My critique group decided to take a break from our usual meeting plan to read a book on the craft of writing and discuss it as a group. One of our members suggested Finding Your Voice: Make Your Writing Unique and Unforgettable by Bria Quinlan and Jeannie Lin. It was a good choice.
This is a shortened version of my initial review. In that review, I not only talk about what I did and didn’t like about the book, but I also focus in more on what I learned from it about my own writing. You can find that review on my bog site if you’re interested - [...] Here, I will focus on the groups high-level reaction to the book.
At our meeting last night, there was one comment that was almost universally agreed upon. The first portion of the book on “emerging voice” wasn’t as valuable as the second and third sections on “core voice” and “signature voice.” That’s partially due to the less concrete nature of the content, i.e., it focused more on what voice is not than what voice is. But, it’s also largely due to the fact that everyone in our group, published and unpublished alike, already has a voice, whether we could describe it or not.
What I loved about the book–and others seemed to agree—is that it helped me identify some things that are a distinct part of my voice such as sentence structure, word choice, and use of humor. It can be hard to articulate your voice, and knowing how to do that can be helpful in honing it as well as aid you in pitching your manuscript to an agent or publisher.
All in all, I think it was a well-written book on craft that writers of all levels can appreciate. The authors give plenty of exercises throughout. I marked half a dozen that I will come back to as I work through the revisions in my current manuscript.