Jim Harrison's popular novels represent only part of his literary output—he has also been widely acclaimed for the "renegade genius" of his powerful, expressive verse, collected in several books such as The Theory and Practice of Rivers and Other Poems (Clark City Press, 1989). After Ikkyu is the first collection of Harrison's poems that are directly inspired by his many years of Zen practice.
Jim Harrison was born in Grayling, Michigan, to Winfield Sprague Harrison, a county agricultural agent, and Norma Olivia (Wahlgren) Harrison, both avid readers. He married Linda King in 1959 with whom he has two daughters.
His awards include National Academy of Arts grants (1967, 68, 69), a Guggenheim Fellowship (1969-70), the Spirit of the West Award from the Mountain & Plains Booksellers Association, and election to the American Academy of Arts and Sciences (2007).
Much of Harrison's writing depicts sparsely populated regions of North America with many stories set in places such as Nebraska's Sand Hills, Michigan's Upper Peninsula, Montana's mountains, and along the Arizona-Mexico border.
I enjoyed this collection quite a bit. There were a few poems I really liked and several lines that I felt especially drawn to. I really liked when he examined humans as interacting with nature and one another. He seemed interested in speaking to the human condition and connections with divinity as well, which I found interesting. I would probably describe his poetry as almost stream of consciousness (particularly for "After Ikkyu" and "Sonoran Radio"). I will definitely try looking into Harrison's poetry again in the future.
A nice counterpart to Letters to Yesenin, here we return to the themes of death, but the elder poet is not pursuing and avoiding it as an escape from the trials of youth and ignominy, but as an inevitability that offers an end to the endless change we find in the world. These are what the Buddhists call Cemetery meditations, Maranassati. Death is everywhere, but less singular than it was for the young man writing to a suicide about his options. This is also more in line with accepted ideas of free verse, so it scans different than the early book. It is a fascinating contrast between the two books, and you could easily enjoy them as a pair, free of the biography of the author, which tinges my reading of both.
This is a 1996 volume of zen poems by the late Jim Harrison. I will greatly miss reading new work by this author. There are 57 short zen poems to begin and they are fashioned in the spirit of the ancient monk poet, Ikkyu, who was known for his drinking and exuberant, raw look at nature and living. Some are a bit too raw for my liking, but I mostly enjoyed them. Harrison could pretty much do anything with language. A fun experience, again.
the collection does what it says it's trying to do but the Zen ones are kind of strange; many fall short of the clarity of true Zen poems but also fall short of the ecstatic images Harrison is so known for. a handful of them are still searing though!
among the others in the collection, the return to the themes from Yesenin was interesting and Harrison saw it all in a new way as he got older. as ever, still full of great lines and moments, just maybe not as essential as some of the other collections
The poems in this short collection get a mixed reaction. Some seem autobiographical and somewhat distant from the reader, some have subtle humor, some result in pensive reflection, and some grab the reader and don’t let go.
I have been a BIG fan of Jim Harrison's novels. His death not so long ago made me sad. So, I had to read this book of his poetry that I had missed. I'm afraid I just don't get it. Either that, or these poems just don't make sense.
I loved this selection of poetry by Jim Harrison. I think I recall having originally heard about the book on a CBC program and made a note to read it in a journal. That was in 2005 and I only recently came across that list and wondered about this book titled "After Ikkyu". What an odd title! I couldn't recall why I had wanted to read it in the first place.
I liken his writing style to that of the novelist Tom Robbins - a contradiction. It's funny and light but conversely so profound and full of meaning.
His poetry isn't 'flowery', but it's both subtle and overt, challenging but simple and philosophical yet light-hearted. It's a selection of poetry that I'd like to own and keep on my shelf to re-read.
It was not surprising that Jim is on the Buddhist path, or that this book was published by Shambhala Press.
My two favorite things about this book: the title and the intro. Granted, I'm not huge into poetry. I do love Ikkyu's drunken Zen wisdom, and Harrison, inspired by that, begins this collection with short, haiku-esque poems which I truly enjoyed. But as the book progressed, the poems got longer and longer, and to me, more and more impenetrable. I guess I like my poetry straightforward. For example, a favorite Ikkyu poem of mine:
“don't hesitate get laid that's wisdom sitting around chanting what crap.”
Jim Harrison is one of my favorite poets and this older book, inspired by Zen philosophy, is surprisingly angry at times. Alive with images of nature at its most beautiful and its most base, the title poem is really a cycle of 57 short poems that constitute much of the book. Irreverent, beautiful, and big-hearted, this is classic Jim Harrison, full of wisdom and appreciation with a powerful message, i.e., pay attention.
Mmmmmmm very great. Maybe the best book of poetry I've ever read, I mean my favorite, except maybe for Actual Air. Me being obviously a pretty unversed poetry reader. Lots of these force you to stop and just be like Holy S, that's an amazing thought / image / etc. Just like really great. Just like ugh.