I always think it's interesting when you find a new to you author who is a little further along in their career, knowing you then have the opportunity to go back and read books from their back catalogue. There is no way of knowing whether or not what you love about their later books will have been their from the start or something that has grown and developed with time. I can happily say that, with The Ossians, and Tombstoning before it, it is very obvious that with some authors, such as Mr Johnstone, that special something has always just been there, and the things that make up the man behind the books have always been present and informing the kind fo stories he has to tell. I of course mean the science and the music, and make no assumptions about any other parallels between the characters in his books and personal experience, espeically when it comes to The Ossians protagonist and lead singer, Connor.
Now, for a group who appear to be on the cusp of stardom, you'd think that they, The Ossians, have everything set. Just about to set out on an admittedly ill timed winter tour around Scotland, there is a promise of PR men, music execs and record deals on the horizon, and a legion of fans - or a least a fairly decent cohort - ready to cheer their successes. All assuming that everything goes to plan. Now just whose plan is the real question, as there is a clear disconnect between what each member of the band really desires, including their manager, and most definitely the 'needs' of the local drug dealer who Connor has found himself in hock to and who is now making demands in return for not prematurely ending his life.
And all of this is kicking off in the first few chapters of the book. I'll admit that the only other winter music tour that springs to mind was the Winter Dance Party tour of February 1959 and that didn't end too well for Buddy Holly, so alarm bells were ringing well before the group sets off on their travels. Add in Connor's strange attitude towards impending stardom, a tension between him and his sister, Kate, secrets being kept by girlfriend, Hannah, and best friend, Danny, pressures from band manager, Paul, to make the best impression on the press and music execs, and that previously mentioned threat to his life from dealer, Nick, and you can tell from the very start that this is going to be a somewhat of a pressure cooker kind of environment. All I was waiting for was seeing how long it would be before the lid was blown right off the whole situation.
I like what Doug Johnstone has done here. There is that constant pressure on Connor from the start and, fuelled by his own addictions to alcohol and casual drug use, exacerbated by a complex familial situation and amplified further by his anger towards the various audiences around the tour, we get to witness his slow but absolute breakdown. There is a blend of dark humour as well as some more poignant moments in which he really digs deep into Connor's psyche and, whilst he isn't always - rarely in fact - the most likeable of characters, I was completely invested in him, wanting to see if there was any way of his finding redemption and coming good for the sake of those around him. Capturing the various characters, bring to life their flaws and quirks, is something that the author has always excelled at and here it makes for compelling reading. I never felt that Connor was completely irredeemable, and that probably helped to keep my attention on the story, even at the times I'd quite happily have throttled him had he been a real person.
There are times when some of what Connor thinks he sees we can't really be sure if it is reality or a result of a fractured imagination, a man whose life is rapidly spiralling out of control, and this adds to the kind of threat that I felt building in the book. Nothing in this story signposts that there will be a favourable outcome for the group, it was merely a question of how long it will take to go south, figuratively and literally, and how big a mess it will be when things eventually come to a head. But given the time in which the book is set, the sense of life on the road, gigging to less than enthusiastic audiences, there is a sense of authenticity about the story. Each new town brings its own drama, from ill advised bird encounters, Russian submariners, and the excesses of drugs and alcohol, with each scene laced with its own mix of humour and drama that had me both agog at the level of stupidity and laughing at some of the antics.
This is not the book for folks prudish in nature. There is quite blatant and liberal drug use, an over reliance on alcohol and a fundamental failure of the so-called adults in this story to be able to communicate with each other. Which, in truth, makes it all the more believable. Yes, Connor is selfish and self destructive, and would test the patience of a saint. But he is so well written, so carefully created, that he is as addictive as the speed he uses as a crutch and I found I was absolutely glued to the page from start to finish. And if you want a few tips on road trips around Scotland, the places to visit so to speak, you could do worse than use this as a bit of guide of places to see, although I'd stop short of using it as a recommendation for things to do, and bare in mind that certain places - Dundee for example - have been through many years of development since the story was written.
Another fine example of Doug Johnstone's ability to craft a compelling, authentic story that encompasses his passions, and captures the many facets of human nature - the good, the bad and the drug addled ugly.