The Baron Rhaudius seeks to uphold the farcity of what he calls law and order in his province on the planet of Loam. Where farmers bound to an enforced passive slavery seek to hide their children among the Erdu, at great risk of peril if they're caught. The forest dwelling Erdu amount to what could be seen as the hope of freedom and of resistance. Once entrenched deep within the homes of the Erdu their children are unreachable. Rhaudius opens our thoughts with the killing of young sisters who were attempted escapees. On the brink of safety they were retrieved at significant expense for all. This particular skirmish, not the first nor the last, resulted in nine deaths in total: three Erdu retrievers; four Baron soldiers; and two dead escapees. The latter were both killed publicly as a lesson and warning. The older sister beheaded and her younger sister's neck broken just minutes later. As with most cases of tyranny only the sympathizer's deaths would be known, as it is hope that must be quelled at any cost, if the status quo is to remain.
Within the entrenched farmers Winter is one of the Chosen, those God-Touched by the Makers; an oracle of sorts. Up until recently most visions she related to her brother Aven were incidental and apparently unimportant in the greater scheme of things. In the past few days however a vision registered an impending doom that reeks of blood, death, smoke and ashes. Winter and Aven are closer than is traditionally seen between siblings, especially with being twins. Inseparable even at a young age they'd developed a secret hand language and Aven had learnt to look for the things she saw. That this new set of happenings should coincide with their father's announcement that they would soon set out to break the contract with the baron, has left him with bile in his throat. Now that his ceremonial days of his wedding to the immensely beautiful Harvest have begun, Aven cannot shake the foreboding. Especially after the tragic loss of the beautiful sisters Coriander and Violet just a couple months ago. He'd been in town that terrible day and seen what the baron is capable of.
Given her uniqueness it seems that little ever truly bothers Winter, secure in the knowledge that what ever is to come is as it should be. Not far off seventeen, her gift was bestowed at age nine when she was saved by the Maker Leaf. Their homes located at the edges of the farms they're 'contracted' to work, they live in hovels below ground, beneath the trunk and roots of great oaks. Only confinement from everything above ground shakes Winter's good mood, and the possibility of being separated from her brother. Her and her seer spirit, the blue-winged butterfly Whisper, must needs spend as much time possible amongst everything that's nature. Winter has always warned Aven of the dangers of watching for, or trying to change the things she sees; for their she knows the path to ruin may lay, as their action can lead to fulfillment of the vision. What she sees may not relate to them but in acting they may surely see it come to pass. As not all of what is seen comes to pass, Winter supports inaction, as the other path surely means the vision becomes about them.
Meluscia, Luminar Trigon’s daughter, brings back memories of Ella Dethroned as she discusses her presence at the site of another Nightmares' raid, and the deaths of twenty souls being more important than the single soul of the current Luminar's only daughter. Wholeheartedly committed to her people, the act of putting their lives before her own rings with a tune similar to Monaiella's. Indeed its not long before Meluscia admits that Ella is amongst the Luminaries who inspire her thoughts and actions the most. Blood heir to the ruling seat she's well versed in the histories of the realms as tradition dictates. Interested in assuring the safety of her people Meluscia's pushing to take her father's throne so that she might be able to put a stop to the problems of the Nightmares. Agents of the Beast Master himself. Her father and other political figures see Verdlands andit'sking as the greatest threat. On the other side of the wastelands, The Star Garden Realm had gone dark and is where the beast attacks stem from. Its there Meluscia is certain the problem of the Nightmares exists, and whilst her father and others failed to recognise the true threat, they too became a problem. Little does she and others realise there's are spies in the nest.
Throughout this and the prequel, and most assuredly the remaining books given the complexity of the theme, is the tug-o-war rope that pulls from either ends of the scales that measure the balance of life. In one plate resting at the bottom of the scales' chains is the workings of the guardians. These purport their calling, their agency and authority, to stem from the need for protection against the Beasts. On the opposite plate are the actions of the beasts and more simply the Beast Master himself - Isolaug. At the core of the latter stems the desire to oppose, maybe even so far as undo, the control of the worlds as they're envisaged by the Guardians and the Makers. Largely their sole purpose is to gain power and that therefore requires the existing structures of power be broken down. Just as an errant child might come to disregard and disrespect the teachings of the parent, ultimately it must be determined whether only the parent's desires are valid. Does the child created by it's parents have the right of free will, to the point that they can do and live as they please without any interference from the parent. Or does the parent through the creative act that brings the child into the world, have complete autonomy over what the child must do.
Of course, such a black and white interpretation of autonomy is never substantively clear cut or how it works; the greyness in between polar ends creates a plethora of changing interpretations. Isolaug asks why must life only be lived in accordance with the creator if indeed the action of a creator, like in any act, have faults in their making. This is fundamentally too simplistic for most considerations because the actions are self-serving. Still, even in some interpretations the authority of the Guardians could be seen the same way. Even if they profess to be servants of the Makers, what they do works to secure their position of power within the hierarchy. Both opposing forces have instances of cooperation whilst still showing selfishness to see only their will be done. Such is the quandary of governance. Total free will sees both ends having rights and wrongs. Governance in effect seeks to ratify what rights and wrongs are most valid. Can a creator be held ultimately responsible for how their creations exist if free will was part of the design? At what point in anything's life does it gain freedom of choice to live how it wants? And if the choices they eventually gain free will to make lead to other's demise, can the creator be held responsible?
Often in the dichotomies of opposing philosophies there are many victims of those who act with power that are left behind. If the power to create means there is innocent' suffering at the hands of those created, is the ultimate responsibility the perpetrators or the creators. In any vacuum there are going to be those that have and those that have not. For the twins of Loam, one god-touched and the other touched by the god-touched, who is ultimately held responsible for the deaths and suffering they've experienced? Is it Winter, who shared her fears with her brother Aven to lesson the weight of her visions, fears that lead Aven to act upon that information which lead to the vision coming true? Or is it Aven's responsibility because he acted on the fears and those actions lead to the vision coming true; despite being cautioned by Winter not to act? Or in keeping with one of the above interpretations is it the Makers fault for god-touching Winter; or more simply still, for allowing the perpetrators to act? If Winter did not have any visions, would the events still happen as they do? Such is the quandary facing the twins because no single person did not contribute in at least some causal manner. Even the baron and his forces could sit back, as they have, and argue that if the victims had not plotted their escape then his laws would not have had to be enforced.
The plots and character rationalisation seem to inherently deal with life, power and creation. The science fiction elements of the story bring into effect the overarching principles of creation; as sci-fi stories are often want to do. The seemless integration which makes the series befitting a science fiction-fantasy categorisation expands the possibilities without drawing particular attention to the mechanisms at work. It is my opinion that such technical skills are more effective because they lead readers to moments of inspiration. When intrinsically they reach these lightbulb moments in their thinking they're often more involved with the thoughts they come to realise. Laying it out in detailed description is akin to the proverbial 'you can lead a horse to water but you cannot make it drink'. Done intrinsically though, and in keeping with the metaphorical approach, it is better to give a fishing rod and teach a person to fish, than it is to give that person only the fish. This and many other technical skills within the story are among the reasons I would give maximum rating. In and of themselves the storylines are marvelously entertaining, but mix into the equation the provocation of reader thinking and you have a recipe for something that will leave greater impressions.