I'm reading my way through all 54 of the 87th Precinct Series. I'm a fan of Ed McBain. I love the series, and many of its characters. But ... this is my least favourite of all the novels so far.
It's intentionally nightmarey. But not in a good way. Its darkness is unresolved, to my mind. I think that's because aspects of it are unresolved inside the head of its creator.
Theoretically, it's an interesting idea -- to start with the murder of a Catholic Priest, and then establish a connection between that event and the Black Sabbath meeting just down the road. It seems likely that McBain's own Italian-American origins had ensured familiarity with Catholic church practice, though so far as I know, our author was not a religious man.
But as for the Satanic Church meetings taking place just down the road, McBain seems equally well informed. In fact, does he not describe the Satanic procedures with just a little too much relish?
"Kissing the altar/woman full on her genitals, the priest had recited the timeless words, 'Satan is Lord of the Temple, Lord of the World, he bringeth to me joyous youth, all praise Satan, all hail Satan!' and the celebrants had responded 'All hail Satan!' and the girl acolyte had come to the altar and raised her garments to the priest, revealing herself naked beneath them. The boy acolyte had held a silver container to catch her urine, and the priest had dipped a phallus-shaped aspergill into the container and sprinkled the celebrants with the little girl's urine< If thou hast thirst, then let thee come to the Lord Satan. If thou wouldst partake of the water of life, the Infernal Lord doth offer it. And then had passed among them with the chalice containing the Ecstasy capsules, and they had washed the caps down with thick red wine offered by the deacon and one of the subdeacons, sixty-one people times twenty bucks a pop came to twelve hundred and change. // The girl acolyte stood to the right of the altar now. //She was a darling little blonde girl, all of eight years old, whose mother was tonight serving as the altar. She was dressed entirely in black, as was her father who was sitting among the other stoned celebrants and feeling enormously proud of the separate important roles his wife and daughter were playing in tonight's ritual. The boy acolyte was only seven. He was standing to the left of the altar/woman, staring a bit wide-eyed at the tufted blonde patch above the joining of her legs....."
Okay, maybe it's all relevant, like all the police procedural stuff. But only if he's going to expose the whole thing somehow. It would appear, after all, that somebody is making a significant profit out of Ecstasy sales to an entire congregation. And can it be, in any sense, legal to expose children as young as seven and eight to the full details of ritualised human copulation? Isn't that a form of what we now call 'grooming'?
But none of this turns out to have much relevance to the plot, when all's said and done. And none of the good guys become privy to any Satanic shenanigans. It's only the reader who is invited into the intimate details of the scene. Why? Probably because McBain is having a bit of fun with it. But it wasn't fun that I enjoyed. I was worried about those children.
Also worried about the thirteen-year-0ld who [SPOILER ALERT] is driven to kill a priest after she witnesses him busily fornicating in a back room of the Catholic church. What she sees is disturbing enough to drive her over the edge, obviously. But the two younger children in the Satanic Church down the road aren't even apparently slightly troubled by what they're observing on a regular basis.
Moral compass? Another main plot element is the past catching up with Marilyn Hollis, Willis's true love. In her past life as a multiple rape victim and sex worker, she poisoned her pimp and ran away with his money. If she hadn't, Willis would never have met her living a pure and luxurious life in a penthouse apartment. But he has been facing a quandary ever since she told him the truth. He's a cop and he's living with a murderess. What should he do about it? The answer is: nothing.
Nothing, that is, until her past comes back to haunt her, as McBain always intended it should. And the moral compass says those that kill will ultimately be killed. The writing's on the wall for Marilyn because she sinned. Except, really not. She poisoned a guy who had sold her for sex, and who had deliberately commissioned an illegal termination of her pregnancy AND a hysterectomy thrown in for good measure. Doesn't she deserve to be cut a bit of slack? She's only 26, a year younger than the woman spreading her legs on the altar of the Church of Satan.
No, Marilyn has to die. Because otherwise, her cop-lover, Willis, would be morally compromised. He might even have had to help her planned execution of her two assassins, thus joining her on the wrong side of the law. It would have been a lot more interesting than what does actually happen. But no matter.
This novel went down some dark alleyways and didn't think through their implications. I didn't like it. Not one bit.