The first book of poetry published by internationally renowned spoken word performer, Shane Koyczan. Includes a 5 track cd/ep featuring performances by Shane. Currently in a 2nd edition and going to a corrected and remastered 3rd edition available at end of summer 2007. Voted to *Best Books of 2005* lists in the Guardian (UK) and Globe and Mail newspapers.
Shane L. Koyczan is a Canadian poet and writer. Born in Yellowknife, Northwest Territories, Koyczan grew up in Penticton, British Columbia. In 2000, he became the first Canadian to win the Individual Championship title at the US National Poetry Slam. Together with Mighty Mike McGee and C. R. Avery, he is the co-founder of spoken word, "talk rock" trio, Tons of Fun University (T.O.F.U.).
Koyczan performed a variation on his piece "We Are More" at the Opening Ceremony of the 2010 Winter Olympics in Vancouver.
Visiting Hours is Shane Koyczan’s first collection of poetry. The collection was first published in 2005 and this eBook edition was released in 2013. It was pure chance that led me to Shane’s work – a stoush with someone on Facebook who misquoted and misinterpreted one of Koyczan’s more famous poems, We Are More. Every cloud has a silver lining though and the more I read of Koyczan’s work the more I liked.
My concern with buying a collection compiled by a spoken word poet was that it would lack some of the vibrancy, some of the presence that is present in the poet’s own performance of the work.
I needn't have worried. Koyczan in addition to being great performer of the spoken word also is able to translate that talent to the page. I received just as much enjoyment reading as I did from watching Youtube videos after I was done. The difference to me seemed only to be one of magnitude. The words carry his poetry well, the performance just turbo charges it.
In comparison to other works I have read recently, this probably sits closer to my enjoyment of the work of Ali Cobby Eckermann. Koyczan’s work frequently touches on love and loss ad is accessible to a wide audience. Some poets have labelled it trite and self consciously clever. I find the work entertaining and moving. I appreciate his rhtym and rhyme and the narrative of each of the poems. I am not left scratching my head and having to do 3 or 4 close readings to try and get a handle on what the poet is saying.
No, Koyczan uses accessible language, uses the rhyme and cadence to enhance emotion. Two of my favourite poems in the collection made my cry. That’s not something I experience much or at all reading novels or even other poems. So if he’s being trite or clever I don’t really care. I’d prefer to be skilfully manipulated than bored.
I've been told that people in the army do more by 7:00 am than I do in an entire day
but if I wake at 6:59 am and turn to you to trace the outline of your lips with mine I will have done enough and killed no one in the process. (from 6:59 am)
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I am a serial lover leaving behind fingerprints like they were evidence that I was there leaving behind strands of my hair on your sweater when I hug you goodbye I am slowly becoming a fact (from afraid)
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so we lie in bed like a mess that someone's been meaning to clean for the large part of a long while we lie there like a pile of dirty laundry and how we'll ever come clean is beyond me so we don't
she says it's supposed to be dirty if by the end you haven't hurt me then you didn't try (from my darling sara)
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and suddenly our bodies remembered how to move like a favourite record you listen to over and over again the needle found the groove and the music we made played upon our bones like those fisher price xylophones taking us back to our childhood when we would smile at each other and not care why (from no need)
Was afraid this would fall apart on a reread. It remains intact, but lessened, mostly according to the weakness of the non-narrative, sub-5 page "poems." There's no denying a certain simplicity to Koyczan's work — both linguistically and emotionally — but his earnestness is matched by genuine skill with alliteration and consonance, the kind of spoken-word poetry that also realizes its strength of page. More like a 3 1/2 (or 3 if I'm being really really objective), but if you read this with his buttery voice in your head, the half star boost makes sense.
Many killer lines in this collection, and Koyczan manages to warm me up to rhyme, which is saying something because normally I don't like it. But I still think many of these poems work better in performance than they do on the page. He's an incredible performer, and the longer poems in which themes circle back and rhythms build—to me they're written to be spoken out loud.
I recently re-read this after not reading it since high school. This holds up as one of my favourite books of poetry ever. I feel as connected to these story’s and poems now at 29 than I did at 16. Highly recommended to anyone looking to get into reading more poetry. Also highly recommend seeing any of Shane’s readings, rather online or in person when we’re able to.
Shane has a knack for turning the mundane into something extraordinary and beautiful. He also laughs at himself when he needs to and doesn't take himself too seriously.
This book of poetry is fun, touching, and everything I have come to expect from Shane Koyczan's usual style.
So I really wanted to (and expected to) love this, given how much I love Shane Koyczan's spoken word poetry. However, this book didn't quite inspire for me. There were phrases and pieces that I appreciated, but overall I struggled to connect with most of the poems. Maybe I just wasn't the right audience? I think many of these are better suited to the spoken word format and that would help bring them more to life. But on it's own, it was just okay.
Admittedly, I was never much into poetry, the little that I studied at uni aroused a mild interest but never anything that struck me as amazing. This changed rapidly when I stumbled upon 'Visiting hours' and started to watch Shane Koyczan on youtube, his poetry is moving, sentimental and funny. He'll make you weep and then start laughing, all within one verse. By far, my favourite would have to be the closing poem 'move pen move' which is a tragic and emotionally honest story about the death of his mother (I watched him perform this on youtube and couldn't stop sobbing, just a warning if you plan to do the same, which you should!)this man certainly has a way with words, read this. Just read it.
Recently I went to an outstanding performance by Shane Koyczan in our city and had forgotten about reading/ studying and re-reading Visiting Hours. His poetry is filled with heart – both his written words and his spoken word artistry. He’s a philosopher, championing the underdog and commenting on every human’s need for love, with extended metaphors and imagery and internal rhyme that surprise with their wit. Just brilliant!
“…and now I know something of how a piano must feel when it looks at the fireplace to see sheet music being used for kindling smoke signaling the end of some song that I thought it would take too long to learn I just sit here watching you burn away all those notes I never had a chance to play …”
I learned of Shayne Koyczan when he performed at the closing ceremonies at the 2010 Vancouver Winter Olympics. Since then I have been trying to acquire this book. It was a challenge. I am generally not a poetry fan, however, I love his work. It is emotional, sometimes erotic, and thought-proviking. I find his rhyming and cadence fascinating. I highly recommend this book to everyone.
This guy rocks in performance, and his poetry works just as well, if not better on the page (poohs to all you publishers who think performance poetry belongs only on the mic). He's very clever. Title poem is gorgeous.
From a genius of the spoken word tradition, Visiting Hours compiles some all-time greats and a few never-seen-before poems. Koyczan owns and wields a genius that leaves most of other poets jealously sulking.