I really, really enjoyed Kei Miller's Last Warner Woman and so ordered this on inter-library loan. It's wonderful. I could hardly put it down.
Kei Miller taps into a long African (and Afro-Caribbean) tradition of story-telling. He’s a wonderful story teller, but he’s a master at weaving the strands of his stories – characters, places, incidents – in and out of each other to form the much longer narrative that makes up the novel.
The shared earth is Watersgate, Jamaica and Manchester in England. But it is also the earth shared amongst all of us as our experiences, our stories, our lives, loves, beliefs and attitudes weave in and out through each other to form the fabric of life itself.
My favorite example of this technique is the chapter titled “No Suitable Pastor”.
The pastor at Watersgate, Noel Baskin, is now old, and is going blind. He realises that his eyesight is fading so fast his ability to read his bible will disappear in weeks, even days. Furthermore there is his elderly senile wife, who for some years has been ready to die, only death refuses to come. Her desire for an end takes the form of stripping off her clothes in public and having a kind of fit, after which the neighbors, used to this, wake her up, tell her she isn’t dead yet, and get her back into her clothes.
So Reverend Baskin considers the likely candidates to replace him.
There is first: Deacon Rodney. The reader learns Deacon Rodney’s story: having left his own Seventh Day Adventist faith to marry Rose, he makes life difficult for her with his very strict sabbatarianism. He’s also a wife-beater. One day Rose comes running to church, bleeding and demanding a ‘divorcement’, as Rodney’s bitten off a bit of her ear. (There is then the embedded story of the supposed miracle of healing her deafness … only in the excitement no one remembers she wasn’t deaf.) Rodney is thrown out, but makes the mistake of beating his little sister, whose “big, big husband” and his “big, big brothers” object and beat Rodney. He returns minus a few teeth to beg Rose to take him back, and is a reformed character, but still isn’t suitable as a new pastor.
Next is Deacon Harry. In learning his story the reader learns the story of his antecedents and why Harry finds it hard to remain at home for very long. His wife suspects another woman and another family in another town, but it turns out that Harry can’t stay away from the sea for very long. Pastor Baskin makes him a deacon to anchor him to his wife and family through responsibility, but he definitely isn’t replacement pastor material.
Finally there is Deaconess Jennifer, a proud, 51-year-old virgin who – having been taken to task by a mother for slapping a child in Sunday school – takes the mother’s advice to get a child of her own to beat. She takes on the son of a wayward niece with too many children and indeed beats him often and thoroughly. So this sour woman is definitely not pastoral material.
A funeral, attended by Pastor Baskin’s wife (who has taken to attending any funeral she can), is conducted by a charismatic young preacher, Douglas Braithwaite. The reader learns the story of how the funeral came about and what happened in it, and what happened caused Mrs. Baskin to express the wish that the young Braithwaite should lead her funeral … at which point she dies suddenly and fully clothed.
When old Pastor Baskin hears the young Braithwaite conduct his wife’s funeral, he knows whom to select as his successor. But – and there is always a ‘but’ in these stories – “A single thing separated the two men, the old pastor and the new. That thing was love. For Old Pastor was a man who loved his wife, loved his village and loved almost everyone in his church – and this love made him see only good in the young Pastor Braithwaite.” Pastor Braithwaite, unfortunately, is not motivated by love, with consequences that rebound through the rest of the novel.
If you enjoy stories, if you enjoy wonderful narrative technique, you’ll enjoy this book.