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Maroc
Les 80 images rassemblées dans cet ouvrage expriment une intimité de plus de 30 ans entre Harry Gruyaert et le Maroc : un sublime condensé de lumières et de pigments, de volumes et de textures. Remis en vente à l'occasion de la parution du coffret East / West.
- GenresPhotography
122 pages, Hardcover
Published October 23, 2013
12 people want to read
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August 13, 2024
"Morocco" by Harry Gruyaert is a captivating compilation that merges the finest elements from the author’s previous books on Morocco, published in 1990 and 2013. Gruyaert's profound affection for Morocco is palpable, with his repeated visits starting in the 1970s culminating in a collection that eloquently captures the essence of the country. His photographs reveal, in his own words, "a splendid harmony between shapes, colors, everyday activities and nature," which highlights the unique relationship he has developed with the country. Despite the challenges posed by the cultural and religious sensitivities of the Moroccan people towards being photographed, Gruyaert's work transcends these barriers, offering a glimpse into the soul of Morocco.
In the foreword, Gruyaert speaks of forming a "relationship" with Morocco, an endeavor that required both sensitivity and perseverance. His photographs invite viewers to share in his experiences and artistic journey, creating a sense of presence alongside the artist.
However, a notable drawback of the book is the editor's decision to omit dates and locations from the photo captions, instead relegating this information to the end of the book. This choice disrupts the immersive experience, as readers must frequently flip to the back to contextualize each image. This design flaw detracts from the immediacy and continuity of experiencing the photographs as Gruyaert intended.
In the foreword, Gruyaert speaks of forming a "relationship" with Morocco, an endeavor that required both sensitivity and perseverance. His photographs invite viewers to share in his experiences and artistic journey, creating a sense of presence alongside the artist.
However, a notable drawback of the book is the editor's decision to omit dates and locations from the photo captions, instead relegating this information to the end of the book. This choice disrupts the immersive experience, as readers must frequently flip to the back to contextualize each image. This design flaw detracts from the immediacy and continuity of experiencing the photographs as Gruyaert intended.
Displaying 1 of 1 review