The name Laurien Gardner is a pseudonym given to a group of women who wrote a series of books about the women of Tudor England, published by Jove Books. This introductory title of the novels on the wives of Henery VIII, tells the story of Henry’s first wife Catherine of Aragon, through the eyes of Estrella de Montoya, one of her ladies-in-waiting. Estrella was one of several teenage girls who accompanied Catherine across the ocean to become the wife of Arthur, Henry VII’s son. Henry had arranged the marriage to seal a powerful political alliance in Europe and get a hand on the generous dowry Catherine would bring with her. These young women knew little of what to expect as they left the warm, dry climate of their homes to live in a damp, cold island and become part of a culture they knew little about. They had never left home or crossed the sea, but were now beginning a long journey which would change their lives. They all had dreams for their future, including finding a handsome husband, starting a family and living a comfortable life.
The story of Catherine is well known. She was the daughter of Queen Isabella of Castile and King Ferdinand of Aragon, a powerful couple whose marriage had united Spain. Catherine’s marriage to Arthur did not endure. He was fragile, in ill-health and their marriage lasted only a short time. Following Arthur’s death, Henry VII, wanted to solidify his political alliance with Spain and hold on to Catherine’s generous dowry, so he arranged for Arthur’s younger son Henry to marry Catherine. Henry was only fifteen at the time and the couple had to wait until he reached eighteen before they could marry. After some foot dragging Henry VII, finally approved the marriage and they wed in 1509. At the time, Catherine was twenty-three.
Their first years of marriage were happy. They were a good match and appeared to be a devoted couple. They welcomed their first child, a daughter Mary. Henry, hopeful for a son and a male heir, was certain other pregnancies would follow, but there were no surviving children from the five pregnancies that followed. As both grew older and Catherine failed to produce a son, Henry feared there would be no one to inherit his kingdom. Desperate for a male heir, he decided to divorce Catherine, so he could move on to a younger woman who would bear him a son. He chose the young and beautiful Anne Boleyn, one of Catherine’s ladies-in-waiting who had charmed Henry with her coy and manipulative ways. She flirted openly with Henry, urging him on, anxious to help him relieve himself of the burdensome problem of his first wife. Driving her was not just her ambition to become Queen, but pressure from her ambitiously aggressive family, who were determined to gain a powerful position in the royal court.
Catherine, a devout Catholic, knew the church did not accept divorce and believed she was on firm ground refusing to step aside. She was stubborn and stuck to her faith and her beliefs which guided her decisions and determined her behavior. She also believed that their daughter Mary could be Queen, although unlike other European countries, Britain had never allowed a woman to grace their throne. Henry sent several emissaries to plead his case with Catherine and convince her to enter a nunnery or step aside. They bullied her and were often rude and threatening, but despite how Henry treated her, Catherine insisted on remaining his wife, convinced at some point, he would come to his senses.
Catherine has always been painted as a martyr, the very religious woman who was pushed aside by her husband, but stubbornly refused to go. However this narrative creates a very different picture of her as well-educated, politically astute and loyal. She firmly believed she was, and always would be, Henry’s wife, no matter what political machinations her husband created to remove her from his life and the British court. She endured a long, painful and humiliating ordeal to prove her point, which ultimately proved her undoing. In 1536, when Catherine was fifty, just three years after her marriage to Henry was annulled, she died, still referring to herself as “The Queen”.
Estrella tells not only Catherine’s story but her own. It is one of a naïve young girl who arrives in a foreign country, does not speak the language but must adapt to her new home. She longs for a suitable marriage and a family, but events place many roadblocks in her way, her illusions about her new life are shattered and her dreams are dashed.
This proves to be an easy read, unencumbered by too many historical details that it burdens the basic thread of the narrative. However the story jerks back and forth in time, and although the times and dates are noted at the beginning of each chapter, these temporal leaps become annoying. They do not transition easily, making the pacing choppy. It would have been more preferable to have this account of history provided in one continuous narrative flow. Apart from this criticism, this volume proves a welcome addition to the historical fiction from this era of British history.