This is a heroic effort to try and separate the craft of Sylvia Plath’s writing from her biography, especially the last days of her life.
Eleven essays written by eleven different contributors discuss how this could have happened. Most of the essays focus on the poetry. Some essayists feel more strongly than others of reading Plath’s writing as her biography. The ones who don’t say it gently, suggesting that the two are inexplicitly linked. What comes through is that this is an impossible task, but they all say in varying degrees by viewing Sylvia Plath and her writing through only her depression and suicide misses how strongly she felt about the current events that were going on around her. Between the eleven essays there is a lot of insight into Sylvia Plath’s life, her writing and the reception of her work.
The first time I read this book I did it without reading any biographies, Plath’s poetry and journal. This time I read two biographies, Plath’s abridged journal and looked through her poetry and also her letters, along with another read of the The Bell Jar. Without this, some of the essays would have been harder to follow, so this time I got a lot more out of this book, where it was easier to see why it will be impossible to separate Sylvia Plath’s craft from her life.