IN HER OWN TIME, as a title, is a very nifty trick. Take it literally, and our hero, the time-travelling Bean Donahue, is safest in her own time. Take it in its common usage, and she will learn her ability at her own pace and in her own way. Of course, “her own time” is 1970, and this is a time-travelling trip for the reader as well—one which I highly recommend.
Welcome back to the era of the Grateful Dead and Jefferson Airplane. Let’s reintroduce ourselves to the characters we fell in love with in TIME RUNS AWAY WITH HER: Rebecca “Bean” Donahue and the band—that’s also Sam and Suzanne—and also her artist boyfriend, Zak, who qualifies everything by the degree to which he deems them “bizarre.” Shake hands again with Father Tollman, and Odell, and that eternally frustrating mother figure, “Juuulia.” We know these people. It’s comfortable in Stormkill, perhaps even more so in July than in the dead of winter. We’ll see Deerfield Academy again, all the familiar places and people. I’m so totally into this … But wait—something’s wrong.
As Bean grows up, the potential of her ability, her power, seems also to have increased—and as the old saying goes, with that comes greater responsibility. Enter Crow, program director for the local radio station. Bean, Zak, and Sam might find opportunities there—or at least some intern work between semesters at school—but there’s one hell of a lot more in this entry-level stepping stone on the way to musical stardom than at first appears to be the case.
What if Bean is not alone in her talents? What if tripping decades back in time to bear witness to the tragedies (or, at least, dramas) of Deerwood Academy is only the first tentative step down, into a very dark place? In this second of the “Bean Books,” Christine Potter invites the reader into fantastical conflicts that are not only observed, but experienced. In the first book, the real danger was at home, in Bean’s Own Time, while the dangers of the past held the potential for truth and understanding—not (necessarily) palpable danger of their very own. It’s all different now. The phrase “something old, something new,” has never seemed so appropriate.
I can’t say anything more of the plot without running the risk of spoiling things for the reader. I will say this, though: it’s easy for a lazy writer to haphazardly stumble into mere “product placement” when trying to recreate an era—either for her peers or for those too young, or too far removed, to have experienced it themselves. Christine Potter avoids this with surety and deftness. The world is real, the pop culture and the news and the MUSIC is real—and if we don’t recognize a referenced track, we want to YouTube the damn thing and get in on the scene. (I did this with Grace Slick’s misguided blackface appearance on the Smothers Brothers, just to see if it was really … real. And it was!)
There’s so much going on here, as I might have said of the first book. There’s romance, yes, and fantasy—but also world rebuilding, character exploration at every level, dynamisms in personality change that come with age and change of circumstance, dissections of complex human emotional extremities that include grief, trust, and the murkiness of good and evil.
ALL of this, and still completely digestible by a young adult audience. Or by me. I’m a guy, and I don’t automatically gravitate toward romance. And I’m 46. Yeah. It’s that good. It transcends genre.
Christine Potter’s IN HER OWN TIME is more than a worthy sequel to TIME RUNS AWAY WITH HER. It’s a gateway unto itself, and anyone who doesn’t pass through is missing something seriously, totally, awesome.