This novel was presented as a Concerto with sections subtitled under a Prelude, three Movements and a Coda, but it did not quite live up to that promise.
Hana Knight is a classical music prodigy, snatched from Vancouver and sent to the Juilliard School in New York, and there taken under the wing of her benefactor, Mrs. Flynn, and put on the concert circuit. Hana is harbouring a grudge against her financier father, David, whom she insists is dead. Her mother is suffering from dementia back home and is under the care of her sister and brother. In New York, she is being followed by a mysterious street dweller, Jacqueline, whom she seems drawn to. Jacqueline is a stubbornly independent, non-communicative type with a passion for classical music.
Hana comes across as impulsive but a bit of a cold fish, flitting with her relationships: one hour with boyfriend Michael whom she has been away from for a month is all she can spare, given her main focus being her music. She also breaks the heart of her only close friend in New York, Kenji, and destroys his career with her self-centredness. And yet, Hana’s attraction towards Jacqueline is unusual; it’s as if she wants to care for the destitute woman inasmuch as she is unable to care for her own mother. Hana’s attachment to Jacqueline and her gathering estrangement from Mrs. Flynn also exposes the 1% vs. the rest of the world that is amply showcased in New York City.
The Second Movement pushes the tempo into high drama as Jacqueline reveals her true motive, the secret of David comes out, and baring her fangs, the street dweller puts Hana’s career at risk. But the Third and last Movement lapses into tepid waters, and it looks like the main action is over and the author is trying to tie all the loose ends and finish the book. We are still left with some loose ends, just as in life, and that is good.
Some observations stayed with me:
a) Classical musicians are glorified cover bands for they merely reproduce the work of others, they don’t create anything.
b) There are 40,000 people sleeping in New York shelters every night, half of them children.
c) The transition between rich and poor in the USA is very easy - just lose your job and your medical coverage.
The author has researched the concert pianist milieu well, and portrayals of the well-to-do vs. the impoverished are very well done. The action flows like a good tune, and yet, the prose is pedestrian and doesn’t have the richness of a Chopin piece, Hana’s favourite composer.