What do you think?
Rate this book


614 pages, Paperback
First published January 1, 2006
Colonial Ambition has all the strengths and a few of the weaknesses of narrative history.
On the one hand it is vivid. Cochrane summons his characters to the stage like a visionary director, and has them act out their parts with grand gestures and booming voices. William Charles Wentworth thunders in the Legislative Council, overflowing with the 'lava' of his indignation. Icy Robert Lowe throws a few crystal shards at his foes. Henry Parkes rushes about the streets of Sydney, tub-thumping, going for broke, stumbling and getting up again. Dr Lang grins like a solemn Quixote. 'Slippery Charlie' Cowper scrawls off letters to his allies and sweats under his collar while he tries to get government in the colony to work. The men of Sydney are restless. The fogs of London are stifling. New South Wales is asserting itself, and every tick of the clock strikes a second closer to the hour of its independence.
It is vivid largely because of how Cochrane writes. He says in the introduction that he is determined to let his heroes speak for themselves. 'They knew that literacy and oratory were pathways to success. They had experienced the power of political speech.' Cochrane tells a dramatic story—in the sense that he structures it like a drama or a film. He gets his characters in position. Then he opens their mouths. Like the great dramatists of Ancient Greece or the finest songwriters of Broadway, he knows the value of a chorus. Throughout the book, the orations of his heroes are offset by the words of the men and women of the street, who speak as a collective, and who demand their rights in no uncertain terms:
Men with brains, men with ambition, men with a ha'penny's worth of gumption and tuppence worth of nous were not going to sit in some shepherd's hut for the benefit of some big fat absentee shepherd king. No sir. And even an imbecile knew that to discourage the gold interest was a great public wrong. Once again, it was said, Wentworth and company had shown their hand and once again the popular preference for London over Macquarie Street was voiced loudly over the quiet hum of the city's political talk.That is a fine example of free indirect discourse, one of Cochrane's favourite and best stylistic techniques. He lets his own voice meld with that of his characters, and the effect is electrifying.
It is a ripping yarn that Cochrane tells in this gripping way. The men—we'll mention the women in a minute—who fought for and won NSW's independence were fascinating figures. It is easy to dismiss the white Australians of colonial times. They were generally racist, had a poor understanding of their environment, committed terrible depredations on Aboriginal people and were rather too keen on the Crimean War. But they had impressive qualities too, and Cochrane brings them out: independance, insouciance, a remarkable love of culture and erudition, a keen understanding of their little country's place in the wider world, and a fiendishly strong sense of egalitarianism (however compromised it was by other ideas). These are truly democratic qualities, as Cochrane insists, and we should cherish them always.
Now for the flaws, and they must be pointed out. The first is the book's incredibly narrow focus, on Sydney and on men. Both these flaws might be excused given the political and social structure of NSW at the time. This is a political history, Sydney was were nearly all the political institutions of NSW were based, and all the politicians were of course men. But the book would have been more compelling had Cochrane taken the time to weave in some other perspectives. Democracy was won out on the diggings as much as in the streets. The Eureka stockade is barely a footnote in his account. The campaigns for self-rule in Queensland, Victoria and South Australia are pushed right to the fringes. And the various regional towns are barely in the picture at all. Charles Harpur published his radical writings not only in Sydney but in Maitland. Daniel Deniehey was an MP and journalist in Goulburn. Surely Sarah Wentworth had a larger influence on her husband's political career than merely to believe in him. And Adelaide Ironside—whom Cochrane does mention a few times—surely demonstrates that women could have a 'visible' impact on the campaign for self-rule, if only we look hard enough for evidence of it.
More broadly, it would have pleased this reader if Cochrane had provided more social context. The people in his book are extremely vivid and full of life, but the world they live in is often a little vague. Perhaps I am simply too fond of description.
These faults are almost inevitable in a fine narrative history like this. It seems to be a law of the universe that the whole truth is messy, vague, and difficult for the human mind to grasp. To reduce any part of history to a clear and compelling narrative basically requires focus and simplification. The very greatest narrative historians—Barbara Tuchman, for example, or Eric Rolls—somehow manage to wedge complexity into their lively stories. The very greatest analytical historians—E.P. Thompson, Tim Flannery, Hannah Arendt—manage to inject narrative flair into their philosophical and speculative analyses. Cochrane is very nearly in this league, and I'll be keeping my eye out for more of his books.