I get excited when I'm about to write a review of a book I've really enjoyed. I imagine other readers getting a small taste of a story or genre they like the sound of, and then adding it to their TBR list. And so it is with Dead in the Water (Scribe Publications 2016), the second novel for Australian author Tania Chandler. A crime novel, and sequel to Please Don't Leave Me Here, the narrative focuses again on the protagonist Brigitte, now living a peaceful life in the country with her family, several years on and far away from her turbulent early life in the city. But when uncanny resemblances occur between a local murder and the plot of her ex-boyfriend's novel (also called Dead in the Water), Brigitte's security is again threatened and she doesn't know who to trust.
This novel builds on the previous story but is much more nuanced and cleverly constructed. All of the characters are developed in well-rounded and interesting shades. Some characters who make a repeat appearance from the first book - Brigitte's brother, Ryan and their mother, Joan, for example - are much more complex, and we are given layers of insight into their histories. The portraits of Brigitte's children are light-hearted but realistic, and her roles as a mother and as a wife are drawn with authenticity and empathy. There are plenty of new characters in this second book, and along with the reappearance of some previous personalities, the novel is brimming with potential suspects and victims.
After the initial chapters spent getting my head around the passing of some years, and Brigitte's changed circumstances, I was thrust into a gritty crime thriller that had me hooked. The second half of the book I found particularly enthralling. As with Chandler's first book, she kept a lot of balls in the air...but dropped not a one. She had me guessing until the final pages. There were several sub-plots and sub-texts to the action; several ambiguous characters who I just couldn't predict were going to turn out to be 'bad' or 'good', and quite a few plot twists that I really didn't see coming.
In addition to the actual narrative crime story that pulls the reader along from one page to the next, Chandler's depiction of Brigitte's personal life is also engaging. She merges psychological trauma and emotional baggage seamlessly into the main story, giving us lots of intense layering around the dramas of family life (even without the crime angle).
I felt very connected to the characters in this book and found them easily relatable. I found myself cheering them on through their emotional troubles, despite their flawed characters which at times had me actively disliking them and / or their actions. I do think that's one sign of a good book - that it is peopled with personalities that are unlikeable or exhibit bad behaviour, and yet we are still engaged with them, precisely because they correlate more closely to real life, which is never black and white, but always shades of grey.
But the most appealing aspect of this novel is the riveting suspense and tension, which ratchets up the closer we get to the end, leaving us turning the pages especially fast through the last quarter of the book when we are hit with surprise after surprise - we are unsuspecting of a myriad of victims, villains, perpetrators, innocents and evil-doers. And in those last, final, racing pages, the story comes together in a most satisfying way.