I read number one in the seven-book, multi-genre Graveyard Queen series, The Restorer, and loved it, five-star love. Not my usual type of read except Amelia Gray, the protagonist, is a professional cemetery restorer and I'm a taphophile, someone with an interest in old, sculptural, historical cemeteries, the kind she is paid to restore. Her job involves intensive research into each one and she knows the meaning of symbols on gravestones.and of placement of monuments and all kinds of things I find fascinating. And she sees ghosts. I don't believe in ghosts but love to read about them.
She's available and though I don't read romance, mixed with the mystery and the rest of the plot in book one it was fine. She's fallen for the proverbial tall, dark and handsome man, Devlin, whose wife and child died young in a car accident The ghost of his beautiful dead wife, who he can't see, gives Amelia taunting looks whenever she and Devlin touch or are about to. While he's still actively mourning his late wife, he's just as drawn to Amelia as she to him. It's an insta-crush and I have no problem with that. Sometimes they bloom and grow like the moonlight gardens Stevens writes about. Sometimes they work out, sometimes not, but they do happen: chemistry and hormones and fairy dust, I don't know but I don't mind.
And there were two mysteries, something I don't read much of either. The murder mystery was gruesome and compelling. The other is the mystery of how and why Amelia was adopted by the Grays, who have never discussed it with her. It's there but not center stage. The book had a lot of great elements, I loved the flow of Stevens's writing and the generous descriptions of flowers and other natural elements that were a treat, and it all came together.
I loved it so much I bought the other six.
And now I've read #2, The Kingdom, and #2 is a generous two stars for me. As great as I found The Restorer, I found The Kingdom just that flawed. Amelia has accepted a commission in an isolated town in the Appalachian mountains in South Carolina. The ruthless elder of the town's founding family flooded it with a dam, isolating the town and flooding a cemetery with it. Intriguing. But that's not the cemetery she's been hired to restore, it's the old family cemetery.
As are most of the characters in this one, the family are over-the-top caricatures. And that includes Amelia's new insta-crush. One per book? I don't like that. Change his eyes from brown to green, it's that simple? No thanks -- and she hasn't forgotten Devlin, and I don't want her to.
The :biggest weakness, though, is the number of occult creatures and elements. There are not just ghosts here. There's Ancient Evil and, um, Regular Evil?, possession, witches and otherworldly beings that are never made clear. And it's not just people, it's things: carvings and necklaces, symbols, a photograph and sculptured angels. Too many, too much. Stevens has thrown in everything but the kitchen sink --- a possessed kitchen sink.
Again Stevens provides some lovely, descriptive nature writing The landscape, especially the mountain, plays a big role in the plot though the long climax that takes place there bored me. Not good. Most of it isn't. I question why this series of light paranormal-romance-mysteries are all close to 400 pages. Though I thought there wasn't a word wasted in The Restorer; not so for The Kingdom.
The best part for me is that The Kingdom reveals the circumstances of Amelia's birth and adoption. I found the story ludicrous but was relieved that in a seven-book series I didn't have to wait longer to find out. And it's poignant at points. Poignant and ludicrous: two adjectives I've never used to refer to the same thing before but it is.
Book three looks better. It has the elements I loved in one and missed in two. I look forward to reading it...after a break.