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Pitt Cue Co. - The Cookbook and Hog Collection 2 Books Bundle
Pitt Cue Co. - The Cookbook and Hog Collection 2 Books Bundle includes Titles : Pitt Cue Co. - The Cookbook, Proper pork recipes from the snout to the squeak. Proper pork recipes from the snout to the squeak Hog is a celebration of all things pig - from breeds and rearing, to butchering and preparing, with techniques, features and more than 150 recipes for nose to tail eating. The comprehensive range of dishes includes hams, bacon, sausages, charcuterie, pates, confits, roasts, grills, hotpots, ragouts, pies, casseroles, scratchings, crackling, trotters and much more - with a foreword from Josh Ozersky and guest contributions from a range of British, American and International chefs and cooks including Diana Henry, Meredith Erickson, Judy Joo, Valentine Warner, Neil Rankin, Mitch Tonks, Fergus Henderson and Aaron Franklin. Pitt Cue Co. - The Cookbook With great recipes for meats, sauces and rubs mixed with ideas for pickles, slaws, puddings and cocktails, plus features on meats, equipment and methods, the Pitt Cue Co. Cookbook is your guide to enjoying the best hot, smoky, sticky, spicy grub all year round. From Pitt Cue's legendary Pickle backs and bourbon cocktails, to their acclaimed Pulled pork shoulder; Burnt ends mash; Smoked ox cheek toasts with pickled walnuts; Lamb rib with molasses mop and onion salad; Chipotle & confit garlic slaw; Crispy pickled shiitake mushrooms; Toffee apple grunt; Sticky bourbon & cola pudding and so much more, it's all irresistibly delicious food to savour and share.
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About the author
Tom Adams
77 books2 followersBorn Thomas Charles Renwick Adams, Tom Adams was a US-born Anglo-Scots illustrator and painter. Long active in a variety of visual formats, he is known for his work in book cover art, portrait painting, poster, advertising and album art. He is most widely known for his book cover art for the paperback editions of Agatha Christie.
After serving two years in the navy, 1944-1946, he then trained at the Chelsea School of Art and Goldsmiths College, where he received a National Diploma of Painting in 1949. Between 1953 and 1960 he provided illustrations for the youth-oriented UK comics Eagle, Girl and Swift.
In the 1960s and 1970s he became involved with several distinguished poets, including Edward Lucie-Smith, Ted Hughes, C. Day Lewis, Brian Patten, George MacBeth and Adrian Henri as well as artists Sandra Blow, John Piper, Josef Herman, and Mark Boyle among others, producing poetry prints published by his own gallery, the Fulham Gallery, London.
He also designed posters for Mark Boyle's light shows (The Sensual Laboratory), the Jimi Hendrix Experience and Soft Machine. His connection with the modern world of rock music continued when he met Lou Reed, an admirer of his Christie and Raymond Chandler covers. Adams designed the cover for his first solo album.
By the early 60s, Collins decided it wanted to do something more artistically distinct with Agatha Christie’s paperback covers. Impressed with Adams’s cover for John Fowles’ 'The Collector', they engaged Adams and a distinct partnership developed.
He was commissioned to do a trial cover of Christie's 'A Murder Is Announced', which was published with his cover in 1962. Everyone involved was pleased with the outcome. As a result, Adams ended up doing covers for many of Christie's paperbacks, often more than once. The only covers he did not create art for were the pre-1926 books which Fontana did not have the publishing rights to.
PocketBooks in the US very much wanted more realistic covers and for this reason, most of Adams' covers for the US editions feature a single dramatic or portentous scene from the novel that spans the front and rear covers. The two exceptions are "Nemesis" and "The Mystery of the Blue Train".
Fontana in the UK was much more open to Adams' creative input. Thus, the UK covers were often akin to a stylized tableau or surrealist collage. Adams ended up doing the covers for Agatha Christie paperbacks for 28 years (1962-1980), thus becoming connected with her intimately in the minds of many readers.
After serving two years in the navy, 1944-1946, he then trained at the Chelsea School of Art and Goldsmiths College, where he received a National Diploma of Painting in 1949. Between 1953 and 1960 he provided illustrations for the youth-oriented UK comics Eagle, Girl and Swift.
In the 1960s and 1970s he became involved with several distinguished poets, including Edward Lucie-Smith, Ted Hughes, C. Day Lewis, Brian Patten, George MacBeth and Adrian Henri as well as artists Sandra Blow, John Piper, Josef Herman, and Mark Boyle among others, producing poetry prints published by his own gallery, the Fulham Gallery, London.
He also designed posters for Mark Boyle's light shows (The Sensual Laboratory), the Jimi Hendrix Experience and Soft Machine. His connection with the modern world of rock music continued when he met Lou Reed, an admirer of his Christie and Raymond Chandler covers. Adams designed the cover for his first solo album.
By the early 60s, Collins decided it wanted to do something more artistically distinct with Agatha Christie’s paperback covers. Impressed with Adams’s cover for John Fowles’ 'The Collector', they engaged Adams and a distinct partnership developed.
He was commissioned to do a trial cover of Christie's 'A Murder Is Announced', which was published with his cover in 1962. Everyone involved was pleased with the outcome. As a result, Adams ended up doing covers for many of Christie's paperbacks, often more than once. The only covers he did not create art for were the pre-1926 books which Fontana did not have the publishing rights to.
PocketBooks in the US very much wanted more realistic covers and for this reason, most of Adams' covers for the US editions feature a single dramatic or portentous scene from the novel that spans the front and rear covers. The two exceptions are "Nemesis" and "The Mystery of the Blue Train".
Fontana in the UK was much more open to Adams' creative input. Thus, the UK covers were often akin to a stylized tableau or surrealist collage. Adams ended up doing the covers for Agatha Christie paperbacks for 28 years (1962-1980), thus becoming connected with her intimately in the minds of many readers.
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