Of Mongrelitude is a colloquy on the mongrel body, texual and actual, sexual, specieal, and racial. Composed in a hybrid style, it makes the argument that everything can and does come into ‘englyssh’: ancient and invented languages, european and indigenous, tongues not yet named. All of this ‘made up as medicine’, as ceremony for all creatures, as literal song.
Julian T. Brolaski is the author of Advice for Lovers (City Lights 2012), gowanus atropolis (Ugly Duckling Presse 2011), and co-editor of NO GENDER: Reflections on the Life & Work of kari edwards (Litmus Press / Belladonna Books 2009). Julian lives in Oakland, and is the lead singer and rhythm guitarist in the country band The Western Skyline.
really fucking amazing collection of poetry. the fact that this hasn’t gotten the same amount of critical acclaim and attention as jos charles’s feeld is very suspect to me, because it plays with a lot of the same linguistic queerness just as skillfully. might expand on this review once i have the chance to reread it, because this needs a lot of attention. in a really great way.
This is a phenomenal collection of poetry that I know I'm underrating by giving it four stars. My only complaint is that Julian Talamantez Brolaski's style of writing in a sort of fusion of olde englishe, country-western cowpoke speak, and genderqueered conversational dialect became a bit overwhelming over the course of the collection, but that also attests to the utter magnitude of the collection. Each poem is deserving of intense critical discussion and dissection, but don't let that make you think that they aren't enjoyable, too. Of Mongrelitude is thoroughly hilarious and biting.
brolaski achieves true poetic glory with this collection. i needed to take breaks in between poems at points just because of how heavy and contemplative they were. concepts like the healing power of language, nature, and ancestral connection create a well-rounded collection wherein the poet has crafted a world that centralizes on roots. not for newcomers to poetry, but a real masterpiece of the genre to those who appreciate a complex mythology within each individual piece.
red sky at morn tho what hath been primordial—thir fronte, ofttimes in geste, as in ACCORDANCE they hath pronomounced themself (most onerous) who forsaw (midst all lordlyngs) the hairy belly upraiseth itself from the sepulchre studded w/ flames—that this geste was made hereabouts / one amends their own selfe not a priori the lover but in the act of transing—that’s what their therapist called it—does not one sometimes arrive or end-to-begin? yes DEATH but of a spirit also which goeth nat w/ fleshly mouldings, haha, not w/ that guy anyway. (34)
fried-eyed/banned poetry words it’s not the russian it’s the wu-tang crushin —WU-TANG CLAN
slip up and get creped like suzette travelong to thir erstwhal milieu steeped in toxins ever flushing xem out along the crick the fried fishlings foam and soak thir minor manticores battered eyeballs batting at yew
the way the waves in the painting curve so many telltale infernal tickings I knew I had to stop writing nonsense. jack spicer laffed and laffd. but arturo desimone wasnt laffing at me and brenda iijima definitely wasnt fucking laughing.
and I used a poem w/ all the banned poetry words, poetry, angels , filament (fear of saying ‘thread’), aperture (fear of saying ‘hole’), rococco, chiaroscuro especially fucking aperture, most banned poetry word. and there are more I reckon: thighs, language, the phrase ‘the body’ (it’s the the that does me in, Michael says), gossamer, affected use of overpronounced Spanish in otherwise English-language writing, pearl, pause, breath, anything French, liminal, palimpsest, I, ghosts, souls, beams when used of eyes, azure when applied to sea or sky, any ‘poetic’ terms such as ‘neath, tungsten, thrumming, esoteric plant names, references to fantastical places like Arcadia, also ‘tween and o’er, sand, Greek or Roman god names, desire … yr … instance, espejo, gaze, MYSTICAL, Dear, ‘To Spicer’, banned, gunmetal, all tree names, beyond, erotic, lone, single, all adverbs, we, word/world, hoarfrost, cheesecloth, any nouns made into verbs, ostensibly, matrix, kitsch, sediment, essence, ‘architecture of,’ ‘the social,’ mist, floating, moist especially in the context of a ‘moist night’ or evening, typically any penis, erection, nipple words, eternal, death, quiche; scry, limn, lapidary, sidereal—not banned but groan-worthy—shard, salt, luminous, the phrase ‘in my mind’… (44)
as the owl augurs I have an hour to read marcabru and fall in love to study the medicines and put a rock in each corner of the house and pray over it with pollen as my elder advised to test my extraordinary knowledgeses to briefly wonder whether I was actually under a spell to write my poem about being a mongrel I must love even the fox that impedes my path n jettison my former ire n any gesture toward abstraction n go to the dump finally w/ the disused bicycle tires and the broken antlers and the cracked stained glass of a ship that formerly I wdve harbored because I did not love myself but the broken shelf I want namore of it the jangle-mongrel and the rose and the ndn cowboy that layall closeted along w/ my availability to my own mind and the killings of our familyes queer and black and brown and ndn slaughter at orlando symbol of our hermitude massacre at aravaipa gashdla’á cho o’aa big sycamore standing there bear river sand creek tulsa rosewood n when I finally sussed them out n laid the tequila in its proper trash n attempted to corral the pony of my mind they say the ohlone were here as if there were no more ohlone erected a fake shellmound called it shellmound avenue my friends dont like that my friends dont like that excrement it’s not like youd give away the algorithm, my bf pointed out, to the one yr tryin to put a spell on marcabru uses the word ‘mestissa’ to describe the shepherdess his dickish narrator is poorly courting which paden translates ‘half-breed’ and pound ‘low-born’ and snodgrass ‘lassie’ but I want to say mongrel, mestiza, mixedbreed melissima most honeyed most songful what catullus called his boyfriend’s eyes honey the color my dead dog’s eyes the stomach of the bee I’m going to gather pollen from the cattails in a week or two to pray to the plant tell it I’m only taking what I need use a coathanger to hook the ones far from shore filter it thru chiffon four times what is love but a constellation of significances lyke-like magic los cavecs nos aüra as the owl augurs one gapes at a painting the other waits for mahana (90)
Expands beyond any easy formal container and allows the sense of pleasure to take the lead--in words and in things. I love the really interior private languages of the book.