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Songs of the Cauvery
The the transition years between the nineteenth and the twentieth centuries. The the fertile delta of the Cauvery. The the early stirrings of a freedom struggle against British colonialism in South India. Nothing can disturb the serenity of Tiruvaiyaru, South India, until Panju, a brilliant boy from an orthodox family, decides to join the revolutionary freedom movement. His actions affect not only him, but those he holds close-his sister Janaki who, breaking age-old tradition, aims to become the first local woman with a college education; his father Sambu who finds himself getting waylaid from his spiritual quest; and the beauteous temple dancer Ranjitham, who covets Panju. As Panju's decisions come with ripple effects, Sambu, Ranjitham and Janaki are compelled to make compromises they had never bargained for. Like the Cauvery-who exhausts herself to a mere trickle to enrich those around her-the characters in the novel must learn the true meaning of sacrifice. With a cast of unforgettable personalities, Songs of the Cauvery is a poignant meditation on grace, virtue and renunciation.
- GenresFiction
Unknown Binding
Published January 1, 2016
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August 24, 2018
Songs of the Cauvery - Kalyanaraman Durgadas.
The best that can happen to a reader as per me is to get a book in gift from someone :). But it becomes double the happiness when you get it straight from the Author, that too personally and of-course, he's got to sign it as well ;). The highlight of my last month's Bangalore trip (Official) was my visit to the book-readers pilgrimage called "Blossoms". I posted the same on Facebook a couple of hours prior to my visit and Mr. Kalyanaraman Durgadas messaged me saying that he was in the area and we could very well catch up over a cup of coffee. Guess what, I had no idea up to the very moment I met him that he has written Books :) and he delighted me by buying and gifting a copy of his own book from the next door books store "Bookworm". Briefly he told me that it was based on an important chapter from History and as I love not reading a blurb or a review of any book that I plan to read, I didn't ask him much about the book. So technically I had no idea what I was getting into and I am glad I didn't ask him either as it turned out to be a FANTASTIC Historical Fiction, If I may call it that because the unfortunate ignorant that I am on the subject, I have no idea of its historical accuracy but that takes nothing away from the awesome story. Also, another best part which worked big time in favor of the book was that I haven't read many Historical Fictions in the recent times and NONE from our part of the world. But now that I have read his book, I can very well guarantee you that none of the contemporary Author's book(s) will come any closer to this one, especially the subtle way he has told his story. Wow, I am already looking forward to his upcoming works, as and when he writes, gotta text him and ask what is he up-to these days :).
The beautiful book I kept on my book-rack for quite a while as I was in the middle of a mammoth book series and I picked it up early this week and the fantastic story it was, I finished it too fast. I guess that is always the case with a good book, the better they are, the faster they finish :). My initial impression of the book and its story from late 19th century was that it was a love story of sorts from a small town on the banks of Cauvery, but the way it turned and picked up the pace mid-ways, my mind totally got blown and let me tell you this, the way it reaches the mid-ways, it becomes simply unputdownable and by the time it ends, it simply becomes a superb thriller with awesome action. Now, since the timeline is late 19th Century, pre-independence days and life are so beautifully captured by the Author that it refreshed the memories I have of my mother's book, she is a huge huge fan of Indian Revolutionary heroes and I have read most of them. Story of a simple straight-forward Brahmin, who loses his wife very early in life, marries his wife's sister (as per her own wish), story goes forward as his Son and Daughter take up the reins forward. It was quite a refreshing change to see a doting father from that era who gives so much freedom to his daughter, you've got to read this father-daughter story. In the meantime his fragile son (almost good for nothing for me initially) goes through his own challenges and life. But the day he gets the right direction, and wakes up, there is no looking back. I actually didn't imagine in my wildest dreams of what he becomes and how he does what he does best. Hats off to Mr. Kalyanaraman especially the way he has carved out these beautiful characters.
The entire story is narrated so beautifully, especially the life back then, the cloths that they wear, traditions, Britishers, our own struggles but the most important character among all is the river Cauvery, it actually feels as if the river is telling a story that she herself witnessed. I mean if Cauvery actually has to tell us a story, it will exactly be written the way this story is written, simple, subtle, beautiful, romantic, suspensive and thrilling. The book indeed put a big smile on my face with two very important characters from our History as they make brief appearances. I totally loved it and those precious words, simply superb. I am super glad that I made that trip and thankful to him to have me read his beautiful book. If you have read "Songs of the Cauvery", do let me know how you like it but if you haven't, I will say wait no more, Go get it and enjoy the story. It is a terrific story which has to be read by all.
PS: I am going to mail this book now to my mother ;) as she will be super excited to know that I actually got it straight from the Author and I am doubly sure that she will love the story big time.
The best that can happen to a reader as per me is to get a book in gift from someone :). But it becomes double the happiness when you get it straight from the Author, that too personally and of-course, he's got to sign it as well ;). The highlight of my last month's Bangalore trip (Official) was my visit to the book-readers pilgrimage called "Blossoms". I posted the same on Facebook a couple of hours prior to my visit and Mr. Kalyanaraman Durgadas messaged me saying that he was in the area and we could very well catch up over a cup of coffee. Guess what, I had no idea up to the very moment I met him that he has written Books :) and he delighted me by buying and gifting a copy of his own book from the next door books store "Bookworm". Briefly he told me that it was based on an important chapter from History and as I love not reading a blurb or a review of any book that I plan to read, I didn't ask him much about the book. So technically I had no idea what I was getting into and I am glad I didn't ask him either as it turned out to be a FANTASTIC Historical Fiction, If I may call it that because the unfortunate ignorant that I am on the subject, I have no idea of its historical accuracy but that takes nothing away from the awesome story. Also, another best part which worked big time in favor of the book was that I haven't read many Historical Fictions in the recent times and NONE from our part of the world. But now that I have read his book, I can very well guarantee you that none of the contemporary Author's book(s) will come any closer to this one, especially the subtle way he has told his story. Wow, I am already looking forward to his upcoming works, as and when he writes, gotta text him and ask what is he up-to these days :).
The beautiful book I kept on my book-rack for quite a while as I was in the middle of a mammoth book series and I picked it up early this week and the fantastic story it was, I finished it too fast. I guess that is always the case with a good book, the better they are, the faster they finish :). My initial impression of the book and its story from late 19th century was that it was a love story of sorts from a small town on the banks of Cauvery, but the way it turned and picked up the pace mid-ways, my mind totally got blown and let me tell you this, the way it reaches the mid-ways, it becomes simply unputdownable and by the time it ends, it simply becomes a superb thriller with awesome action. Now, since the timeline is late 19th Century, pre-independence days and life are so beautifully captured by the Author that it refreshed the memories I have of my mother's book, she is a huge huge fan of Indian Revolutionary heroes and I have read most of them. Story of a simple straight-forward Brahmin, who loses his wife very early in life, marries his wife's sister (as per her own wish), story goes forward as his Son and Daughter take up the reins forward. It was quite a refreshing change to see a doting father from that era who gives so much freedom to his daughter, you've got to read this father-daughter story. In the meantime his fragile son (almost good for nothing for me initially) goes through his own challenges and life. But the day he gets the right direction, and wakes up, there is no looking back. I actually didn't imagine in my wildest dreams of what he becomes and how he does what he does best. Hats off to Mr. Kalyanaraman especially the way he has carved out these beautiful characters.
The entire story is narrated so beautifully, especially the life back then, the cloths that they wear, traditions, Britishers, our own struggles but the most important character among all is the river Cauvery, it actually feels as if the river is telling a story that she herself witnessed. I mean if Cauvery actually has to tell us a story, it will exactly be written the way this story is written, simple, subtle, beautiful, romantic, suspensive and thrilling. The book indeed put a big smile on my face with two very important characters from our History as they make brief appearances. I totally loved it and those precious words, simply superb. I am super glad that I made that trip and thankful to him to have me read his beautiful book. If you have read "Songs of the Cauvery", do let me know how you like it but if you haven't, I will say wait no more, Go get it and enjoy the story. It is a terrific story which has to be read by all.
PS: I am going to mail this book now to my mother ;) as she will be super excited to know that I actually got it straight from the Author and I am doubly sure that she will love the story big time.
August 3, 2018
'Songs of Cauvery' by Kalyanraman Durgadas is a beautiful book. Set in the pre-independence era, this book brings to light the actual condition of the times. The transition years between the nineteenth and the twentieth century was a time which was both politically and socially unstable.
The story takes place in the fertile delta of the River Cauvery, in the town of Tiruvaiyaru, South India. Panju is a brilliant boy, who belongs to a Brahmin family. When he grows up, he decides to join the freedom movement. His sister, Janaki, was very fond of reading and had within her the quest for knowledge. She went against age-old traditions and continued her education. She became the only woman from her district to study in a college.
To know more about what happens in the lives of Panju and his sister Janaki, you have to read the book.
The vivid chronicled descriptions make this book unputdownable and absolutely interesting. The plot is very well constructed. The chronological narration is another plus point of this book. The use of lucid language and short chapters make this book a great read. The characters are well portrayed, especially, I liked how the female characters are given importance and how they contribute to the novel. The pace at which the story flowed was perfect.
Overall, the book is absolutely worth reading. And I personally enjoyed reading this book and loved it.
If you are interested in knowing about the social, cultural, and political conditions of the pre-independence era, or like reading historical fiction, this book is for you.
The story takes place in the fertile delta of the River Cauvery, in the town of Tiruvaiyaru, South India. Panju is a brilliant boy, who belongs to a Brahmin family. When he grows up, he decides to join the freedom movement. His sister, Janaki, was very fond of reading and had within her the quest for knowledge. She went against age-old traditions and continued her education. She became the only woman from her district to study in a college.
To know more about what happens in the lives of Panju and his sister Janaki, you have to read the book.
The vivid chronicled descriptions make this book unputdownable and absolutely interesting. The plot is very well constructed. The chronological narration is another plus point of this book. The use of lucid language and short chapters make this book a great read. The characters are well portrayed, especially, I liked how the female characters are given importance and how they contribute to the novel. The pace at which the story flowed was perfect.
Overall, the book is absolutely worth reading. And I personally enjoyed reading this book and loved it.
If you are interested in knowing about the social, cultural, and political conditions of the pre-independence era, or like reading historical fiction, this book is for you.
July 12, 2018
Songs of Cauvery
By Kalyanaraman Durgadas
Total pages - 288
Genre -Fiction
Publishing house - Rupa Publishing house
About the story :
The story begins with the mythological description of The Cauvery - her birth story . The story is based in the time of revolutionary movement of India . As it was the moment of change both in life style and mentality , the plot also reflected the same . The plot is based in South India near Tanjore , besides the bank of the Cauvery . Here the Main Charecters are Panju and Janaki two brother and sister . Their father was a bramhin but he gave the freedom to take decisions of their own. The Charecter Janaki is symbolised as the new age . She wanted to read farther . Panju was a graduated . But before finishing his Graduation he had to marry a 14years old for the shake of his father . But soon he involved into another woman . Janaki falled in love with a Christian guy . But the that time , they were living impact their lives . Panju soon got involve in to revolutionary acts .
What I don't like about the book
1. If the dialogues were kept minimal the good would be better
2. Too much use of Regional and Sanskrit words had interrupted the flow .
What I like about the book
1. The way author introduce the Cauvery is really adorable .
2. The plot and the sub plots are also good enough .
3. The female Charecters had been penned really well so that we get to know about the situation of the women .
4. The mentioning of the Activist of that time had made the story concrete
I want to thanks the Publishers for giving me a chance to read this wonderful review copy
By Kalyanaraman Durgadas
Total pages - 288
Genre -Fiction
Publishing house - Rupa Publishing house
About the story :
The story begins with the mythological description of The Cauvery - her birth story . The story is based in the time of revolutionary movement of India . As it was the moment of change both in life style and mentality , the plot also reflected the same . The plot is based in South India near Tanjore , besides the bank of the Cauvery . Here the Main Charecters are Panju and Janaki two brother and sister . Their father was a bramhin but he gave the freedom to take decisions of their own. The Charecter Janaki is symbolised as the new age . She wanted to read farther . Panju was a graduated . But before finishing his Graduation he had to marry a 14years old for the shake of his father . But soon he involved into another woman . Janaki falled in love with a Christian guy . But the that time , they were living impact their lives . Panju soon got involve in to revolutionary acts .
What I don't like about the book
1. If the dialogues were kept minimal the good would be better
2. Too much use of Regional and Sanskrit words had interrupted the flow .
What I like about the book
1. The way author introduce the Cauvery is really adorable .
2. The plot and the sub plots are also good enough .
3. The female Charecters had been penned really well so that we get to know about the situation of the women .
4. The mentioning of the Activist of that time had made the story concrete
I want to thanks the Publishers for giving me a chance to read this wonderful review copy
March 26, 2017
A nostalgic read, with all the mentions of life in an agraharam and the scenes of Tamil Nadu. The plot per se lacked conviction towards the second half but it wasn't that bad either. Except Panju, the other characters weren't given the attention they deserved, esp Janaki - I was expecting to read more of her achievements but there was hardly any.
Good read, but if you're not from South India, a lot of the beautiful prose will pass you right by with hardly any effect.
Good read, but if you're not from South India, a lot of the beautiful prose will pass you right by with hardly any effect.
January 2, 2026
Book #46 for the year (or should I call it Book #1 for 2026?)
Reading this book felt like watching one of those old Tamil black-and-white classics—slow, deeply rooted, and utterly evocative. Set in the late 19th and early 20th centuries, it traces the intertwined lives of Sambasiva Sastry (Sambu) and his son Panchapakesan (Panju).
Sambu, a Vedic scholar from Thiruvaiyaru in the Tanjore district, is a learned man and an authority on Vedic scriptures. His life takes a tragic turn when his first wife dies by suicide after discovering a lie told by her father to secure the marriage. Shaken by guilt and grief, Sambu resolves to take Sanyasam (asceticism), only to be dissuaded at the last moment by the swamigal of the Kumbakonam mutt. In keeping with custom, he then marries his late wife’s sister and settles into a life of poverty but quiet contentment.
They have two children: the fiery, intellectual Janaki and the gentle, hesitant Panju. Janaki defies every convention of her time—refusing marriage and boldly choosing to pursue a BA degree. Panju, frail and meek at first, draws strength from his sister’s courage and slowly transforms into a confident young man. As the freedom struggle sweeps across the country, Panju is drawn inexorably into its fold. How this awakening shapes his destiny—and that of his family—forms the heart of the novel.
Though fictional, the author seamlessly blends in real historical figures such as Bharathi, V.V.S. Iyer, Sri Aurobindo, and many others. The narrative brims with authenticity: the rituals, customs, slang, and expressions of Tamil Brahmin households are rendered with such familiarity that I found them entirely relatable. Panju’s entry into the freedom movement, culminating in his ultimate sacrifice, is narrated with remarkable poignancy.
The speeches, and especially the beautifully translated verses of Bharathiyar scattered throughout the book, elevate the emotional depth of the story. Like the River Cauvery, the characters’ lives ebb, flow, twist, and turn—sometimes serene, sometimes turbulent, always moving forward. At its core lies a powerful idea from the Kaivalya Upanishad: that true salvation is attained only through sacrifice.
In essence, this book is a richly textured and deeply moving read—one that offers a vivid window into Tamil Brahmin life of that era and the watershed years of India’s freedom struggle.
Reading this book felt like watching one of those old Tamil black-and-white classics—slow, deeply rooted, and utterly evocative. Set in the late 19th and early 20th centuries, it traces the intertwined lives of Sambasiva Sastry (Sambu) and his son Panchapakesan (Panju).
Sambu, a Vedic scholar from Thiruvaiyaru in the Tanjore district, is a learned man and an authority on Vedic scriptures. His life takes a tragic turn when his first wife dies by suicide after discovering a lie told by her father to secure the marriage. Shaken by guilt and grief, Sambu resolves to take Sanyasam (asceticism), only to be dissuaded at the last moment by the swamigal of the Kumbakonam mutt. In keeping with custom, he then marries his late wife’s sister and settles into a life of poverty but quiet contentment.
They have two children: the fiery, intellectual Janaki and the gentle, hesitant Panju. Janaki defies every convention of her time—refusing marriage and boldly choosing to pursue a BA degree. Panju, frail and meek at first, draws strength from his sister’s courage and slowly transforms into a confident young man. As the freedom struggle sweeps across the country, Panju is drawn inexorably into its fold. How this awakening shapes his destiny—and that of his family—forms the heart of the novel.
Though fictional, the author seamlessly blends in real historical figures such as Bharathi, V.V.S. Iyer, Sri Aurobindo, and many others. The narrative brims with authenticity: the rituals, customs, slang, and expressions of Tamil Brahmin households are rendered with such familiarity that I found them entirely relatable. Panju’s entry into the freedom movement, culminating in his ultimate sacrifice, is narrated with remarkable poignancy.
The speeches, and especially the beautifully translated verses of Bharathiyar scattered throughout the book, elevate the emotional depth of the story. Like the River Cauvery, the characters’ lives ebb, flow, twist, and turn—sometimes serene, sometimes turbulent, always moving forward. At its core lies a powerful idea from the Kaivalya Upanishad: that true salvation is attained only through sacrifice.
In essence, this book is a richly textured and deeply moving read—one that offers a vivid window into Tamil Brahmin life of that era and the watershed years of India’s freedom struggle.
March 4, 2018
Just completed Kalyanaraman Durgadas' Songs of the Cauvery. Like the aforesaid river, the books flows at various speeds. Fast as the rapids at points, and still deep and intense moving at others.
The story flow is precise and since the events are spaced by time, the author has left a lot of leeway for the reader's imagination. Considering the broad and wide canvas ie India spanning over 30+ years with focus on Cauvery washed Tanjore/Tiruvaiyaru, this is a good technique.
The author's mastery of English is absolute. Intricate situations and objects have been described with a simple fluidity, seldom found in modern English.
To sum up here, this is what I like about this book:
- Most fluid and flowing description of push ups I have ever read (P47)
- The manner in which Tamil words are used, in a matter of fact mode. The context is clear enough for any reader to figure out its meaning. Otherwise they can consult the web. What I despise is those Indian writers, who as part of the prose, insert Anglo inserts for apparent benefit of non Indian or North Indian readers
- Very graceful description of the intrictate moves of sadir
- Use of the term 'sadir'. Sadir was replaced by 'bharata natyam', later on in the 20th century, when devadasi system was abolished and Brahmin girls took up this art. As usual, the males have to give this a facade of 'holiness' to satisfy their inherent prudery
- Description of the arivalmanai (P118). I have never seen this term used before in any English novel before. What a beautiful description of a multi faceted cooking tool! Never copied! Never replaced! Unfortunately not in use in most Tamil households today
- Era of the novel. Late 1800s through early 1900s. The world was still dormant. World War I still to happen. India with a population of around 300 million, still had plenty of virgin forests and tigers were still hunted
- A reference to the Council of Trent (P130). Moving across continents and centuries and religions and philosophies. Not sure, how many readers can relate to this unique event of Christianity, from whence, celibacy was imposed on the priests and nuns. Prior to this there was no restriciton.
To sum up. சுவையான சீடை
Well done Sir!! Looking forward to your next
The story flow is precise and since the events are spaced by time, the author has left a lot of leeway for the reader's imagination. Considering the broad and wide canvas ie India spanning over 30+ years with focus on Cauvery washed Tanjore/Tiruvaiyaru, this is a good technique.
The author's mastery of English is absolute. Intricate situations and objects have been described with a simple fluidity, seldom found in modern English.
To sum up here, this is what I like about this book:
- Most fluid and flowing description of push ups I have ever read (P47)
- The manner in which Tamil words are used, in a matter of fact mode. The context is clear enough for any reader to figure out its meaning. Otherwise they can consult the web. What I despise is those Indian writers, who as part of the prose, insert Anglo inserts for apparent benefit of non Indian or North Indian readers
- Very graceful description of the intrictate moves of sadir
- Use of the term 'sadir'. Sadir was replaced by 'bharata natyam', later on in the 20th century, when devadasi system was abolished and Brahmin girls took up this art. As usual, the males have to give this a facade of 'holiness' to satisfy their inherent prudery
- Description of the arivalmanai (P118). I have never seen this term used before in any English novel before. What a beautiful description of a multi faceted cooking tool! Never copied! Never replaced! Unfortunately not in use in most Tamil households today
- Era of the novel. Late 1800s through early 1900s. The world was still dormant. World War I still to happen. India with a population of around 300 million, still had plenty of virgin forests and tigers were still hunted
- A reference to the Council of Trent (P130). Moving across continents and centuries and religions and philosophies. Not sure, how many readers can relate to this unique event of Christianity, from whence, celibacy was imposed on the priests and nuns. Prior to this there was no restriciton.
To sum up. சுவையான சீடை
Well done Sir!! Looking forward to your next
December 18, 2017
The Songs of the Cauvery is a look back at one of the most interesting times in Indian history. When one generation began to awaken to the ideas of nationhood beyond the petty boundaries of caste, religion and state lines. The first third of the book deals greatly with the intricacies of belief and culture of a Tamil Brahmin family -- the protagonists of this book. I struggled briefly here, until I realized that this helped to emphasise how great a stride away from such things the next generation (the girl Janaki and the boy Panju) take, given that they are born of such an orthodox family. Their strides take them to different lives, well beyond what their parents would have imagined (or desired). I always enjoy books which throw light on how every generation, thought to be as malleable as clay by their parents, are destined to shake off parental expectations and go their own ways eventually. Though the father Sambu is shown as a liberal father, I still got that sense here and therefore, enjoyed the development over the pages.
The language is wonderful. A significant amount of research must have gone into giving the reader a peek into the late 19th Century-early 20th Century lives of Indians. I would recommend this book to those readers who are fond of saying Indian writers in English only create badly written, badly researched trash. Read this and forever hold your peace. :)
The language is wonderful. A significant amount of research must have gone into giving the reader a peek into the late 19th Century-early 20th Century lives of Indians. I would recommend this book to those readers who are fond of saying Indian writers in English only create badly written, badly researched trash. Read this and forever hold your peace. :)
September 19, 2018
I have to give this book five stars for writing style, as far as the story is concerned it is not plot based story, its a character based story.
The story takes place in British India. This story is told from the prospective of well to do bhramin family and even though they have their prejudices which should make us hate them but the story told in way to makes us relate to them and understand how our society molds us. I liked the subtle femenism from the character Janaki specially in that era. Panju's character development was mind blowing, you grow with him, you learn with him.
At times the book may seem to drag a bit but in a way it helps in character development. If you are into historical fiction specially freedom fighters and british india you will definitely enjoy a read.
This book may remind you of Malgudi tales by R K Narayan.
The story takes place in British India. This story is told from the prospective of well to do bhramin family and even though they have their prejudices which should make us hate them but the story told in way to makes us relate to them and understand how our society molds us. I liked the subtle femenism from the character Janaki specially in that era. Panju's character development was mind blowing, you grow with him, you learn with him.
At times the book may seem to drag a bit but in a way it helps in character development. If you are into historical fiction specially freedom fighters and british india you will definitely enjoy a read.
This book may remind you of Malgudi tales by R K Narayan.
September 25, 2021
A friend gifted this book to me 4 years back. I was so delighted to see that it was an author signed copy. I read it then, and decided to read it again, as I am planning to read more books from now on, as I did in college.
I loved reading the book, as I like to read stories that are set in historical context - this one happens during the Indian freedom movement in 19th and 20th century. The book is full of sacrifices, many of which are made for the family, and other for the motherland.
All characters in the book appear with some purpose, some of those are full of emotional depth, as we get to see them develop from childhood into adulthood, while few others are sacrificed for the main ones.
It will be a good read for those who like to read historical fiction.
I loved reading the book, as I like to read stories that are set in historical context - this one happens during the Indian freedom movement in 19th and 20th century. The book is full of sacrifices, many of which are made for the family, and other for the motherland.
All characters in the book appear with some purpose, some of those are full of emotional depth, as we get to see them develop from childhood into adulthood, while few others are sacrificed for the main ones.
It will be a good read for those who like to read historical fiction.
July 1, 2021
Pre-independence India, turn of a new century. The culture and the ideologies pushing people towards the greater good, to take actions
The revolutionaries that would stake their lives to bring about change, for freedom.
The book revolves around the protagonist, his ideals and views. Some glimpse of shattering ceilings is the daughter persuing her dreams which is then burdened with her familial obligations, bringing us back to reality.
A story that takes hints from the life of cauvery and says that "sacrifice" is what it means to "truly love".
The revolutionaries that would stake their lives to bring about change, for freedom.
The book revolves around the protagonist, his ideals and views. Some glimpse of shattering ceilings is the daughter persuing her dreams which is then burdened with her familial obligations, bringing us back to reality.
A story that takes hints from the life of cauvery and says that "sacrifice" is what it means to "truly love".
May 28, 2017
I picked it up from the Kindle Unlimited catalogue. Okay, it's not mythology or folklore about Cauvery if that is the impression the book title gives you ( I did when I picked it up ). It's fiction, but beautiful fiction in my opinion. Set between 1877 to 1911, in Tiruvaiyuru/Kumbakonam and a thrilling climax in Pondicherry, the book has all the traits of an engaging read. The sister-brother duo of Janaki and Panchapakesan Sastry, grow up in Tiruvaiyuru, sharing a beautiful bond. A shy and timid Panchapakesan, or Panju as his sister called him, takes up lessons at an Akhada, a rare thing for a Brahmin boy to do in those days. Janaki, on the other hand, is very clear about what she wants to do - She wants to finish her graduation and educate more young girls before she even thinks about getting married. Considering how scandalous it must be for a girl to do so, it comes to me a surprise when her father encourages her, even calling her his "Maitreyi". ❤
This is the premise on which the story is based. From here, the story gets into so many things, Panju decides to join the revolutionary movement for India's freedom. He is married to Meenakshi, but his relationship with Ranjitham, a Devadasi seems to give you an impression that he is getting waylaid. This in the backdrop of his association with a bunch of revolutionaries, provides plenty of thrill.
I won't give away the plot or the spoilers, but I really liked reading this. It's not a masterpiece, but I will say this, I have read very few books which have this freedom struggle backdrop and which has beautiful strong female characters. Janaki is one character that I like and the ways she shapes into a strong confident young lady with a mind of her own. But the character portrait of Ranjitham is even better in my opinion. In some places, where she points outs to Panju, and once to Janaki, that in spite of being a Devdasi, she was more educated, refined and aware of the ways of the world than an average woman of her era. Both Janaki and I looked at her with more respect from then on. It's no magnum opus, it has a super simple style of narration, not many literary adornments peppered in the writing. But I found it's simplicity very charming. Pick it up if you are fond of simple prose and an Indian backdrop.
This is the premise on which the story is based. From here, the story gets into so many things, Panju decides to join the revolutionary movement for India's freedom. He is married to Meenakshi, but his relationship with Ranjitham, a Devadasi seems to give you an impression that he is getting waylaid. This in the backdrop of his association with a bunch of revolutionaries, provides plenty of thrill.
I won't give away the plot or the spoilers, but I really liked reading this. It's not a masterpiece, but I will say this, I have read very few books which have this freedom struggle backdrop and which has beautiful strong female characters. Janaki is one character that I like and the ways she shapes into a strong confident young lady with a mind of her own. But the character portrait of Ranjitham is even better in my opinion. In some places, where she points outs to Panju, and once to Janaki, that in spite of being a Devdasi, she was more educated, refined and aware of the ways of the world than an average woman of her era. Both Janaki and I looked at her with more respect from then on. It's no magnum opus, it has a super simple style of narration, not many literary adornments peppered in the writing. But I found it's simplicity very charming. Pick it up if you are fond of simple prose and an Indian backdrop.
November 4, 2021
Turuvaiyaru Thanjavur Kumbakonam needamangalam that entire stretch that cauvery runs through comes alive in this book of historical fiction partly based on true stories and real life characters whom one can closely relate to. Especially if you have roots from that region. Pleasantly surprised at how quickly the slow meandering tale turned into a fast gripping thriller.
Liked it !!!
Liked it !!!
January 14, 2023
I throughly enjoyed reading the book. Being half TamBhram, the use of Tamil words were heart warming. The author has managed the difficult task of being as non judgemental as possible. The amalgamation of fact and fiction has been woven into a beautiful tapestry of images.
Hope to read more from the author.
Hope to read more from the author.
February 20, 2019
'Such a simple house,' remarked Panju. Whenever I read his poems, I imagine him to be living in a magnificent palace.'
'It's a pity,' said Gopal gravely, 'that the circumstances of poets are often not as lofty as their thoughts.'
'It's a pity,' said Gopal gravely, 'that the circumstances of poets are often not as lofty as their thoughts.'
September 12, 2016
I could not put down the novel by author Kalyanaraman Durgadas, “Songs of the Cauvery” which is a story set in a Thiruvaiyaru, home of a traditional South Indian Vedic Brahmin family. British administration, with its jobs in big cities, slowly extends its tentacles to the next generation of even this remote town. The time span is roughly 1877-1911.
Human drama sets the story off to a compelling and unusual start. It is clear from the start that visual details are intricately observed. A certain cultural nostalgia is inevitable for South Indian readers with a connection to the past.
After the inevitable circuit of various temples in petition for children, a girl and subsequently ("viola!”) a boy, are born to the patriarch Sambu, and his wife. The character evolution of elder sibling Janaki and younger, Panju, are convincing. Janaki the more mature, even feisty sibling is protective of Panju. Panju, overcomes his childhood timidity, and it would be a spoiler to explain how his physical prowess (unlikely for a Brahmin boy, but hey it is a novel) develops. Janaki is the first girl in the village to finish high school and with high honors, and instead of being married off, headstrong Janaki goes to English class for a B.A. The occasional classroom interludes are priceless.
Sambu, leads a life of a householder combining Sanskrit liturgy with domestic responsibility, The fact Sambu is intricately bound with the Gita or mantras or temples, needs to be considered in the context of his reaction to changing times and well-reasoned pleas by his convention-defying children. In a Catholic juxtaposition to his orthodoxy, Sambu, the part-time priest is also a polymath with a copy of Gibbon (“Rise and Fall”).
In the parts dealing with life at home, one gets a tremendous insight into Ayurvedic or native herbal medicine.
In the latter half of the book the action moves to Thanjavur, Kumbakonam, and Pondicherrry.
There is a great excursion into sadir (as Bharatanatyam was historically called then, practiced as it was by the devadasis) and the sociology of the patronage, economics, art and literature around this dance form. Sringara rasa or the emotion of love, is also not neglected. A new dramatis persona makes an appearance.
The historical background and the cameos by the famous figures of the Pondicherry scene, viz. Subramania Bharati (the freedom fighter, revolutionary poet, and visionary social reformer), and Sri Aurobindo (a nationalist poet turned spiritualist) are well-researched.
The latter half of the story also begins to draw some of our protagonists into the whirlpool of national activism and, that too, of the more militant kind.
The intrigue in plot crescendos around June 22th, 1911, concurrent with celebration of coronation ceremony of King George V.
Lest it should be thought that this story is a right-wing manifesto that will play well into Nationalist revisionist anti-colonial zeitgeist and Hindutva feeling, it is anything but. It is a historically researched, at times humorous and self-mocking look at the orthodoxy of agraharam living while understanding and respecting what it is that gives a son of the native Cauvery soil such learning and pride and, indeed, Catholicism.
The ending of the book was worthy of a John Masters novel. (It evoked “Bhowani junction” for me)
Some of the secret meeting places of the Indian revolutionaries were fraught with atmosphere (as in Kalki’s Ponniyin Selvan).
Sly humor permeated the book, For example, a stranger accosting a young woman on a train "No children? You have to pray to Garbarakshambika at Mallaivanam”.”But I am not married” “What? You should pray to KalyanaSundarar at Thirumananjeri. You will get married in no time”. The dialog had me in stitches
A foreign reader, who cannot rely upon Sanskrit cultural nostalgia or personal connections for some ready identification, may nevertheless find plenty of interest in the description of meanings behind Hindu ceremony (such as the seven steps of friendship in a marriage), and in interludes of historical fact such as an extravagant East India company felicitation and grain export during a time of local famine in honor of Queen Victoria “et Imperatrix”. The power of the story telling will surely captivate even an audience curious about the temple village life, and colonial Indian life.
Note that the author has also researched how Englishmen of different class backgrounds vend their way from their homeland to administer different provinces in India.
I read the book in its Kindle version which meant I missed feeling that anxiety when only a few pages are left and you know the story must end, making you wonder what will come of the protagonists or loose-ends of the plot.
An engrossing first book by this talented author.
Human drama sets the story off to a compelling and unusual start. It is clear from the start that visual details are intricately observed. A certain cultural nostalgia is inevitable for South Indian readers with a connection to the past.
After the inevitable circuit of various temples in petition for children, a girl and subsequently ("viola!”) a boy, are born to the patriarch Sambu, and his wife. The character evolution of elder sibling Janaki and younger, Panju, are convincing. Janaki the more mature, even feisty sibling is protective of Panju. Panju, overcomes his childhood timidity, and it would be a spoiler to explain how his physical prowess (unlikely for a Brahmin boy, but hey it is a novel) develops. Janaki is the first girl in the village to finish high school and with high honors, and instead of being married off, headstrong Janaki goes to English class for a B.A. The occasional classroom interludes are priceless.
Sambu, leads a life of a householder combining Sanskrit liturgy with domestic responsibility, The fact Sambu is intricately bound with the Gita or mantras or temples, needs to be considered in the context of his reaction to changing times and well-reasoned pleas by his convention-defying children. In a Catholic juxtaposition to his orthodoxy, Sambu, the part-time priest is also a polymath with a copy of Gibbon (“Rise and Fall”).
In the parts dealing with life at home, one gets a tremendous insight into Ayurvedic or native herbal medicine.
In the latter half of the book the action moves to Thanjavur, Kumbakonam, and Pondicherrry.
There is a great excursion into sadir (as Bharatanatyam was historically called then, practiced as it was by the devadasis) and the sociology of the patronage, economics, art and literature around this dance form. Sringara rasa or the emotion of love, is also not neglected. A new dramatis persona makes an appearance.
The historical background and the cameos by the famous figures of the Pondicherry scene, viz. Subramania Bharati (the freedom fighter, revolutionary poet, and visionary social reformer), and Sri Aurobindo (a nationalist poet turned spiritualist) are well-researched.
The latter half of the story also begins to draw some of our protagonists into the whirlpool of national activism and, that too, of the more militant kind.
The intrigue in plot crescendos around June 22th, 1911, concurrent with celebration of coronation ceremony of King George V.
Lest it should be thought that this story is a right-wing manifesto that will play well into Nationalist revisionist anti-colonial zeitgeist and Hindutva feeling, it is anything but. It is a historically researched, at times humorous and self-mocking look at the orthodoxy of agraharam living while understanding and respecting what it is that gives a son of the native Cauvery soil such learning and pride and, indeed, Catholicism.
The ending of the book was worthy of a John Masters novel. (It evoked “Bhowani junction” for me)
Some of the secret meeting places of the Indian revolutionaries were fraught with atmosphere (as in Kalki’s Ponniyin Selvan).
Sly humor permeated the book, For example, a stranger accosting a young woman on a train "No children? You have to pray to Garbarakshambika at Mallaivanam”.”But I am not married” “What? You should pray to KalyanaSundarar at Thirumananjeri. You will get married in no time”. The dialog had me in stitches
A foreign reader, who cannot rely upon Sanskrit cultural nostalgia or personal connections for some ready identification, may nevertheless find plenty of interest in the description of meanings behind Hindu ceremony (such as the seven steps of friendship in a marriage), and in interludes of historical fact such as an extravagant East India company felicitation and grain export during a time of local famine in honor of Queen Victoria “et Imperatrix”. The power of the story telling will surely captivate even an audience curious about the temple village life, and colonial Indian life.
Note that the author has also researched how Englishmen of different class backgrounds vend their way from their homeland to administer different provinces in India.
I read the book in its Kindle version which meant I missed feeling that anxiety when only a few pages are left and you know the story must end, making you wonder what will come of the protagonists or loose-ends of the plot.
An engrossing first book by this talented author.
July 23, 2018
Kalyanaraman Durgadas has conjured the pre-independence culture-soaked small-town & rural Tamil Nadu in his first novel, Songs of the Cauvery. In the background of a growing independence movement of late 1800s to early 1900s, he has written the story of Panju & Janaki, siblings from an orthodox Brahmin household, who have been insulated by this struggle in their own cushion of social, religious & cultural conflicts. I like the way the first half of the book is written; there is a tinge of personal touch combined with some cultural & political richness, which makes it easy to visualise the era & settings in which the story takes place. Also, the way the characters meander age-old & orthodox beliefs to scramble over to their own personal achievements is a lovely way to unfold the story too. What however doesn’t work for me is the second half of the book, where the focus completely shifts to Panju and his fusion into the freedom struggle, leaving abandoned all the other characters of the book who had interesting & rich journeys till then. Overall, it’s an interesting take of an era from an angle that is less known & explored by people, sprinkled with generous amounts of local & Vedic references - a one-time read for those who like to dabble in locally-influenced reads.
September 21, 2016
I finished the book on Kindle over two evenings. It was a delightful even-paced read from beginning till end, never boring. Kalyanaraman for his first venture has turned out a novel that takes one through a time period and lifestyle that many of us are not deeply familiar with. It is a simple tale tellingly told.
The story revolving around an orthodox Brahmin family has just a few characters lovingly fleshed out by the author without attempts at portraying cleverness either in the structure of the novel or the language used. I loved the Sanskrit quotes and how the lives of the people then revolved around the learning and practice of scriptures.
And yet, Sambu and his orthodox family are forced by the changing times of that period to challenge age old traditions, each in his or her own way; women’s education, man-woman relationships, family traditions, the Independence movement, all making for a potentially explosive mix. But, by staying clear of much of the darker side of human nature the author through this tale cleverly brings out instead its gentleness and grace. Much like the Cauvery spending herself out during her flow, from its source through the Delta until finally she is just a forgotten trickle, each character in the novel is forced to make personal sacrifices for a greater perceived good. Idealistic, but a feel-good tale told with style.
For readers of heavy literary fiction the simplicity of this book, its language and the portrayal of its characters might come as a bit of a disappointment, but that itself is the beauty and strength of Kalyanaraman’s first novel, much like RK Narayan’s books were.
Having used the Cauvery in the title of the book I wish Kalyanaraman had not forgotten her after starting out so beautifully in the first few pages. I was left curious to know more about the river and how it affected the people who lived in the Delta. Perhaps that makes for another tale.
On the whole, I loved the book. I hope to see many more from the author.
The story revolving around an orthodox Brahmin family has just a few characters lovingly fleshed out by the author without attempts at portraying cleverness either in the structure of the novel or the language used. I loved the Sanskrit quotes and how the lives of the people then revolved around the learning and practice of scriptures.
And yet, Sambu and his orthodox family are forced by the changing times of that period to challenge age old traditions, each in his or her own way; women’s education, man-woman relationships, family traditions, the Independence movement, all making for a potentially explosive mix. But, by staying clear of much of the darker side of human nature the author through this tale cleverly brings out instead its gentleness and grace. Much like the Cauvery spending herself out during her flow, from its source through the Delta until finally she is just a forgotten trickle, each character in the novel is forced to make personal sacrifices for a greater perceived good. Idealistic, but a feel-good tale told with style.
For readers of heavy literary fiction the simplicity of this book, its language and the portrayal of its characters might come as a bit of a disappointment, but that itself is the beauty and strength of Kalyanaraman’s first novel, much like RK Narayan’s books were.
Having used the Cauvery in the title of the book I wish Kalyanaraman had not forgotten her after starting out so beautifully in the first few pages. I was left curious to know more about the river and how it affected the people who lived in the Delta. Perhaps that makes for another tale.
On the whole, I loved the book. I hope to see many more from the author.
July 21, 2021
Songs of the Cauvery is the perfect debut novel. It has innocence, love, passion, humour, strength, sacrifice. It is transitional in many ways – the transition to a new century, the transition to modernity, the transition to an idea of swarajya and not the least of all, the daily transitioning by sandhyavandana - but it also has a cyclical continuity, working on multiple levels - beginning with a sacrifice and ending with one, both for love, but on different scales.
The book has an effortless authenticity that reflects in everything from the street names to children’s games to dialogues, transporting us to a specific time and place in history and society. The cities of today are beautifully re-imagined in their turn-of the-century small town avatars. The characters are well-etched. Each of them is a unique presence. It is obvious the author loves his lands and people. Even the archetypal mother-in-law is lampooned with tenderness (hilarious segment!).
Read more at:
https://plaeides.blogspot.com/2016/09...
The book has an effortless authenticity that reflects in everything from the street names to children’s games to dialogues, transporting us to a specific time and place in history and society. The cities of today are beautifully re-imagined in their turn-of the-century small town avatars. The characters are well-etched. Each of them is a unique presence. It is obvious the author loves his lands and people. Even the archetypal mother-in-law is lampooned with tenderness (hilarious segment!).
Read more at:
https://plaeides.blogspot.com/2016/09...
January 2, 2017
Loved the pace. Loved the visual storytelling. But visualisation isn't easy, given that most items/objects are described in Tamil, which assume that the reader is Tamil or knows the language. In the beginning the author makes some effort to explain a few Tamil words, after that, it's all on assumption.
Also, towards the end, the quotes of freedom fighters seem laboriously inserted. At places, it seems that an entire chapter has been inserted for the explicit purpose of quoting someone.
If you understand Tamil, you may enjoy it more than I did.
I wish I had a better start to 2017. :)
Also, towards the end, the quotes of freedom fighters seem laboriously inserted. At places, it seems that an entire chapter has been inserted for the explicit purpose of quoting someone.
If you understand Tamil, you may enjoy it more than I did.
I wish I had a better start to 2017. :)
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