I only bought this purely because a few people kept comparing it to The Queen of the Tearling and since that is one of my favourite trilogies I thought, could never go wrong with that.
So, right off the bat, let me just say that this is NOTHING like TQotT. Not by a mile. Aside from the fact that these two girls/women have to come to terms with their new reality of being a queen in a corrupt kingdom, there is not much else that resembles the trilogy.
I found the story engaging but my reading experience was somewhat hindered by the main character. I thought she was manipulative and sketchy but what I found even more irritating was how the book was trying to paint her as this noble, all innocent and upright queen, whereas I just saw a self-righteous and inconsistent girl who tried to come off as overly virtuous by being self-deprecating. It was not cute.
The plot is pretty straightforward and there isn't much complexity to it, our MC Freya, who is twenty-third in line to the throne becomes queen after the royal court is decimated by a mass poisoning. Rather than use violence or magic, Freya relies on science and… naiveté to save herself and her kingdom.
Freya:
As I've said, I didn't exactly like Freya but one thing I did appreciate was how science focused she was. Aside from that, her rule, in sum, was hopelessly naive and simplistic. The decisions she made later on, specifically those that involved Sten, Fitzroy and Madeleine only made her seem more inconsistent than she already was.
For someone who so greatly prized science and the scientific method, her reactions were pure emotion. Not to mention she seemed to look down on people who weren’t interested in science, and automatically thought everyone else around her was a vapid idiot. Well, excuse you...
Also, I applauded the author’s choice to have her – and others in the story – suffer from a variety of mental disorders, but somehow the social anxiety issues seemed to have miraculously disappeared once she gained a bit of confidence. Not an expert on mental issues but, pretty sure you don't turn it on and off as you please. Just not how it works.
Plot:
On the whole, this book’s about self-discovery and acceptance but while also becoming the sovereign ruler of a kingdom fraught with uncertainty and reeling from large-scale murder.
As much as I disliked Freya, her story is empowering and I appreciate how she learns her strengths and embraces her responsibility as a leader. HOWEVER, and complaining about this’s become almost a daily occurrence, everything was, you guessed it, too convenient!
For someone who is innocent and lacking in basic strategic skills and who is so guileless such that people can read her emotions on her face at a glance, everything seems to turn out shockingly well for her.
Every idea she conjures up, whether it be a lead she follows or when she decides to procure a way to test the presence of arsenic in food instead of using poison testers, or every other plot point in general, all ends up magically working to her benefit. How positively frustrating.
World:
There was no world-building whatsoever. None. Everything was so vague and thin that I was continually pulled out of the story. I had so many questions, none of which were answered.
⤗ What’s the story with the Forgotten? They’re mentioned quite often, but always in a way that seemed to imply the reader was familiar with who they were. No, I am not familiar, pray tell!
⤗ Why, when there is such a frenzy over who is or is not a royal, did we not really get to know anyone who wasn’t?
⤗ What about the surrounding kingdoms?
⤗And most importantly, what is the overall political climate of the world!?
There’s a balance to be struck with world-building and this simply fell flat.
Furthermore, this world seems to be filled with nobles and those of greater political status but with practically no commoners to speak of. It strikes me odd not to have at least a few commoners here and there. Simply mentioning them is not enough as we never really saw them, which made the world even more unrealistic.
Political intrigue:
The crowning jewel.
If you know me, you'll know I love a good political intrigue and tension in books, particularly in fantasy. Court life, backstabbing – figurative and literal, complex alliances, moral greys, diplomacy, possible wars etc, all of which I consider to be the hallmarks of good political fantasy.
The political and mystery aspects of the book were incredibly lacking. As I've pointed out, the plot is pretty straightforward and the overall mystery at the heart of it all is frustratingly simplistic and reductive–and as with everything else in the book, Freya stumbles across the answer to the mystery by happenstance and not because of any big breakthrough of her own.
What I liked:
Aside from some of the drawbacks, it was generally a fun and engaging read. I enjoyed the strong female friendships which is something we need more of in YA literature. There was also a low-key romance brewing in the background but obviously did not mention, not because I didn't like it but because there wasn't much to mention. Let's just say I had some issues there too.
I know it seems I had more complaints than praises but it was a very fun read.