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The story of Emma and Carl Jung's highly unconventional marriage, their relationship with Freud, and their part in the early years of Psychoanalysis.
Emma Jung was clever, ambitious and immensely wealthy, one of the richest heiresses in Switzerland when, aged seventeen, she met and fell in love with Carl Jung, a handsome, penniless medical student. Determined to share his adventurous life, and to continue her own studies, she was too young to understand Carl’s complex personality or conceive the dramas that lay ahead.
Labyrinths tells the story of the Jungs’ unconventional marriage, their friendship and, following publication of Jung’s The Psychology of the Unconscious, subsequent rift with Freud. It traces Jung’s development of word association, notions of the archetype, the collective unconscious, the concepts of extraversion and introversion and the role played by both Carl and Emma in the early development of the scandalous new Psychoanalysis movement.
In its many twists and turns, the Jung marriage was indeed labyrinthine and Emma was forced to fight with everything she had to come to terms with Carl’s brilliant, complex character and to keep her husband close to her. His belief in polygamy led to many extra-marital affairs including a menage a trois with a former patient Toni Wolff that lasted some thirty years. But the marriage endured and Emma realised her ambition to become a noted analyst in her own right.
425 pages, Kindle Edition
First published November 8, 2016
http://www.bbc.co.uk/programmes/b082x79j
See also 'A Dangerous Method' (2011) from a play by Christopher Hampton“Labyrinths” was well received when published in England this summer. Yet throughout the first half of the book, no matter how much I squinted, I could not discern why. The subject is rich, definitely, and Jungian analysis has a groovy, woo-woo sort of appeal. But Ms. Clay’s sourcing is thin. She devotes pages of filler to the glorious architecture of Middle Europe — sounding uncomfortably close to the sales pitch for a Viking River Cruise — and to the menu at the Jungs’ wedding, and to the wares of the Bahnhofstrasse, and to the costume of the day. ... It all seems a clumsy attempt at trompe l’oeil, to give the illusion of depth. // My l’oeil wasn’t tromped.Hehe! I agree. Not all is executed well in this book but it was still interesting and reminded me of just how new and strange the ideas of early Freudian and Jungian psychoanalysis were to the European world. In the end I was glad that I persevered through the elaborate scene-setting and silliness. There are repetitions and redundancies, and the structure could have been tighter, but by the end the cumulative effect was a vivid picture of the fascinating Emma Jung's excellent mind and generosity of spirit (and Carl Jung's uh ... complicated personality and adherence to non-monogamy).