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240 pages, Paperback
Published February 23, 2017
The interesting thing about entering the middle class is that everything you have known is turned on its head. You go from being invisible to society, and yet at the same time the object of constant scrutiny and mistrust, to being at once anonymous and in possession of a voice. You are trusted to get on with things, and encouraged to go on endlessly about the way in which you do them.
Another quality that Bernstein identified in working-class speech is its fragmentary nature. By sticking with the description of individual events rather than unifying them into a larger narrative, you accept that contingency of things: after all, your circumstances may have changed by tomorrow, and in any case what you’ve said is likely to have significance only in the specific context in which you said it. Middle-class speech, by comparison, smacks of grandeur, because it seeks to place feelings and events in a universal context, with the inference that the individual speaker and his perceptions matter in the greater scheme of things.
Upward social mobility is more common than downward because it is generationally harder to lose middle-class privileges, once you have them, than it is to gain them. A family may rapidly lose money - through repossession or bankruptcy, for instance - but its members can’t lose knowledge already gained, qualifications already earned, expectations already entrenched, half as quickly. This is something which members of the middle class tend to overlook or underestimate, and which causes them to work harder than they probably need in order to retain those privileges.
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Blimey, don't think I am going to become too involved with this anthropocentric subject, yet the music it recalls is great:
This is My Truth
Respectable in the 80s
Respectable in the 90s
Snakes and LaddersI equated getting an education with becoming equal to others who didn’t face a similar fate. So all this learning, this endless refusal to fit in and accept an ‘easy life’, all this was, after all, done for instrumental reasons. It was about nothing more than wanting, needing, to get to a different place. It had nothing to do with wanting to be posher and everything to do with not wanting to suffer;...