A unified theory of hell
Longclaws is an ambitious book that posits a unified theory of terror using alternate dimensions, time travel, ley lines, dowsing, Native American burial mounds, crystals, Stonehenge, the Bermuda Triangle, cattle mutilations and pretty much every other supernatural and occult staple available. The only things seemingly missing are UFO abductions and spontaneous human combustion. (I expect those may be included in future works?)
The setup: Bands of mystic energy link our world to a particularly horrid "other world" and occasionally people get sucked into that world; worse, vicious creatures occasionally get plopped into ours. When they do, bad things happen and those bad things have become the basis for our various cultural myths of hell, vampires, werewolves, dragons, etc. It is a compelling idea that could easily founder under its own weight but author Steve Peek brings a patient, almost academic biologists' approach to the world of the monsters that distinguishes this effort.
The alternate universe he describes is not a place one would want to visit (though, in his book, some do with poor results) with active volcanoes and sulfuric acid rain and a Noah's ark of horrid creatures forever swooping down to disembowel a fellow creature or laying traps to exsanguinate some unfortunate howler. He provides patient descriptions of the creatures and their world and really helps the reader see the world through their eyes and experience the constant struggle to survive and feed.
Sound overwhelming? It could be, but he does an admirable job of grounding the story in the every day life of the rural south. There's an almost a Grisham-like Painted House feel to the simple rhythms he portrays both in the present, and flashing back to earlier decades. This story would not work as well if not for the old gas stations, grape sodas and aw-shucks charm of small town life. Of course, that life is turned upside down when a vicious clan of Longclaws make the journey over from the other side and hit the ground running, hungry for blood.
This book — imagining not one, but two alternate worlds (the bad place, and the mystic underpinning of this world) and moving back and forth in time — is well-worth the read. I know I will never look at Native American artifacts the same way again.