving” him. Muggeridge eventually found work at the left-wing Manchester Guardian and was the first person at the paper to hear that its new editor Ted Scott (son of C.P.) had died in a drowning accident.
a version of Christianity which emerged from the 1914-18 war, enormously sincere, ardent, and at the time seemingly vital, but which subsequently, for the most part, ran into the sand. This invariably happens when it is attempted to relate a transcendental faith to an earthly hope – in this case, pacifism.Muggeridge is more scathing of progressive clergy. Referring to his father's political campaigning: "The fact was, we made use of them… there was a sort of implicit pact whereby God was left out on the understanding that my father would accept the other's credentials as a progressive."
How can this be the same man as the harsh Savonarola of the telly, calling others to righteousness in the name of the man, or god, who insisted that only those without sin could cast the stones? In that paradox lies the heart of St Mugg's mystery. Perhaps it will be explained in the succeeding volumes of this superb book.