The Next One Will Kill You
By Neil Plakcy
Diversion Books, 2016
ISBN: 978-1-68230-300-9
Five stars
So, reading the first book in a new series, even by an author I admire tremendously, is always an anxious moment. As I began “The Next One Will Kill You,” I was wondering if I’d be able to add Angus Green to the list of memorable central characters with whom I’d more or less fallen in love over the years. It helps that Angus is a redhead, a particular weakness for me. The fact that he’s an enthusiastic, if somewhat innocent and feckless, FBI rookie, was neither positive nor negative.
My first long-term romance was with Ms. Lanyon’s Adrien English in that epic series of action-packed and beautifully written books. Next was Neil Plakcy’s Kimo Kanapa’aka, who before my eyes evolved from a closeted cop struggling with himself into an out and proud role model for gay youth in Honolulu. I still think the “Mahu” series is one of the great moments in gay lit of the early 21st century. Finally, I fell for Harper Fox’s Gideon Frayne and Lee Tyack, the quirky and very small-town duo who perfectly expressed Ms. Fox’s unequalled writing talent and her astonishing sense of place and character.
So, that’s a lot to live up to, right? And yet, my hesitation faded away as I read through “The Next One Will Kill You,” and watched Angus Green grow into someone strong and mature and compassionate. Plakcy has tackled a particularly difficult plotline in this first of the series; but he uses all of the difficulties to shed a strong, laser-sharp light on Angus’s character. In the end, Angus Green proves himself, not only to Roly and Vito, his FBI superiors and mentors, but to Plakcy’s readers. This guy’s a keeper.
Two personal red flags popped up in the course of Plakcy’s narrative. First was the nickname for older gay men who live in the Fort Lauderdale suburb of Wilton Manors: Wilted Flowers, meaning those gay men “who had been handsome once, but whose looks had faded with age.” This is a motif reiterated in the course of Angus’s work—as he investigates in the very bars where, as a hot twenty-something, he cruises and drinks. Being a wilted flower myself, I know exactly how painful the realization of invisibility is for a gay man; that moment when you first understand you are no longer relevant to the lives of the kind of young gay man you once were.
Thankfully, Plakcy handles this pretty well, introducing the character Tom, a sixty-something, well-to-do retired corporate executive, who inadvertently comes to play a significant role in Angus’s case. The interaction between Angus and Tom—who could be Angus’s father—is sympathetic, and led me to hope that Tom might appear in futures books, simply as a friend. In the course of the book Angus wonders if his non-FBI life of tricking and bar-hopping is too ghettoized. It seems to me that by building a network of friends from different parts of the gay community, Angus might himself become a broader, better person. We’ll see where that goes.
The second red flag was the notion of gay criminals, which forms part of one of the major narrative threads. In spite of having the main hero being young and gay, I’m never really happy with bad gays—although I know they have to exist. To my surprise, Plakcy negotiated this self-created minefield in such a way that it became part of my growing fondness for Angus and his evolving maturity as a man and an agent. I was really impressed, but can say no more without spoiling things.
This also brings to mind the fascinating plotline involving three Orthodox Jewish Mexican jewelry dealers, the Levy brothers. Now, I know something about the immigration of European Jews to Latin America during and after World War II, and I also know quite a bit about the jewelry trade. Plakcy (with only one little error, to my mind) handled this potentially fraught story arc in a way that informed me and added substantial realism to the book.
Finally, there’s Lester, the muscular bouncer at one of the bars Angus investigates. Lester’s role in a little minimal in this first book, but it seems clear that we’re going to see him again. I want to encourage Neil to keep him here. I want to get to know him better. I like him. In fact, there’s a lot about this book and this series that I like.
I think I’m ready to fall in love again. Make it happen, Neil.