Michael Powell and Emeric Pressburger formed the greatest creative partnership in the history of British Cinema - The Archers. Their films were often Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form and music. In the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film masters.
I finally finished this excellent study of the work of Powell and Pressburger today having started it last year and put it down. I love what work of Powell and Pressburger I've seen and this book does a grand job of looking at their whole careers so that I now realise I have only touched the surface of the work they did.
Christie does a fine job of contextualising their work, looking at their themes and their influence on modern film-makers - Martin Scorsese provides an introduction to the book. Indeed, I wasn't aware of how influential they were on the 70s American film-makers. Not just Scorsese, but Coppolla and others. There were some initial efforts for Powell to make a film version of Ursula LeGuin's Earthsea Trilogy through Coppolla's Zeotrope company but Coppolla's financial problems put an end to that idea.
Essential overview of The Archers’ work and place in the British film industry… but only its original edition, with its expansive layout and liberal selections of stills.